The search of the female self for its own identity has been a part of many narratives ever since feminist consciousness permeated in the minds of writers – whether male or female. Such quest received major impetus when feminist ideology started taking a tangible shape through works such as Mary Wollstonecraft’s A Vindication of the Rights of Women (1792). In coherence with such emerging voices about the ‘othered’ sex, many novelists through their works tried to put forth experiences of female rebellion and expression in face of patriarchal authority. Among such works Jane Eyre (1847) andThe Scarlet Letter (1850) occupy a prominent position. The analysis seeks to highlight the acts of transgression through which the female voice in these texts …show more content…
To hold the society in an alien land together, the authorities bound the people in rigid doctrines through religion, which promoted austerity and self-denial in face of temptations. This religious ideology called Puritanism serves as the most potent force in the text forming the confining boundaries that the protagonist Hester Prynne transgresses, to flout the boundaries of an affectionless marriage unequal in its very foundation. In the text, transgression chooses to take the form of complete rejection of social and orthodox religious values, in which Hester mothers a child by Dimmesdale, the pastor who gives way to his passion in spite of his commitment to the Puritan church. The passion which is sacred to them, is a sin in eyes of the Puritan society and hence, as a symbol of this transgression, Hester is compelled or rather punished to wear the badge ‘A’. This badge isolates her existence. As a female in quest of her identity as a woman, she chooses to associate herself with the man she loves, transgresses the margins of society and is ever so proud of it. Her commitment to her act and her lack of regret or remorse is seen in the embroidered and dainty ‘A’ having “rich, voluptuous, Oriental characteristic, -a taste for the gorgeously beautiful,"(TSL 66)which she puts on her bosom and the bright colours in which she dresses up her daughter Pearl. …show more content…
Such conservatism and religious despotism is quite worldly in nature with not only Hester but quite a lot of members participating in outlaw behaviour. It is Hester’s destiny that she is the one who is discovered in such act and not others. In the novel it is not the act of adultery but the act of adultery done in a Puritan society that determines Hester’s fate for a “sin of passion”. Charles Feidelson Jr. holds that the throng which is collected at the scaffold “intimates a latent failure within the Puritan social system…the ferocity of the women in the marketplace is as lawless as the lust they denounce, and it complements the rigid natural law that dominates their men” (Feidelson 396). Through this act of defiance, Hester starts regaining her natural self. This can be seen in the bold assertion with which she tries to give direction to a dejected Dimmesdale, saying that he should “Preach! Write! Act! Do anything save to lie down and die!” (TSL 201). She is not ready to flee her site of torture to a new location with Dimmesdale, as this would declare that she is ashamed of her act of defiance. Especially when she casts off her Puritan cap and the scarlet letter for few moments,she regains her passionate self. She acknowledges her act as one of transgression but
There are situations during the first part of the Scarlet Letter where Hester responds to the community’s power differently. As Hester stood on the scaffold, babe in hand, community officials demanded she “Speak out the name!” (Ch. 3; Pg. 47). Though pressed with legitimate power, Hester refuses and withdraws from answering who the father of the sin-born baby is. The reader already begins to notice the strong spirit of Hester. The characterization of Hester continues to develop throughout this section when she “ … did not flee.” The adulterer’s inner strength to not withdraw is astonishing. Why not leave the people who just judged you and imprisoned you? Hester and Pearl lived “On the outskirts of the town … but not in close vicinity to any other habitation” (Ch. 4; Pg. 55). The mother decided to stay, but still withdrew from the community. Hester begins to do service for the poor as well as make clothing for a community that harshly judged her. She begins to embrace her position in this power imbalance by doing good deeds, and the narrator suggests that “None so ready as she to give of her little substance to every demand of poverty” (Ch. 13; Pg. 110). The view of Hester by the community changes towards the end of the book. Her “A” was now viewed to mean “able.” No longer did it mean it regular interpretation. Hester at first was on the negative spectrum of responses to power, but we see her embrace her position in the community in the third part of the
People all over the world continuously commit sins some are bigger than others and some do more damage. In the book, The Scarlet Letter, by Nathaniel Hawthorne, a woman, Hester Prynne, is publicly shamed and force to wear a scarlet A upon her bosom for committing adultery. Throughout the book, Hester and her daughter, Pearl, try to adapt to life as an outsider. The two are continuously judged for Hester’s sin, and humiliated, however, they overcome this judgment and are seen in a different way. Hester and Pearl have been publicly shamed, Pearl has been considered an elfish devil like child, and after all the humiliation they were able to turn their lives around.
With sin there is personal growth, and as a symbol of her sin, Hester’s scarlet “A” evokes development of her human character. The Puritan town of Boston became suspicious when Hester Prynne became pregnant despite her husband being gone. Being a heavily religious village, the townspeople punished Hester for her sin of adultery with the burden of wearing a scarlet “A” on all that she wears. Initially the...
When Hester Prynne becomes pregnant without her husband, she is severely punished by having to endure public humiliation and shame for her adulterous actions. Hester is forced to wear a scarlet “A”on her breast for the rest of her life. (1.) She lives as an outcast. At first, Hester displays a defiant attitude by boldly march from prison towards the pillory. However, as time goes on, the public humiliation of her sin weighs heavily upon her soul. “An accustomed eye had likewise it’s own aguish to inflict. It’s cool stare of familiarity was intolerable. From first to last, in short, Hester Prynne had always th...
