Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes of wilfred owen poetry
Themes of wilfred owen poetry
Themes of wilfred owen poetry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Wildeve's Flaws and how they contribute to his problems.
Hardy often relates his characters to their surrounding natural
landscape, therefore creating the backdrop to the story, with the
characters in it. Wildeve's name invokes up images of the 'wild' of
the heath and this reflects his passionate and impulsive behaviour.
Another way in which Hardy creates the image of Wildeve is by using
the 'gossip' of other minor characters. Through a discussion of the
heath-folk that Wildeve's name is firstly introduced to the reader, "
To give him his due he's a clever learned fellow in his way.. An
engineer- that's what the man was, as we know; but he threw away his
chance."
Hardy's description is essential in developing Wildeve's character. He
describes him as being a man of two properties, "farm and motion" and
he is explicitly depicted as a physically attractive persona. Hardy
enforces this, "the grace of his movements was singular: it was the
pantomimic expression of a lady killing career".
Wildeve's distanced superiority towards the heath folk further
highlights his egotism. They however do not seem to perceive his cold
opinions to them. His approach and the way he conducts himself
contrasts greatly with their enthusiasm and genuine feeling. "Wildeve
made no reply and probably feeling that the sooner he treated them the
sooner they would go".
Wildeve's selfishness is also illustrated by his attitude to Thomasin.
Although Thomasin has had a tiresome and emotional journey, his first
words to her lack real warmth and feeling, "How could you leave me in
that way darling?", this statement seems careless, and as if he has no
concern about her safe arrival.
Wildeve plays with Thomasin's feelings. She has t...
... middle of paper ...
...thin human limitations.
Wildeve cannot initiate rebellion. He can only respond to Eustacia's
fire and be consumed in her flames, like the moth-signal he sends her.
The weakness and unpredictability in his character, rather than evil
and the troubled beauty and vanity of Eustacia, combined for
predictable longing, rejection and ultimately tragedy. When Eustacia
no longer showed interest, he was dying for her, and when he comes
into an inheritance that will allow him to make his dreams come true,
and effectively escape the heath, he tells Eustacia his plans to 'live
it up' and travel. Ironically he is unable to make this happen, for he
sacrifices himself trying to save Eustacia from drowning. His
superstitious nature allowed him to get involved in something risky,
but despite his flaws and mistakes, like Eustacia he is now
permanently buried on the heath.
The Picture of Dorian Gray is a philosophical fiction novel written by Oscar Wilde. The Picture of Dorian Gray is referring to two portraits, first of all is the portrait of Dorian Gray painted by Basil Hallward, the painter in this novel, and the second one is the literary picture of Dorian Gray created by the author in this novel. The physical beauty of the main character of this novel, Dorian, remains unchanged even after 18 years but the painting of Dorian is changing horribly throughout this story to reflect the corruption of Dorian’s soul.
Wilde does this in order to portray Lady Bracknell with very strong Victorian views that are illogical and humorous to the reader thus satirising the values which are prominent in Victorian standards. Consequently it can be seen that Lady Bracknell is corrupt beyond reason, sacrificing the happiness of her daughter for her Victorian values and ridiculing Jack for his less than exemplary past. Some critics believe Lady Bracknell to be a ‘living parody of upper class values’ which can be
Wilde’s didactic satire delves deep into the problems of society, highlighting to the audience all the flaws of human beings and their social obligations while keeping it light-hearted and enjoyable for audiences. The author’s mockery and satire of society, as seen in his play, is most likely stemmed from his lack of acceptance and frustration at the society he believes to be ‘proper’. Readers today laugh at the situations portrayed because they are satirical and humourous, but they also question the motives behind the character “Earnest” because they see that “earnest”, meaning seriousness or sincerity, is the one thing the characters most certainly do not portray. However, towards the end of the play, when all has come out, Jack states that “I’ve now realized for the first time in my life the vital Importance of Being Earnest” (Wilde 2000, p.358), which may in fact be the most blatantly satirical line of the play, and a great summation of the lies the play relied on. This explores Wilde’s use of double entendre as Jack lives a double life, alongside the use of an elaborate p...
Wilde’s play demonstrates how idealism influences individual’s potentiality to make fate-determining decisions. He does so through the character development of Robert and Gertrude Chiltern. The Chilterns’ idealistic attitudes regarding fiscal, social, and matrimonial issues play large roles in steering the plot to it’s exultant conclusion. For Robert, staying true to his ideals earned him a happy ending. For Gertrude, being gracious and flexible in her ideals led to her to a jubilant outcome. The two married characters bring balance as well as a genuineness to the nature of idealism. Whether an individual is persisting in their convictions or modifying their standards, idealism leads to characters determining their own destinies.
