Originally, the term “hipster” referred to “a black subculture figure of the late 1940s” (Grief 7), and transitioned to, “The White Negro” (Grief 7) who listens to Jazz in the 1950s. This term went through many phases and transitions as time progressed. Dick Hebdige states, “Subcultures represent ‘noise’ (as opposed to sound): interference in the orderly sequence which leads from real events and phenomena to their representation in the media” (Hebdige 90). In the past the hipsters were localized and apart of a subculture; however, now, my perception of hipsters has developed to more of a worldwide “imagined community” with many localized subcultures within. Not only did the structure of their community transition, the characteristics of the hipsters have also progressed because, as Gertrude Stein says, “Each generation has something different at which they are looking at.” (Stein). As with any subculture, there are signs and signifiers that distinguish a subculture, these signs and signifiers correspond to the style and mindsets of that subculture respectively. The mainstream culture thinks of “hipsterism” as more of a style than a mindset when asked to define a hipster, while the people that I perceive as hipsters think of “hipsterism” as one hipster stated, “more of an attitude than a style.”
A sign of being hipster can be interest in art and in certain genres of music that they listen to; these genres include folk, indie rock, and jazz. Normative people are not as quickly to judge someone as hipster when they find out someone listens to non-normative music or is interested in art. Hipsters are associated with having a degree in some type of art field. When visiting so-called hipster cafés, the music that was playing was more ...
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...sider hipster in actuality hipsters in denial or is there some completely separate entity the mainstream world has yet to see that are truly hipsters?
Works Cited
Anderson, Benedict. "Chapter 3." Imagined Communities. New York: Verso, 1991. 37-46. Print.
Geertz, Clifford. The Interpretations of Cultures: Selected Essays. New York, NY: Basic, 1973. Print.
Grief, Mark, Kathleen Ross, and Dayna Tortorici, eds. What Was The Hipster? A Sociological Investigation. Comp. Avner Davis. Brooklyn, New York: N+1 Foundation, 2010. Print.
Hebdige, Dick. Subculture, the Meaning of Style. London: Methuen, 1979. Print.
Said, Edward W. Orientalism. London: Penguin, 1978. Print.
Sardar, Ziauddin, and Loon Borin Van. Introducing Cultural Studies. London: Icon, 1997. Print. Stein, Gertrude. "Composition as Explanation (1925)." Poetry Foundation. N.p., 15 Feb. 2010. Web.
This paper will analyze Improvisation In a Persian Garden (Mary Catherine Bateson), Seeing (Annie Dillard), and Landscape, History, and the Pueblo Imagination (Leslie Marmon Silko). Going through the Purpose, audience, context, ethics, and stance of each author’s piece.
The term hipster is a difficult, and contested term with dynamic and often ambiguous connotations. According to Ferrier (2014), what was once an umbrella term for a counter-culture of young creative types morphed into a pejorative term for people who looked, lived and acted a certain way. The Urban Dictionary
What is a Hipster? Everyone knows a hipster when they see one; the clothes they wear, the music they listen to, the kind of car they drive – they stick out like a sore thumb. They seem to be everywhere nowadays, ever evolving in their characteristics and personalities in order to stay ahead of the curve when it comes to what is cool. Regardless of your personal perception of hipsters there is no denying that they are an interesting breed of human – one that our society is obsessed with, even if it is in a “Steve Irwin Crocodile Hunter” kind of way.
The government and the older generations could not understand their way of life. Hippies were often portrayed as criminals, subversive to the morals and best interest of the public. Although misunderstood, the hippie had a great impact throughout the country, still surviving today in American culture. The term “hippie” itself became a universal term in the late sixties. It originated in a 1967 article in Ramparts, entitled “The Social History of the Hippies.” Afterward, the name was captured by the mass media as a label for the people of the new movement. (Yablonsky 28) Even before this, the word “hip” described someone who was “in” and “down”, wise to what was going on around him. By the 1960s, some of America’s youth created a gap between themselves and their parents. They grew their hair long because it was natural and therefore considered beautiful.
