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Virginia woolf and feminism
Virginia woolf and feminism
Virginia woolf and feminism
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Who’s Afraid of Virginia Woolf? Fun and Games – What are the games,
and how much fun do people have?
The play begins with George and Martha, who have just returned from a
welcoming-party at the college. From the first moments of the play,
the audience are made aware of the great differences between these two
characters. Martha is said to be a “large, boisterous” woman, whereas
George is referred to as a “thin” man, with hair that is going grey.
Martha is an aggressive and loud woman, but George is passive and
quiet. The fact that the characters are so different leads to
inevitable conflict between them. Throughout Act I, which is
ironically entitled “Fun and Games”, there is a great power struggle
between them. The “games” are simply the tools with which George and
Martha attempt to assert their dominance.
After Martha has entered the family home, she looks around and
immediately exclaims, “What a dump!”. She then asks George which film
the phrase comes from. It is possible that Martha already knows the
answer to this, but asks George anyway, because she is aware that he
does not. This is the first “game” that is played out between the two
characters. Martha continues to ask her husband which Bette Davis
film the phrase is from, and he eventually gives her a reluctant
answer, “Chicago! Its called Chicago.”. This is, of course,
incorrect, and so Martha is victorious in this “game”, as she has
forced George to guess at the film title, even though he did not want
to.
One of the key features of the “games” that George and Martha play is
that, if one of the characters asserts their dominance over the other
in a particular game, then the other always tries to retain a kind of
equilibrium by conjuring u...
... middle of paper ...
...eed not his.
A the end of the Act, Martha begins another relentless campaign to
make George feel like a failure, and how he doesn’t have the “stuff”
to become head of the history department. This culminates in George
smashing a glass in frustration. This is the first time that words
have failed George, and he appears utterly beaten by Martha’s cruel
insults. He then begins to sing Martha’s Virginia Woolf song, in an
attempt to drown her out. This is ironic, as he is, in a way,
conceding defeat to her by doing this. George’s patience appears to
have evaporated, and Martha seems victorious.
In conclusion, it must be said that the ironically named “games”
between George and Martha cause a great deal of pain to both
characters. Neither can be said to be having “fun” at any time,
though there were occasions when Martha appears turned-on by the
conflict.
Without a doubt, any intelligent reader of this play can see the obvious similarities between Mrs. Webb and Mrs. Gibbs. On a purely literal level, the two seem to run parallel to one another. For example, their morning routine is abnormally similar, they both attend choir practice, they both enjoy the town gossip, and the basic makeup of their families are the same.
The plays, The Glass Menagerie and A Raisin in the Sun, deal with the love, honor, and respect of family. In The Glass Menagerie, Amanda, the caring but overbearing and over protective mother, wants to be taken care of, but in A Raisin in the Sun, Mama, as she is known, is the overseer of the family. The prospective of the plays identify that we have family members, like Amanda, as overprotective, or like Mama, as overseers. I am going to give a contrast of the mothers in the plays.
Nora and Mrs. Wright’s social standing when compared to the men in each play is inferior. Both works expose their respective male characters’ sexist view of women diminishing the women’s social standing. Each work features egotistical men who have a severely inflated view of their self-worth when compared to their female counterparts. The men’s actions and words indicate they believe women are not capable of thinking intelligently. This is demonstrated in “Trifles” when Mr. Hale makes the statement about women only worrying about mere trifles. It is also apparent in “A Dollhouse” when Torvalds thinks his wife is not capable of thinking with any complexity (Mazur 17). Another common attribute is of the women’s social standing is displayed as both women finally get tired of feeling like second class citizens and stand up to the repressive people in the women’s lives (Mulry 294). Although both women share much in common in their social standing there subtle differences. Torvald’s sexist view of Nora is more on a personal level in “A Dollhouse” while the male characters’ sexist views in “Trifles” seem to be more of a social view that women are not very smart and their opinions are of little value. This attitude is apparent in “Trifles” as Mr. Hale and Mr. Henderson’s comments about Mrs. Wright’s housekeeping (Mulry 293). As the women in both works reach their emotional
I have chosen to write about Virginia Woolf, a British novelist who wrote A Room of One’s Own, To the Lighthouse and Orlando, to name a few of her pieces of work. Virginia Woolf was my first introduction to feminist type books. I chose Woolf because she is a fantastic writer and one of my favorites as well. Her unique style of writing, which came to be known as stream-of-consciousness, was influenced by the symptoms she experienced through her bipolar disorder. Many people have heard the word "bipolar," but do not realize its full implications. People who know someone with this disorder might understand their irregular behavior as a character flaw, not realizing that people with bipolar mental illness do not have control over their moods. Virginia Woolf’s illness was not understood in her lifetime. She committed suicide in 1941.
