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Claudio Monteverdi was born (1567¬¬¬¬¬-1643) in Cremona (northern Italy) , and baptized on May 15, 1567; which is relevant, later influencing his career as maestro di cappella (director of music) at the Basilica of San Marco in Venice. Monteverdi was known as the most diverse composer of the Renaissance and Baroque era, because of his mastery in the prima Prattica and Seconda Prattica. Prima Prattica (first practice) refers to the early baroque music of two or more simultaneous voices with equal importance otherwise known as polyphony, and mostly viewed in the style of Palestrina, transitioning into and Seconda Prattica (second practice) a more soloist vocal practice style, virtuosic, and individualized form of music. Cruda Amarilli, one of many of Monteverdi’s composition, is …show more content…
Cruda Amarilli was published in 1605, out of five books written by Monteverdi. Cruda Amarilli was sharply criticized by Artusi, another composer, for violating the rules of counterpoint composition. The stylistic form of Cruda Amarilli is of a madrigal, or in poetic form. It is written in five parts, and it has dissonances (clashing tonalities) creating tension in the piece. It also has repeating suspended tones and notes out of place in Artusi’s point of view. Monteverdi also wrote T’amo mia vita (I love you my life) published in 1605. T’amo mia vita is a concerto madrigal that depicts the love of our lives, or perhaps the love of Monteverdi’s life. The piece starts with a solo soprano, singing in a melodramatic “I love you my life”, which is a quoted memory later on,” my dearest life softly tells me; and with these such gentle words my life is joyfully transformed”. In my point of view, knowing Monteverdi’s back ground he might be talking about his own life, perhaps his Christian life, hence, “stamp it upon my breast so that I may breathe only for her, or could it be that music itself is the
They were two great composers who were associated with the Sistine chapel choir Josquire Despres and Giovanni Palestrina. Their music was stunning and beautifully which was brilliantly and magnificent religious music ever created its complex polyphonic composition which it has three
The nineteenth century introduced several great leaders into this world, many recognized by historians today. These men, Thomas Jefferson, Abraham Lincoln, and others, have all been honored and commemorated for their contributions. One such leader, José Martí, continues to remain anonymous outside the Hispanic community, and hidden in the shadows cast by these men. His name does not appear in the history books or on the tongues of many proud Americans, for he was neither a citizen of America nor an American hero.
The madrigal is a distinctive type of secular song that originated in Italy. It was an aristocratic form of poetry and music that flourished at small Italian courts. In the piece, Cruda Amarilli, Monteverdi uses many musical devices that are typical of a madrigal. The lyrics in this song are repeated, the music accompanies the text in interesting ways, and there is a wide range of vocal notes. After listening to the piece just once you can immediately feel the unrequited love Monteverdi is displaying through his words and music. The music and instrumentation in this piece aid the voices to establish form and mood through word painting. He uses word painting and cadences to develop a theme of unrequited love.
In the musical film Cosi fan Tutte, or translated, Thus Do They All, or The School for Lovers, it shows that love is a crisis, and true love can be a deception.
The Venetian School lasted from the mid 1500s to the early 1600s. It was created by a group of composers who worked in Venice. What’s so significant about this school is that it marked the end of the Renaissance and the start of the Baroque period. It produced some of the most famous musical events that influenced those in other countries immensely. There were many emerging instrumental forms during this time period. Beginning with the Concerto Grosso, it was a form of music that involved one large group of instruments and a small group of instruments. Together they had a complementary effect in which one might play by itself or they both might play together. A Sonata da camera has a similar concept, but instead is split into three or four musical compositions.
Born in 1556, Giovanni Gabrieli was an Italian composer who worked for the St. Mark’s Cathedral in Venice. During his time there, he composed works for separate choirs for both vocal and instrumental performers. One of his most famous pieces comes from his Sacrae Symphoniae completed in 1597; the Sonata Pian e Forte. Gabrieli was both a composer and organist in Renaissance and Baroque transitional period which caused elements of both periods to be demonstrated within his compositions. With instrumental music becoming more popular, it was becoming quite common during this time to have a composer who also played an instrument, especially the piano or organ. Sonata Pian e Forte gained fame from being a work that demonstrated a few characteristics and ideas about sound that had yet to be seen or often used.
