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Comprehension of shakespeare and how it helps
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Have you ever thought you had an opposite? A Person that has totally different characteristics as yourself. In William Shakespeare’s “Much Ado About Nothing”, there are multiple character that possess opposite traits of one another. One set of characters can be the brothers of Don Pedro and Don John. Don Pedro is a royal prince who is very loyal towards his friends, while his infamous brother Don John doesn’t care about others, but only if they are in pain. Furthermore, with the opposite traits of Don Pedro and Don John this can be a fitting character foil.
First, Don Pedro is the opposite of Don John because of his loyal personality. As a dear friend to Claudio, Don Pedro is by his side as they shame the innocent Hero at the wedding with
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Without caring about the destruction and feelings of Hero or Claudio, John just wants to ruin the happiness other for his own sick joy. “ Any bar, any cross, any impediment will be medicinable to me. I am sick in displeasure to him, and whatsoever comes athwart his affection ranges evenly with mine. How canst thou cross this marriage” (Shakespeare 30)? Don John’s mischievous personality and love for the sadness of people powered a plan to ruin Hero and Claudio’s wedding by deceiving all of Messina that dear Hero was unloyal. To summarize, the evil Don John is presents more selfish acts than his friendly brother Don Pedro.
In Conclusion, the set of characters Don Pedro and Don John display totally opposite personalities. Don Pedro is always on the side of his friends which makes it sometimes harder for him to see the truth behind situations and easier for him to be deceived, while his brother Don John is his evil opposite that has a selfish nature of wanting to ruin the happiness others instead of helping find it. These points represent that the Don’s really have truly different characteristics that make thsi perfect character foil towards the play, “Much Ado About
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
Everyone can be evil. In William Shakespeare’s play Much Ado About Nothing Borachio is the evil sidekick of Don John. Borachio devises a plan to destroy Hero and Claudio’s love and ruin the reputation the of Hero and kill Leonato. "Proof enough to misuse the Prince, to vex Claudio, to undo Hero and kill Leonato..." (II. ii. 28-30). Don John accepts this horrible plan and Borachio carries out the actions to destroy the characters lives. Ultimately Borachio also ends up being caught and sent to jail by the Dogberry and the watchmen. Borachio is the greatest villain because he plans out these evil actions that affect the characters in a negative way.
Dorabella, like Eve, falls for the deception easily, but Fiordiligi, like Adam, is a bit more resilient but gives in when, Dorabella the Eve says it is harmless to Fiordiligi. Both of the women could not help themselves; the desire overcame the “love”. Deception is continuous in this play. Even Despina the maid is in disguise to help the men for her own desire of money. Don Alfonso was the one that urged, that tempted the two young men’s minds of whose “love” was more pure and faithful. Alfonso was skeptical, and believed that all women are fickle. The bet turns for the worst and how the movie ends is in a crisis. Of course, for the females, although they were tempted, if their love for their fiancés were strong enough, they would not have surrendered to their
William Shakespeare’s plays included different characters and different methods of characterization. The two plays that will be compared and contrasted are William Shakespeare’s Much Ado About Nothing and Hamlet. As for the characters from each play, Beatrice, Benedict, Don John, Don Pedro, Claudio, and Hero will be assessed from Much Ado About Nothing and from Hamlet, Hamlet, Claudius, Gertrude, Polonius, Laertes, and Ophelia. The importance of the above characters from each play is that they serve as the basis for identifying characteristics.
In the play ‘Much ado about nothing’, Don John is a puppet whose strings are pulled by various characters and the society in which he lives. Although he does monkey businesses like every character in the play, he is the one who gets harshly judged and punished for it. His villainy is not an innate trait but rather, he chooses it to distinguish him from others.
