Really? I always considered the protagonist to be the most important, but that might just be a DR thing because of how little we actually see the villain. Wait, why are you writing Naruto fanfiction if you hate it so much? Or do you not hate it and just hate certain parts of it? Oh good, the DR mastermind (The person who controls Monokuma and made the killing game.) is really hard to write in character, especially since we see so little of them. I'm thinking of starting with a shorter fluffier fic instead of jumping straight into the heavy stuff. There's tons of full game length DR fic filled with OCs and they're quite cool, but there's more bad than good ones to be honest. Okay, I'll try! They might be horrible, but I'll do everything I
Luke because he has been thought a metaphors that surprised me and most readers also. Was it good or not it for you to find out? Protagonist is depended on antagonist because protagonist is a good person, hero, the best, etc. To be a good person, hero, or best there must be other who will be against protagonist. These characters are antagonist. Protagonist is most of the time noting without antagonist. Antagonist is noting with protagonist because they are against them so both are depended on each other. The police officer that caught Luke was on tough man. He must have been hard working to caught Luke.
For example, a part I did not like is when Kayla was talking to herself, “will they find my body, years from now, and wonder who I am? That thought is the worst, that I might become some nameless dead girl, a strangers pile of bones.” (Henry 144), in my opinion, Kayla over exaggerated, but I can see where she is coming from. Also, I did not like some parts considering that they were over exaggerated and some parts did not go along with what was going on. One of the things April Henry did was she changed point of views every chapter which would also confuse me a lot. One of the parts that I liked was when there would be pictures of the documents the policemen filled out, paper clippings, interviews, and evidence pieces along with many other things. Another part that I liked was when Gabie never gave up, she knew Kayla was alive and wasn’t letting anyone tell her different. “Kayla is still alive. I know it.” (Henry
From what I understand of Flannery O’Connor, most of her works follow a similar pattern. The main character or characters in her stories are usually in some k...
“The villain of any story is often the most compelling character” –John Hodgman. Hodgman quotes here that often in a story the villain is known to be the most overpowering character. In Arthur Miller’s The Crucible, Judge Danforth, due to his misuse of privilege as a naïve dignitary, is the most villainous character in the play. This creates the tragedy in Salem because his ill-judgement and desire for power leads to the deaths of the accused citizens who in reality are innocent.
They add conflicts, uniqueness, and interest. Each character brings a unique trait to the table and adds diversity to the story. Some have the power to engage our emotions; others obtain the power to influence other character. In “Poor Fish”, the dishwasher is a round, dynamic character that identifies with the readers and experiences an internal change; while Ida is a flat, static character who does not change but influences the perspective of the dishwasher. No matter what type of character, major or minor, each affects the story in their own particular
Finally, though the debate may continue on those issues mentioned, there is no other character whose decisions and actions created a series of events so catastrophic.
perfect villain. A villain who makes work out out of everything and dominates the stage by bringing life
One of the most persistent stereotypes of (dis)Abled individuals is that they are evil or villainous and as such are predisposed to criminality due to some type impairment. Nothing is farthest from the truth.. Although, people with intellectual disorders and mental health issues are a growing population within the criminal justice system, they are still more often than not victims of crime as a result of their circumstances. People with developmental and cognitive impairments or significant mental health issues in many cases lack impulse control or display inappropriate emotions that the criminal justice system may misinterpret, thus bringing criminal charges for such offenses as causing a disturbance or mischief. When the police are confronted with a situation that involves a cognitively impaired or mentally ill person the police do not know how to respond in an appropriate manner. This image is seen throughout the media over the past few years. One has to look at the tragic death of Sammy Yatim or Michael Eligon to see these image.
In many cases, the villain of a story is the malevolent character that actively complicates the life of the protagonist. But in some cases, the villain ruins the life of the protagonist in the background by sucking the protagonist dry of hope. Zenobia Pierce Frome from Edith Wharton's novel, Ethan Frome, is the passive villain. She ruins Ethan's life and shows her evil side by neglecting Ethan, complicating his life, and taking away everything Ethan holds dear.
Mr. Hyde. His novel is a rich tale of the duality of mankind. We all
According to Damascelli (2012) “The importance or predominant personality of one character over the others can be brought out in several different ways, for example through the use of long soliloquies.” This statement from Damascelli
They are characters that the audience can empathize with because a single human is born with nothing but as they walk life they will be neither purely evil nor good but a mix of both. These characters are timeless for if you want to label them as purely evil or purely good it’s impossible because they aren’t. These characters touch upon issues that society are conflicted about and allow the audience to work out these issues for their self throughout the story or play letting us decided the truth within these stories. Like how Mary Shelley had force the reader to see within the heart of the creature and the society viewpoint for us to decide for their self who we thought were the real monsters within the story of Frankenstein. These characters are also seen as more realistic because even if they are the most pure characters the audience may had read about with the purest intentions they may still fallen to their darkness in the end showing that the world isn’t filled with demons or angels that like humans these characters can feel, they can wary and fall to their temptation, that they can still hope, get hurt, cry, feel guilt, depression, happiness, and paranoia. Because like in reality the audiences are living in a morally ambiguous world where most of the world 's solutions to their problem aren’t clear and may be difficulties in choosing what the right thing to do. This makes the story more engaging, realist, and makes it easier
The antagonist of And Then There Were None is Judge Justice Wargrave. He was also known as Issac Morris to hide his real identity from all the other characters. He was the judge of all of the characters cases and he found them guilty and thought it was right for them to die. He knew almost everything about all of the characters, how they would think, how they would react to certain things, and some of the decisions they would make.
In addition, there is also a protagonist found in King Lear and Much Ado’s narrative structure. According to Merriam-Webster Dictionary, a protagonist is the p...
To begin with, the protagonist is an absolute must in any horror movie. The protagonist in a horror film is usually one person or a group of people. The protagonist in Sinister 2 is a mother and two sons which is provides a good example of the group protagonist