The History of Hip Hop, in the 1970’s, when rap music was first going big, it was an underground urban movement known as ‘Hip hop, just began to develop to one of the biggest music genre’s in the South Bronx in New York. The 80’s saw a big impact om rap/Hip-hop music throughout the 80’s that made rap as big as it now. The Hip Hop genre focused on emceeing over house parties and neighbourhood block party events, held outside. The trends in 90’s changed when Hip-Hop/Rap music got popular, the fashion trends for rapper back in the 80’s and 90’s wore cloths all baggy, did not fit them and their pants maybe sagging.
Stein, Gertrude. "The Gradual Making of The Making of Americans." Selected Writings of Gertrude Stein. New York: Vintage, 1990.
Shenkman, M. (2011). Bourdieu’s Theory and the Hipster in Society . Available: https://www.academia.edu/2007795/Bourdieus_Theory_and_the_Hipster_in_Society. Last accessed 12 April 2014.
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Hip Hop is defined as: “subculture especially of inner-city youths who are typically devotees of Rap music, graffiti, break dancing, and DJing”. If one asks a fan of Hip Hop what the definition is to them, then one might get something deeper. Some fans define Hip Hop as a culture that consist of many of its own subculture and its knowledge of the history and principles of Hip Hop. Hip Hop can also be defined as an expression of the relationship between urban ...
...them. The hippie counterculture was a fun time for everyone who experienced it, but they now had families to support and had to survive in the business world. The hippies tried to create a foundation of love and peace around the world, but essentially failed. They did contribute to black civil rights, the end of the Vietnam War, women’s and homosexual rights in America. Even though the Hippie Movement is over, it is still remembered through its music and stories that were passed down from parents to their children. A little peace of the Hippie Era still survives inside the spirit of America today, and will continue to live as long as the music is still played and people have a hope for peace and love throughout the world.
When people hear the term hippie, they think of men and woman in loose clothing with flowers weaved in their hair. Although these men and women did in fact wear these things, they left a significant impact on society. Hippies were a part of the Counterculture movement, which basic ideals were to reject the ideas of mainstream society. The movement itself began with the protesting of the Vietnam War. Eventually, the movement was more than just protesting the war. Hippies promoted the use of recreational drugs, religious tolerance; they also changed society’s views and attitudes about lifestyle and social behavior. The Counterculture movement was the most influential era in the 20th century because the people of this time changed society’s outlook, and broached the topics of drugs, fashion, and sexual freedom.
One must examine the work as a reactionary piece to the issues of the time period it was written in, while insuring that it carries along the ideals it intends to redefine, without question. Works Cited Ramazani, Jahan. Richard Ellmann, Robert O’Clair, ed. The Norton Anthology of Modern And Contemporary Poetry. Vol.
The sixties was a decade of liberation and revolution, a time of great change and exciting exploration for the generations to come. It was a time of anti-war protests, free love, sit-ins, naked hippie chicks and mind-altering drugs. In big cities such as San Francisco, Los Angeles, New York and Paris, there was a passionate exchange of ideas, fiery protests against the Vietnam War, and a time for love, peace and equality. The coming together of like-minded people from around the world was spontaneous and unstoppable. This group of people, which included writers, musicians, thinkers and tokers, came to be known as the popular counterculture, better known as hippies. The dawning of the Age of Aquarius in the late sixties was more than just a musical orgy. It was a time of spiritual missions to fight for change and everything they believed in. Freedom, love, justice, equality and peace were at the very forefront of this movement (West, 2008). Some wore beads. Some had long hair. Some wore tie-dye and others wore turtle-neck sweaters. The Hippie generation was a wild bunch, to say the least, that opened the cookie jar of possibilities politically, sexually, spiritually and socially to forever be known as one of the most memorable social movements of all time (Hippie Generation, 2003).
Picasso's Portrait of Gertrude Stein is a haunting and pensive work, imbued with a great sense of mystery and pondering. Stein's gaze is cast to the side, her hands in a gestural position, leaning forward with her chin tilted and lips slightly parted. It is as if she is about to speak and through the body language of her portrait, we envision an ensuing scene where she articulates what she's been thinking, elaborating with her hands. The essence of Stein's character is embodied in this posture and gesture, the truth of her being in this physical representation. Knowing nothing of Stein, one would at once understand that this woman is a thinker carefully considering her points and that this intellectual characterization is of fundamental importance to her mode of being.