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Critical anlkysisessay of Paul's Case by Willa Cather
Summary of the necklace by guy de maupassant
Summary of the necklace by guy de maupassant
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Willa Cather's Paul's Case and Maupassant's The Necklace When comparing two fictional characters from two different writers one must first and foremost analyze their dreams, ambitions, or goals in the story. Whether the character is setting out to accomplish something physically, or they are on a personal or spiritual quest to find themselves. A character's ambitions can reveal a lot of underlying qualities that may not be as apparent at first glance from the reader. While many of the stories we have read this semester contain characters with very obvious similarities, I found that two in particular stood out for me the most. For the purposes of this paper I have chosen to write on Paul from Willa Cather's short story "Paul's Case" and Mathilde in "The Necklace" by Guy de Maupassant. I found that both of these characters complimented each other very nicely for this assignment, both wish to get a taste of lives they know they cannot have and in the end suffer for the thrill of it. Through the words of the authors we can see how miserable both characters are with their current stations in life and how much they strive to fit in with a "better" crowd. One may also see these characters as naïve, almost deserving of the tragedies that befall them due to the fact that they seem to dismiss their own class as inferior, and envy the upper class in the form of actors, aristocrats, political leaders, and social leaders.
In Cather's story o...
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... was no middle ground only the very poor and the very rich and having no experience with one another's the classes perceptions on each other seem warped in both of these stories. Both of these characters would have averted tragedy had they only stayed within their own social circles
but is this the message we want to walk away from these stories with?
Works Cited: Source: #1 Dictionary of Literary Biography, Volume 123: Nineteenth-Century French Fiction Writers: Naturalism and Beyond, 1860-1900. A Bruccoli Clark Layman Book. Edited by Catharine Savage Brosman, Tulane University. The Gale Group, 1992. pp. 188-214.
Source #2: Jennifer Hicks An overview of "Paul's Case," in Short Stories for Students, Gale Research, 1997.
Source #3: Kennedy, X.J., and Dana Gioia. Literature An Introduction to Fiction, Poetry, and Drama. 9th. New York: Pearson Longman, 2005.
In ‘Paul’s Case’ Paul has created a fantasy world in which he becomes entranced, even to the point of lying to classmates about the tales of grandeur and close friendships that he had made with the members of the stock company. This fantasy falls apart around him as “the principle went to Paul’s father, and Paul was taken out of school and put to work. The manager at Carnegie Hall was told to get another usher in his stead; the doorkeeper at the theater was warned not to admit him to the house” (Cather 8). The fantasy fell apart further when the stories he had told his classmates reached the ears of the women of the stock company, who unlike their lavish descriptions from Paul were actually hardworking women supporting their families. Unable to cope with the reality of working for Denny & Carson, he stole the money he was supposed to deposit in the bank to live the life of luxury in New York. Only a person who felt backed into a corner would attempt something so unsound. After his eight days in paradise, he is again backed into a corner by the reality of his middle class upbringing, and the dwindling time he has before his father reaches New York to find him. The final way out for Paul is his suicide, for which an explanation would be “In the end, he fails to find his security, for it was his grandiose “picture making mechanism” that made his life so deardful.” (Saari). With all the securities of his fantasy life finally gone, his mental instability fully comes to light as he jumps in front of the train to end his
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
"Paul's Case," by Willa Cather, is a story that deals with a young boy who does not feel that he lives a life befitting of him. Upon a close reading, it is evident that "Paul's Case" is ruled by irony and symbolism, which are apparent in the story through the words of the narrator. The irony woven throughout the text builds up to an epiphonic moment, a main paradox in the story, which reveals to the reader Paul's true nature.
Updike, John. "A&P." Literature: Reading Fiction, Poetry, and Drama. Ed. Robert DiYanni. 5th ed. New York, NY: McGraw, 2002. 27-31.
Hicks, Jennifer. "Paul’s Case." Short Stories for Students. Ed. Kathleen Wilson. Vol. 2. Detroit: Gale, 1997. 192-209. Short Stories for Students. Gale. Web. 21 Jan. 2010.
Hicks, Jennifer. "Paul’s Case." Short Stories for Students. Ed. Kathleen Wilson. Vol. 2. Detroit: Gale, 1997. 192-209. Short Stories for Students. Gale. Web. 21 Jan. 2010.
American Literature. 6th Edition. Vol. A. Ed. Nina Baym. New York: W.W. Norton & Company. 2003. 783-791
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Ellison, Ralph. "Battle Royal." Literature: an introduction to fiction, poetry, and drama. 9th ed and Interactive ed. Eds. X.J. Kennedy and Dana Gioia. New York: Pearson Longman, 2005. 555-566.
Meyer, M. (2013). Bedford introduction to literature: Reading, thinking, writing. Boston: Bedford Bks St Martin’s.
Jokinen, Anniina. "Luminarium: Anthology of English Literature." Luminarium: Anthology of English Literature. N.p., 1996. Web. 9 Nov. 2013. http://www.luminarium.org/
Kennedy, X. J., & Gioia, D. (2013). Literature: An introduction to fiction, poetry, drama, and
Guy de Maupassant is a realist whose claim to fame is the style in which he conveys political and socioeconomic themes in his literary publications. He achieves his writing style by putting small unfortunate life events under a spotlight. His literary performance is described in his biography from Cambridge, the writer says “He exposes with piercing clarity the small tragedies and pathetic incidents of everyday life, taking a clear-sighted though pessimistic view of humanity” (Halsey, par. 1). Guy de Maupassant’s story The Necklace is a great representation of the style he uses. In The Necklace the main character Mathilde Loisel a beautiful but impoverished woman married to a clerk is in conflict with her lack of wealth and desire to acquire