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Depiction of women in movies
How gender roles are portrayed in beauty and the beast
How gender roles are portrayed in beauty and the beast
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The other scene I have chosen to analyze if this film, Beauty and the Beast, was castle scene where Belle spends her time as captive to the beast and is expect to abide his rule over her and to act subservient to him, which backs up the point that females are expected to be subservient to male characters in this film and this teaches wrong messages to people watching the film. In the castle captivity scene where Belle is detained by the beast against her will, we see how the Beast expects her to obey him when he demands and when she doesn’t, he is frustrated that she is not being subservient to him even though she is a person and not an object to be owned or a animal that obeys its masters commands. She is a human being with as much equal rights
Every fairytale seems to have the usual prince saving the poor girl from harm or servitude or whatever horrid situation she may be in, and then companies like Disney add their movie magic and make it into a franchise. Others may add a twist or two, such as the film Ever After, directed by Andy Tennant. Yet no matter how the story goes, there is the same feminine ideas imposed upon the female lead. She has to compete with others for the attention of her “prince,” gender roles are a must, and morals are taught in some way or another through some kind of stereotype. These tend to cause some feminist outrage and even maybe a small outrage among parents who must deal with the children that watch these movies and read the stories because of the behavioral
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
This film, contrarily to its predecessors, scratches the surface of the male protagonists, and introduces men who are humanly flawed and relatable, taking them down from the pedestal they used to be on, and making them equal to the female characters. No matter how much one may despise the Beast for being aggressively temperamental, Gaston for his stupidity and violence, or even Lumière for his objectification of women, these characters have a life and a role of their own, and do not remain two-dimensional like the previous Princes. For example, Belle’s father never suggests that she marries a man and only caringly mentions Gaston as a potential companion and friend for his lonely daughter. In the same manner, the Disney Corporation is more open to sexual innuendos and female sexuality in the film as it has ever been with Lumière and Plumette’s affair being explicitly showed. Finally, as Dawn Elizabeth England, Lara Descartes, and Melissa Collier-Meek further explain this in their journal "Gender Role Portrayal and the Disney Princesses:"
Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future. According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which helps them to find a man.
Through the three revisions of Beauty and The Beast, the fairy tales retold share many similarities as well as many differences according to their time period. In all three versions femininity and masculinity are presented in many ways. Femininity is shown through all three main female characters, Belle from the famous Disney film “The Beauty and The Beast”, the narrator in “Tiger’s Bride”, and Psyche in “Cupid and Psyche”. In all three versions, the female characters breaks society’s expectations of a typical woman. In CP Psyche stands up to Cupid’s mother Venus and accomplishes these activities usually performed by males. She shows society that women can overcome male activities and have strength to complete the same tasks. She breaks tradition of the male character fighting for her because in this version she takes on the hero role and fights for Cupid. This was not something ordinarily done by woman characters during this time. In TB the narrator breaks the tradition of the innocent stereotypical woman figure. The narrator exposes and does things most woman would never have the nerve to do. She shows society that women can fault their beauty in other ways. Even if society does not make it acceptable to have sex before marriage, she shows that women can expose their body and beauty in many ways. In DB version Belle is a great example that women should not be looked at as dolls and let males have control over them. She shows society that woman can be independent and educated. She does not get married to the most handsome male in town however she goes after someone who deeply cares about her. She displays a great example of how woman have their own mind and can think for themselves. Woman are allowed to make decisions and have ...
Disney attempts to show the feminist qualities of Belle. For example the movie portrays her as intelligent and not easily swayed by love, in the case of Gaston. However, the Beast is advertised as the possessor of ‘beauty’ and Belle must learn its nature; Belle’s fate is his. It is Belle, robbed by her traditional beauty, who is being instructed from the Beast in how to elicit beauty form beastliness. She must learn to love ugliness and literally embrace the bestial. Another problematic element might be Bell...
Once upon a time, there was a 16 year old mermaid princess named Ariel who gave up her voice, an important part of her identity, in order to be with a man who she became infatuated with at just one glance. Ariel has a very traditional gender-stereotypical role in the film, as the helpless, clueless, naive, physically weak, submissive, and attractive female protagonist that Disney films, especially the classics, portray so often (England). There is a lot of controversy surrounding this film in regards to its patriarchal ideals. The Little Mermaid, like most media, is build for the ‘male gaze’, a term coined by Laura Mulvey that suggests that visual entertainment, such as movies, are structured to be viewed by a masculine consumer. I will argue that the male gaze perpetuates harmful gender-stereotypes in The Little Mermaid.
Playing off some of the ideas from last week’s look at how a film visually represent the diegesis, cinematography is literally focusing the attention of the viewer in attempt to further their understanding of the film. In Disney’s Beauty and Beast, even though the film is animated, cinematography still plays an important role in helping defining characters, locations, and space both on and off screen. Throughout the film, extensive use of camera angling provides more information about the characters. Use of low camera angles-looking upward- can be seen in most scenes that have either the Beast or Gaston in the frame. The reason for using low angles with the Beast is that it allows the viewer to get a sense of how big in stature he is in comparison to the rest of the characters and presents him as very menacing in the early parts of the film.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
"It was not once upon a time, but in a certain time in history, before anyone knew what was happening, Walt Disney cast a spell on the fairy tale. He did not use a magic wand or demonic powers. On the contrary, Disney employed the most up-to-date technological means and used his own American "grit" and ingenuity to appropriate European fairy tales. His technical skills and ideological proclivities were so consummate that his signature obfuscated the names of Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Collodi. If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. "
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being
Some things were different between Beauty and the Beast, Beauty and the Beast the Graphic Novel and Beauty and the Beast, the movie like, in the movie the main character was named Belle, in both the books the main character was named Beauty. In the movie there were talking household items like a clock and a candelabra, in both of the books there were no talking inanimate objects. In both the books Beauty was honored in the town for her beauty and youth, in the movie Belle was called a “funny girl” and people always thought of her as strange because she reads. In the books Beauty has two sisters but in the movie Belle has none. In the movie Belle’s father is kept in the beast’s castle until Belle comes to rescue him, but in the books Beauty’s
England, D. E., Descartes, L., & Collier-meek, M. (2011). Proquest. “Gender role portrayal and the disney princesses”. Sex Roles, 64(7-8), 555-567.
Some of the films that bring out the gender roles in our society include; Snow White, Cinderella, Beauty and the Beast, Mulan, The Princess and the Frog, Aladdin, Hercules,