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The Poetical Works of Wordsworth
The poems of john donne
The poetical principals of william wordsworth
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Recommended: The Poetical Works of Wordsworth
Mortality is a moving and compelling subject. This end is a confirmation of one’s humanity and the end of one’s substance. Perhaps that is why so many writers and poets muse about their own death in their writings. Keats and John Donne are two such examples of musing poets who share the human condition experience in When I Have Fears and Holy Sonnet 1. Keats begins each quatrain of the Shakespearean sonnet with a modifier, and each modifier indexes the subject of that quatrain. The modifier therefore gives his sonnet a three part structure. The first quatrain is what he fears; the second quatrain is what he beholds; the third quatrain is what he feels; and the ending couplet sums up all of the quatrains. However, the structure could also be considered to divide the poem in half: into his concern about intellectual pursuits and his concern about love. The first quatrain begins with “”When I have fears,” and confirms the theme of the first quatrain. He then uses a field of grain metaphor (in which each grain represents an idea) to show how many literary ideas he generates. He has so many he is “teeming” with them, and that word gives urgency to his need to put them someplace; he is so overflowing, he needs to get them out of his brain to accommodate more over-growing. However, the metaphor is also paradoxical. “Gleaned” in line two refers to the process of “gathering and picking up (ears of corn or other produce) after the reapers;” and so he compares his mind to a field of produce that needs to be reaped (OED). However, in the next line he compares writing the “high-piled books” to a silo, holding his “full-ripened grain.” That would make him the reaper because he has written the books and put the “grains” on the page... ... middle of paper ... ...wo). His faith allows him to “prevent” Satan’s “art,” which means that he can avoid temptation and even prevent other sin, doing good deeds. Donne ends with a metaphor, comparing God to adamant, which is a very hard stone; so hard it is impenetrable. Adamant also means unyielding. The solidness of God’s rock “draws” Donne’s “iron heart,” he is experiencing some sort of magnetic force that over comes the “iron-ness” of how he is set in his sinful ways. Donne uses a Petrarchan sonnet to express his opinions on death, humbleness, and sin. The poem has different ways it could be structured, but it is certainly structured in two parts. One interpretation could be that the first segment of the poem focuses on the physical whereas the second part focuses on the metaphysical. Or it could be structured as a two part poem where Donne has moved from fearful to hopeful.
In the second stanza Donne furthers his comparison for a peaceful separation. "So let us melt, and make no noise" (line 5). The word "melt" implies a change in the physical state of love. The physical bond that he and his wife have will dissolve quietly like the soul of a dying man from his body. "N...
“Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.
Each four-line section expounds upon one aspect of the Trinity- God the Spirit/God the Father/God the Son. Donne continually juxtaposes the explication of aspects of the Trinity with explication of man’s relationship to God, resulting in a high degree of conflation throughout. The first line opens with a simultaneous statement of doubt and faith, “Wilt thou love God, as He thee?” While the speaker is convinced of God’s love, he doubts his ability to reciprocate. This is in contrast to many of Donne’s other Holy Sonnets in which the speaker continuously implores ...