Dozier, Richard. "Adultry and Disappointment in Who's Afraid Of Virginia Woolf?" Modern Drama Vol11. No 4, (Feb 1969): 432-436.
Why would I start with Julia Duckworth Stephen to get to Virginia Woolf? One answer is Virginia’s often quoted statement that "we think back through our mothers if we are women" (Woolf, A Room of One’s Own). Feminism is rooted not just in a response to patriarchy but also in the history of females and their treatment of each other. Part of feminism is a reevaluation of the value of motherhood.
ane Eyre is a story filled with many forms of abuse and bad customs. In this essay I will bring you close to these. I will point out tyrants and abusers that Jane faces throughout her life. Jane Eyre Is also filled with hypocrisy and I will expose that. The suffering that Jane endures will be discussed. The book Jane Eyre starts out very powerful. Our first meeting of Jane is at Gateshead. Jane is an orphan who is being taken care of by Mrs. Reed her aunt by marriage. There is no love for Jane here; not only that the only thing here for Jane is abuse. “Why was I always suffering, always browbeaten, always accused, forever condemned?”(Pg.11) Keep in mind that this girl is only 10 years old. She is all alone. She is on her own. “I was a discord in Gateshead Hall; I was like nobody there”(Pg.12) Within the First ten pages we learn of the harshest abuse Jane has to face in the book. The infamous “Red Room.” Jane is sent to the “Red Room” after a dispute with John. John is Mrs. Reeds favorite, but he is a little tyrant. The foul part is that Jane was injured by him and she got punished. The reason the “Red Room” seems scary is that it is the room Mr. Reed passed away in. “ And I thought Mr. Reed’s spirt, harassed by the wrongs of his sister’s child, might quit its abode.” So Jane feels that his spirit is present and her harassment of him might keep him from showing himself.” As Jane sits in the “Red Room” a shadow of some kind begins to move about the wall like a dancer. Jane starts to worry to the point that her mind becomes overwhelmed and she passes out. When she wakes up, she begs Bessie and Miss Abbot the help to let her out. They run to Mrs. Reed to tell her of Jane’s high fever. As the sunsets a new found factor of worry is thrown at Jane. It becomes evident that she may not make it through the night. Mr. Lloyd the doctor arrives to tend to Jane, and he recommends that Jane attend a school called Lowwood. Jane makes it through the night but her abuse and torments have just begun. She will soon face a monster and a tyrant far worse than that of young John known as Mr.
Independence, the capacity to manage ones own affairs, make one’s own judgments, and provide for one’s self. Jane Eyre herself is a very independent woman. Throughout her life she has depended on very few people for very little. Charlotte Brontë wants the reader to learn that independence can open many doors of possibilities.
Emily Dickinson once wrote “Much madness is divinest/Sense-To a discerning Eye.” Often in literature, a character’s madness or foolish action plays an important role. Such is the case with the play Who’s Afraid of Virginia Woolf? written in 1962, by Edward Albee. The author develops and revisits the inner conflict of Martha, the protagonist, which results from the struggle between her and society throughout the plot to highlight the theme of struggle between reality and illusion. Martha’s madness is used by Albee to reveal characteristics of American society in the 50s and 60s that reveal the seemingly mad behavior as reasonable.