This essay was written in order to find some relation between two great men W.E.B. Du Bois and Jose Marti, and how they strongly believed in not losing one’s self while fighting to adapt and overcome difficult yet exciting new times in the world for both of their respective cultures. Their emotions become evident in their writings, Souls of Black Folk and “Our America” respectively. Both men have the opinion that their cultures may overcome such hardships that they are facing during their respective time period but not by following the path its current leaders are leading them down. Changes must be made and these two men came forward with plans, ready to implement, if given a chance.
Domenico Modugno was one of the greatest italian composers and singer of the 50's, 60's
the basis for much of the style and aims of the later High Renaissance. He was actively
According to Michael Talbot, of Grove Music, as well as the liner notes from the Analekta Classical Music CD, Antonio Vivaldi was born to Giovanni Battista and Camilla Calicchio in Venice in 1678. Giovanni made a profitable living as an accomplished violinist, and became Vivaldi’s main instructor from an early age. The oldest of nine children, Vivaldi led the way in studying music, and became the most musical of his siblings. Vivaldi spent much time learning about and preparing to be ordained to the office of a priest. In 1703, he was ordained a priest, but resigned after just a year due to his acclaimed medical limits (Heller 38-40). For his entire life, Vivaldi struggled with the effects of bronchial asthma and was unable to play wind instruments. Though his asthma was a real issue, there is some question about the actual reason of his resignation. He was often rumored to leave a Mass when inspired with new musical ideas. After serving as a priest, Vivaldi was hired by the Ospedale della Pieta, one of four learning institutions intended for orphaned, abando...
La Vita Nuova is a collection of poetry and prose describing Dante’s love for Beatrice Portinari. Though both Dante and Beatrice married others during the time chronicled in La Vita Nuova, the love he professes for her is pure and all consuming. Indeed, for Dante, Beatrice represents absolute beauty and nobility of spirit. He refers to her as his “most gracious lady,” and she comes to represent the most perfect object of love.
Strozzi, Barbara. Cantate, ariete a una, doce, e tre voci, Opus 3. Ed. Gail Archer. In Recent Researches in the Music of the Baroque Era. vol. 83. Ed. Christoph Wolff. Madisono: A-R Editions, Inc., 1997.
There are two pieces in our Renaissance Era musical feature this evening, the first by Pierre Phalèse called Passamezzo d'Italye - Reprise – Gaillarde. Phalèse began as a bookseller in 1545 and not long after he set up a publishing house. By 1575 he had around 189 music books. Much of his work was devoted to sacred music but there was a small amount of Flemish songs and instrumental works. Phalèse borrowed work from many composers and did not hesitate to include other composer’s music in his works. The sec...
Many scholars use the term “bel canto” as a comprehensive label for all vocal performance between 1600 and 1850, and did not begin to represent a style of singing until the second half of the nineteenth century. One of the starting places to bel canto was Monteverdi. In a letter to Alessandro Striggio, Monteverdi states that “for males and females alike, the appropriate musical language is simle canto spianato, (plain, unadorned singing), but that divine beings should express themselves in the symbolic language of tirate, (scale-like runs), gorgheggi (shakes), and trills.” ...
Giovanni Battista Lulli was born on November 28, 1632. His father, Lorenzo di Maldo, was a miller and his mother, Caterina del Sera, was a miller’s daughter. Lully was born in Florence, Italy and lived there until age 11. While in Italy he studied dance and music; he played violin and guitar. In March of 1646 he moved to France to tutor Mlle de Montpensier in Italian. There he studied composition and harpsichord. Lully was able to hear the King’s grande bande perform, witness balls where the best French dance music was played.