Mr. Dorian Gray began the story as one of the most compassionate, humble, virtuous men. ALl those qualities evolved once he traded his soul for his youth (with the painting). As life went on it became easier and easier for Dorian to sin since he did not have a soul. In my opinion, his greediness and selfishness was a poor excuse before he abandoned his soul. Dorian’s first act of greediness, I believe, was when he craved to be youthful for eternity. Dorian wanted to be different to be superior to others, to have something that the whole world would be envious of. He believed that to live a simple life was merely to live at all.
Thomas Hardy (1840-1928) was one of the great writers of the Late Victorian era. One of his great works out of the many that he produced was his poem Hap, which he wrote in 1866, but did not publish until 1898 in his collection of poems called Wessex Poems. This poem seems to typify the sense of alienation that he and other writers were experiencing at the time, as they "saw their times as marked by accelerating social and technological change and by the burden of a worldwide empire" (Longman p. 2165). The poem also reveals Hardy's own "abiding sense of a universe ruled by a blind or hostile fate, a world whose landscapes are etched with traces of the fleeting stories of their inhabitants" (Longman p. 2254).
The Picture of Dorian Gray can be defined as a symbolic representation of a dialectic between two aspects of Wilde's personality. Dorian is an archetypal image by which both aspects are fascinated. This suggests that his behaviour symbolizes Wilde's unconscious (i.e. unacknowledged) attitudes. Dorian is characterized by his evasiveness and his obsession with objets d'art. For example, when Basil comes to console him about Sibyl's death, he is unwilling to discuss the matter. He does not want to admit the possibility that his behaviour was reprehensible. He tells his friend: "If one doesn't talk about a thing, it has never happened. It is simply expression, as Harry says, that gives reality to things" (107). Later, after murdering Basil, he again seeks to avoid acknowledging what he has done: "He felt that the secret of the whole thing was not to realize the situation" (159).
It is in these ways Wilde challenges Victorian earnestness.
In this passage from the play it is very clear that Wilde likes to give
Unlike Hardwig’s poem Hardyd’s lacks any type of reverence or fear of the suffering he undergoes. In fact he mocks both the idea that suffering is something meted out by God and the idea that a man can do anything to effect the amount of suffering he experiences through out his life. In a sense the two author’s while expressing similar ideas, the idea of personal struggle and suffering, are in contention in a very similar way that religion and enlightenment ideas were during the Victorian period.
It is human nature to desire freedom and yearn passion, yet it is also human nature to obtain acceptance and follow reason. It is a never ending battle between passion and reason; without reason there is no acceptance, without passion there is no freedom. In Charlotte Bronte's Jane Eyre, Jane strongly struggles between passion and reason. Though Jane loves Mr. Rochester, her employer at Thornfield Hall, she has certain values to uphold in order to conform with society. Jane does not let her affections overtake her morality, though her return to Mr. Rochester proves passion to be stronger than reason.
Hardy originated from a working class family. The son of a master mason, Hardy was slightly above that of his agricultural peers. Hardy’s examination of transition between classes is usually similar to that of D.H. Lawrence, that if you step outside your circle you will die. The ambitious lives of the characters within Hardy’s novels like Jude and Tess usually end fatally; as they attempt to break away from the constraints of their class, thus, depicting Hardy’s view upon the transition between classes. Hardy valued lower class morals and traditions, it is apparent through reading Tess that her struggles are evidently permeated through the social sufferings of the working class. A central theme running throughout Hardy’s novels is the decline of old families. It is said Hardy himself traced the Dorset Hardy’s lineage and found once they were of great i...
One facet Wilde wants to portray is language. He believes the characters converse in a stylized form of wit (Mackie 146). An example can be found on page 29 when Algernon asks Jack what he wants to do. Jack replies with “Nothing!” and Algernon says “It is awfully hard word doing nothing.
Oscar Wilde (1854 - 1900) is a central figure in aesthetic writing. Wilde was a poet, fiction writer, essayist and editor. In the opening scenes of the movie Velvet Goldmine, Todd Haynes suggested that Wilde was one of the first pop idols. Oscar Wilde is often seen as a homosexual icon although as many men of his day he was also a husband and father. Wilde’s life ended at odds with Victorian morals that surrounded him. He died in exile.
Oscar Wilde’s The Picture of Dorian Gray to me emphasis the corruption that comes from obsessing about aesthetics and the idea that looks are the only things that matter. In this modern era novel Basil Hallward is a benevolent artist who paints a portrait of the young attractive man named Dorian Gray. After speaking with Lord Henry Wotton, Dorian makes a wish while looking at his painting and it would be this wish that turned into a curse that ruined Dorian for Basil and ruined the world itself for Dorian. "If it were I who was to be always young, and the picture that was to grow old! For that I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that" (Wilde 109). It’s in this action that Dorian sold his soul to the Devil though in this cause the Devil has a name, Lord Henry Wotton. Dorian lives his life of indulgence based upon a book given to him by Lord Henry, and