While varied perspectives are usually considered a good thing, different points of view can sometimes be used to the advantage of those with foul intentions. In Othello Shakespeare depicts how easily people’s perspectives can be manipulated, leading to jealous thoughts and rash actions. Shakespeare utilises foils to highlight the differences in each character's vastly different perspective. Undoubtedly, Emilia and Desdemona are an obvious example of foils because of their roles in the play, their differences in character, and their relationships effect on the work as a whole.
With its entangled double plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery for which carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play ...
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
“Inside each of us, there is the seed of evil…” (Eric Burdon). In Much Ado about Nothing, Don John is known as the bastard, which in Shakespeare time it would be considered evil. Don John has a brother named Don Pedro, but Don Pedro is respected, well-mannered, and wealthy. Don John also dislikes a man named Claudio because he took the position of Don Pedro’s right hand man. Don John takes revenge on Claudio and shows no mercy. Thus, Don John embraces a static/flat character by his personality, his speech, and his involvement in the story.
In Much Ado About Nothing by William Shakespeare, there are many examples that show how Don John and Don Pedro are opposites. Don John ruins Don Pedro’s helpful plans and gets in the way of people’s happiness. On the other hand, Don Pedro consistently helps and cares for others. In the novel, Don John is used as the foil to Don Pedro by which Don Pedro’s kindness and helpful attitude are illuminated through Don John’s deceitful mindset; thus this influences the idea of kind and mean.
...ed for Antonio to come off as being homosexual or if our modern general definition of homosexuality has influenced how we view Antonio. However, Shakespeare’s plays always seem to have shocking themes that are not meant to be seen without a close analysis. This analysis is able to prove why Shakespeare chose the word “ love” over any other word in order to invoke a certain homosexual feeling regarding Antonio and Bassanio’s relationship. Through this art of placing themes that Shakespeare uses, it is easy to see how homosexuality was intended to be placed as an underlying theme of The Merchant of Venice.
In Six Characters in Search of an Author, Pirandello sets out to prove that the subjective is inescapable. He proposed that human beings are isolated from one another, and can never communicate the full truth of their identity to each other. The play portrays various power struggles, between the Characters and Actors, and amongst the Characters themselves.
In chapter twenty-four of part one he mets a man called the Ragged Knight, Don greets the knight as if they were old freind but you can tell that they aren't because he has the man tell his story. The mans tells his story anly to be interrupted by Don mentioning that he and a character in the story like the same book. Infuriated by the interruption the Ragged Knight attacks Don and Sancho and then runs for the hill. In the next chapter Don says that he will copy the knights example, and go mad as well because Dulcinea has been unfaithful to him. Sancho mentions that he doesn't know for sure, but Don says that "what he imagines is more important than what has actually happened". Don believes something his imagination has cooked up and he would rather believe that than reality. THis just goes to show how powerful his imagination really is, if it wants him to go
What doesn’t match the pattern perfectly is how Shakespeare tweaks the “boy loses girl” aspect. Claudio never actually loses Hero himself, he actually gives up on the love instead. He himself denounces Hero, and turns Hero into the victim. This is due to a disturbing scene staged by Don John, who explicitly said “it must not be denied but I / am a plain-dealing villain” (1.3.29-30). In a typical romantic comedy, the boy usually loses his girl from something minor, like a disagreement in thoughts or differing attitudes. The severity in which Claudio “loses” Hero is much more drastic, as he believes she is disloyal and
Even in the stage directions it announces, “Enter Don John The Bastard.” Don Jon's only true escape from the torment is his brother Don Pedro whom he had just battled. Because of Don Pedro’s royal status most of the characters tend listen to whatever he says. On page 6 Act 1 Scene 1 Leonato says,“Let me bid you welcome, my lord. Being reconciled to the prince your brother, I owe you all duty.” Because of Don Pedro’s forgiveness to his brother it seems as if the rest of Messina has forgiven Don John as well. With Don Pedro showing his tragic flaw it only made Don John stronger as he now believes that he could do anything and be forgiven for it. Don Pedro’s tragic flaw will ultimately lead to Don John’s master