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
Hester was not like the other puritans in the community she resided in. Hester did not herself a Puritan because she was simply not religious. She had no respect for their religion or moral code. Her lack of respect in the reason she disobeyed the community (Stewart 57). Her reasoning behind committing adultery was her passion and weakness (Draper 1603). Hester thought power and intellect were more important than believing and worshiping a higher being (Stewart 57). Because Hester’s Roger Chillingworth, Hester’s husband, moved away and abandoned her, Hester’s womanly weakness of feeling love and passion immensely grew. This drive for love and passion is what pushed Hester to committing adultery (Draper 1603).
Through Hester and the symbol of the scarlet letter, Hawthorne reveals how sin can be utilized to change a person for the better, in allowing for responsibility, forgiveness, and a renewed sense of pride. In a Puritan society that strongly condemns adultery one would expect Hester to leave society and never to return again, but that does not happen. Instead, Hester says, “Here…had been the scene of her guilt, and here should be the scene of her earthly punishment; and so, perchance, the torture of her daily shame would at length purge her soul, and work out another purity than that which she had lost; more saint-like, because the result of martyrdom.” Hes...
At the beginning of the Scarlet Letter Hester Prynne is labeled as the “bad guy”. The townspeople demand the other adulterer’s name, but Hester denies this revelation. She does not reveal it because she knows that the information will crumble the foundation of the Puritan religion and the town itself. “‘But, Hester, the man lives who has wronged us both! Who is he?’ ‘Ask me not!’ replied Hester Prynne, looking firmly into his face. ‘That thou shalt never know!’(Hawthorne 52). Hester knows that finding out that the father of the child, the Minister that is leading the town, will diminish credibility for the church and for Dimmesdale, the Minister. During her punishment, Hester decides to move out near the woods and make a living as a seamstress. Hester is regarded as an outcast from Boston, but she still gives back to the society that shuns her. ‘“Do you see that woman with the embroidered badge?’ they would say to strangers. ‘It is our Hester, —the town's own Hester, —who is so kind to the poor, so helpful to the sick, so comfortable to the afflicted!’”(Hawthorne 111). Her acts of kindness, helping the sick and comforting the afflicted, toward the society that makes her an outcast shows the inner goodness of a person. Throu...
In Nathaniel Hawthorne’s well known novel, The Scarlet Letter, extensive diction and intense imagery are used to portray the overall tone of the characters. In particular, Hester Prynne, the wearer of the Scarlet Letter, receives plentiful positive characterization throughout the novel. Hester’s character most notably develops through the town’s peoples ever-changing views on the scarlet letter, the copious mentions of her bravery, and her ability to take care of herself, Pearl, and others, even when she reaches the point where most would give up and wallow in their suffering.
Hester is a committer of the sin adultery. She receives a letter with an A on it, which is meant to represent her sin. Hester is free to go wherever she wants with her letter, but she decides to stay within the boundaries of her Puritan town: “Kept by no restrictive clause of her condemnation within the limits of the Puritan settlement...” (Hawthorne 73). Hester has a newfound sense of pride in the letter she wears, even though that letter is her reason for her own personal condemnation. She doesn 't have any restrictive boundaries, but she feels like her letter is that line that keeps her in her town where she will constantly be judged by others. Constantly criticized, evaluated, and assessed. Hester appears to have a negative mental state caused by her mental condemnation due to the adverse diction when she’s addressed through use of words such as sin, dark, or inscrutable. As her condemnation continues on, she (unlike Jake) changes her subjective thoughts into ones that represent pride and acceptiveness. She turns her views on life into ones that are happier and more accepting, since she has already gone through so much. Condemnation often changes how one might go through processes mentally, but those do not always have to be awful. Most see the restrictiveness in the actions of being condemned, yet new ideologies on how one
Charlotte Bront’s Jane Eyre entails a social criticism of the oppressive social ideas and practices of nineteenth-century Victorian society. The presentation of male and female relationships emphasizes men’s dominance and perceived superiority over women. Jane Eyre is a reflection of Bront’s own observation on gender roles of the Victorian era, from the vantage point of her position as governess, much like Jane’s. Margaret Atwood’s novel was written during a period of conservative revival in the West partly fueled by a strong, well-organized movement of religious conservatives who criticized ‘the excesses of the sexual revolution.’ Where Bront’s Jane Eyre is a clear depiction of the subjugation of women by men in nineteenth-century Western culture, Atwood’s The Handmaid’s Tale explores the consequences of a reversal of women’s rights by men.
Hester Prynne, the main character of the novel, was a courageous and honorable person; even though, what she had been known for wasn’t such an admirable deed. Hester Prynne was a very strong person in one’s eyes, because even though she had been publically humiliated in front of all of Boston, she still remained confident in herself and her daughter. She was ordered to wear a scarlet colored piece of fabric, with the letter “A” embroidered in gold on it, on her bosom at all times to show that she had committed adultery. She was mocked all the time and constantly looked down upon in society, because of her sin; but instead of running away from her problems, she st...
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a