Many people have wondered what it would be like to wake up as a member of the opposite sex. In Virginia Woolf’s Orlando: A Biography, the handsome noble Orlando experiences this phenomenon first hand. Orlando must navigate his way through life as a woman in a time when class standing and gender dictated one’s existence. Orlando is ostracized from his society and loses his status due to both his unwillingness to conform and his gender change. Woolf uses Orlando’s alienation in order to elucidate the overly confining nature of society’s stifling class system and the hypocrisy of its gender roles.
In the novel Jane Eyre, Charlotte Bronte uses Jane Eyre as her base to find out how a character confronts the demands of a private passion that conflicts with her responsibilities. . Mistreated abused and deprived of a normal childhood, Jane Eyre creates an enemy early in her childhood with her Aunt Mrs. Reed. Just as Mrs. Reeds life is coming to an end, she writes to Jane asking her for forgiveness, and one last visit from her.
Many define drama to be a literary work that is to be performed in front of an audience. But to truly define drama one must comply with its themes in order to understand it fully. Drama is a form of art that is visually presented. It displays key characteristics of human emotions to give deeper meaning to what is being presented. Sometimes drama brings out what a person is truly feeling through a tragedy play or a play portraying good fortune. Drama plays are sometimes taken out of real life instances to extend the controversy of the event or elevate the excitement of the situation. Much like in Susan Glaspell’s “Trifles”, where a woman is being put on trial for killing her husband. Trifles are small insignificant things that can be ignored. Women are being ridiculed in this drama due to their lack of voice in society; however their superiority is shown through their keen eye for evidence. Symbolism in this play acts as a precursor to predestined events that take place. It can be observed by looking at anything that has specific significance to a scene, which Mrs. Hale and Mrs. Peters methodically point out. The unfinished quilt, the strangled bird, and fruit are the symbols that give insight what really happened between Mr. and Mrs. Wright, and what went wrong during their marriage to result in such a dreadful end.
Clurman, Harold. "Who's Afraid of Virginia Woolf?" Edward Albee: A Collection of Critical Essays. Ed. C.W.E. Bigsby. Englewood Cliffs: Prentice-Hall 1975. 76-79
Virginia Woolf, in her novels, set out to portray the self and the limits associated with it. She wanted the reader to understand time and how the characters could be caught within it. She felt that time could be transcended, even if it was momentarily, by one becoming involved with their work, art, a place, or someone else. She felt that her works provided a change from the typical egotistical work of males during her time, she makes it clear that women do not posses this trait. Woolf did not believe that women could influence as men through ego, yet she did feel [and portray] that certain men do hold the characteristics of women, such as respect for others and the ability to understand many experiences. Virginia Woolf made many of her time realize that traditional literature was no longer good enough and valid. She caused many women to become interested in writing, and can be seen as greatly influential in literary history
Although the couple is on a romantic vacation, George proceeds to neglect his wife. This is evident not only in his mannerisms but also in his lack of involvement in her want for the cat. When the wife says that she wants to go get the cat, George makes a poor attempt at offering to help. Unmoving and still laying in his same position on the bed, he remains focused on his book, and offers a half-hearted ?I?ll get it?(533). Since she is not looked after by her husband, she takes comfort in the fact that the innkeeper takes a liking to her and a concern to her well-being. By offering her an umbrella and his assistance ?the pardone made her feel very small and at the same time very important. She had a momentary feeling of supreme importance? (534). Often times women who are neglected need to seek outside attention, whether negative or positive. The fact that the pardone gave the American wife this feeling of importance reflects the lack of attention or even affection she receives from George. On the other hand, she can be like most women who are, in fact, attention whores. These are the typ...