Will You Please Be Quiet Please Analysis

1111 Words3 Pages

In Raymond Carver’s short story, “Will You Please Be Quiet, Please?” the protagonist, Ralph Wyman faces the hard decision of leaving or staying with his wife after his wife confesses to having an affair with a family friend (Carver 237). However, instead of making a decision right away, Ralph embarks on a journey which leads to four specific episodes: he goes to a bar called “Blake’s,” then he goes to “Jim Oysters House,” he gets into a fight and is knocked out, and then he returns home (Carver 238-247). Each of these episodes holds significance and influences his decision at the end of the story (which is to stay with his wife), but the episode where he is beaten up is the most ambiguous of the events, and it also the event which suggests a turning point for Ralph. He realizes he is not the young man he once was. He is no longer “Jackson,” the young man in college. He is Ralph Wyman. However, it is not until he returns home that he resolves his conflict with his wife, Marian.
Before delving into the event where Ralph realizes he is no longer “Jackson,” it is important to understand why he leaves his home at the climax of the argument with his wife. One can say he leaves because he was angry, but I believe there is more to why he leaves his house. I believe Ralph leaves at the height of the argument because he questioned who he was. He was a husband and a father, but after finally hearing his wife confess about her affair, he questions if he can still be the husband and father he once was, and that is why he goes on his journey. He runs away and tries to become Jackson once more (the fraternity brother who had a reputation of being drunk every night) (Carver 227).
In the first episode after leaving his house, Ralph goes to ...

... middle of paper ...

... making a mistake four years earlier. He realizes it would be impossible to leave Marian because with her, he understands himself. When Ralph was with Marian when he was younger, “Ralph felt like he understood himself-what he could do, what he could not do, and where he was headed with the prudent measure of himself that he made” (Carver 230). Marian was part of his identity. She was part of “Ralph,” she was what made “Jackson” into “Ralph.”
In conclusion, Ralph faces both an internal conflict and an external conflict, both of which affect his sense of identity. He tries to become Jackson once more, but realizes after being beaten up that Jackson was no more. Then he returns home and realizes his wife loves him and it would be impossible to change his life (by leaving Marian) because Marian is a part of who he is; Marian is what separates Jackson from Ralph Wyman.

Open Document