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
He is frantic that Eros has caused him to fall in love. Although his tone is aggressive, he was also remorseful “I must love her that loves not me.” (Donne line 7). Furthermore imagery is seen in the poem in lines 2, and 18 when he refers to “god of love” (Donne), also in lines 15 when he says “modern god” (Donne). This use of imagery shows his powerlessness, that the god’s control the false perception of love in human’s eyes. Donne also uses allusion to Eros the god of love, “Who died before the god of love was born.” (Donne line 2). As the poem continues on Donne uses the harsh expression such as “sun, scorn, vice-nature, rage, tyranny, plague, loath, rebel, hate, died” (Donne). In line (1) Donne is reflective “I long to talk with some old lover's ghost,” By line (4) he becomes frustrated “Sunk so low as to love one which did scorn.” Then in lines “And that vice-nature, custom, lets it be,”
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
the poem are strongly indicative not only of a deeply rooted faith, but also of Donne’s
Because Donne describes the connection between the body and union with God in the form of a poem, Donne is able to evoke his readers. Unlike Augustine 's readers who just read of Augustine’s anguish and experience, those who read Donne 's poems actually experience anguish, frustration, and ultimately the unavoidable reliance one has on God, which most Christian followers eventually experience on the road to redemption. Furthermore, writing in a Petrarchan sonnet form, Donne provides an alternate meaning to Augustine’s medieval concept of the souls’ journey to unity with God. In the examination of Donne’s language, which is permeated with many emotions, Donne introduces the new idea that the journey to redemption involves not only a movement away from loving sin but a movement towards loving oneself so that one is not afraid to be loved. In other words, Donne introduces—through his diction—that the process of redemption involves self-love, which will, in turn, allow one to accept God’s already existing
Many people find it hard to imagine their death as there are so many questions to be answered-how will it happen, when, where and what comes next. The fact that our last days on Earth is unknown makes the topic of death a popular one for most poets who looks to seek out their own emotions. By them doing that it helps the reader make sense of their own emotions as well. In the two poems “Because I Could Not Stop for Death” by Emily Dickenson and “Do Not Go Gentle into That Good Night” by Dylan Thomas, the poets are both capturing their emotion about death and the way that they accepted it. In Dickenson’s poem her feelings towards death are more passionate whereas in Dylan’s poem the feelings
...ne exclusively on himself and his lover. By doing so he says the sun will be shining on the entire world. It is apparent in both poems the tone and language is dramatic, as this is typical of Donne’s writing style. His use of imagery and symbolism effectively present his experience of love. However it is the structure that builds up the emotion throughout the poems as Donne starts in each poem to refer to a seductive love, then in conclusion realises the importance of true love. ‘The Good Morrow’ clearly shows evidence of this when at the beginning Donne states he ‘suck’d on country pleasures childishly’ and in the end understands that a ‘Love so alike that none can slacken, none can die’.
There is little argument as to what Donne is feeling at surface level: he is sorrowful and grieving because he must be apart from his loved one, who has become his world (a metaphor which is carried out in the second stanza). Empson is indeed correct when he says that the poem is not unambiguous. There is a large range of interpretations that can be made based upon the language in the poem, and these are focused around the source of Donne's grief.
Shakespeare sonnets, also called English sonnets, are the second most common sonnets. It takes the structure of three quatrains, that is, three stanzas with four lines and a couplet that is a two line stanza. The couplet stanza is pivotal in the sonnet, because it provides amplification, a refutation or a conclusion of the other three stanzas, which creates an epiphany for the sonnet. The other kind of sonnet is the Spenserian, which has the first 12 lines rhyming into a, b, c and d, while the last stanza, which is a couplet has the rhyme, ee. The three quatrains provide detail about three but related ideas while the couplet gives rise to a totally different idea (Petrarca & ...
Death was introduced to Keats at an early age after the loss of his father, mother, and then eventually his brother Tom. Experiences were a major influence in the creation of his philosophy and concept of life, death, and mortality. Although it happens to be one of Keats’s shorter poems, “When I Have Fears” from 1818 has the most depth compared to others regarding his fear of death. Knowing the veracity that death could take his existence away, he meditated on how he may never “relish in the fairy power of reflecting love—then on the shore” and how he could pass “before high-piled books, in charactery, hold like rich garners the full ripened grain” (Text L. 11-12 & 3-4). All of these fears in the poem that derive from death would be correct when comparing it to that of his own life. Keats himself
The fourteen line sonnet is constructed by three quatrains and one couplet. With the organization of the poem, Shakespeare accomplishes to work out a different idea in each of the three quatrains as he writes the sonnet to lend itself naturally. Each of the quatrain contains a pair of images that create one universal idea in the quatrain. The poem is written in a iambic pentameter with a rhyme scheme of ABAB CDCD EFEF GG. Giving the poem a smooth rhyming transition from stanza to
The poem opens abruptly as the speaker demands the "three personed God" (1), or the Christian Trinity, to "Batter [his] heart" (1) in order to "make [him] new" (4). The speaker's imploring plea for God to "o'erthrow" (3) and "break" (4) him, materializes the speaker, presenting a metaphor that compares him to an inanimate, factory product of God, the inventor. Like an inventor's creation, the speaker can be dismembered and rebuilt by his creator to produce an improved model. The speaker's longing wish to "rise, and stand" (2) exposes the hopelessness of his current state, and creates the image of a crumpled man, overwhelmed with the weight of his past.