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Characteristics of indigenous religions
Aztec civilization
Aztec civilization
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What exactly does Aztlan mean? There are various definitions, such as the ancestral homeland of the Aztec people and their descendants or everyone’s individual Aztlan which is ones’ personal sanctuary. A place one creates in their own image consisting of features that show what kind of person they are, while at the same time still recognizing their ethnic culture. We all have this place though not everyone’s is the same. Your hobbies, interests, the way you dress all make up this special place. Without it, we would be metaphorically lost. For example, in the essay “Refiguring Aztlan”, it says, “Through Aztlan we come to better understand psychological time, regional make up, and evolution. Without any one of these ingredients, we would be contempo-rary displaced nomads, suffering the diaspora in our own land, and at the mercy of other social forces. Aztlan allows us to come full circle with our communal background as well as maintain ourselves as …show more content…
Throughout their whole experiences in the movie there was racist comments thrown at them. They faced racism both in South Central and Beverly Hills. In South Central they faced racism because they didn 't conform to liking hip hop and in Beverly Hills for being Hispanic American. When they go skating in Beverly Hills, a cop pulls over and calls all of them over. He starts questioning them and he asks Jonathan and Eddie Ve-lasquez why they gave him different last names. One of the other boys responded with “they 're brothers” and then the cop says “Why do you have different last names? Oh different fathers, that’s typical.” He was being racist to them simply because they looked Mexican and since there’s that stereotype that Mexicans have a lot of kids then they must have had different dads. Just because someone is Mexican and choose to use their mothers last name while their brother uses their dads doesn 't make them half siblings. There was no reason to make that racist
In the book ”Queer Aztlan: The Re-formation of Chicano Tribe” written by Cherrie Moraga, she mentioned the Mexican border. The American army captures the Mexican capital in 1847, and the Mexican border was created in 1848 in order to let the Mexicans away their homeland which is lost at Mexican-American War. Moraga thinks there is a border between male and female, the male using the female but don’t give them help. Moraga also mentioned, “In a queer Aztlan, there would be no freaks, no others to point one’s finger at” (Moraga 235). This was talk about the fictional border.
In Mario Suarez’s essay “El Hoyo” it is mainly about a small section of the city of Tucson. It is the area that has been inhabited by Chicanos. The term chicano is the short way of saying Mexicano. Suarez explains the good and the bad about El Hoyo. He says that he does not understand why people come back to El Hoyo, but there is something unexplainable about it that it does. It is possibly the human kindness of El Hoyo that brings people back.
...n, Gonzalez states his identity; "I am Aztec Prince and Christian Christ." This combination of culture is the basis of his poem, which can be found at http://www.pbs.org/chicano/joaquin.html, and is representative of the heritage of Mexican Americans. The concept of Aztlan is explained in Chicano!, and the mural ‘Corazon de Aztlan,’ found in Chicano Park (http://chicanopark.org/murals/north/n8.html ), reinforces the importance of this image in the lives of Chicanos. The myth of Aztlan symbolizes centuries of culture and struggles of Mexican Americans who went through incredibly difficult times throughout history, but never lost hope and always stayed strong, determined to one day be treated equally as citizens of the United States of America.
The Alamo portrays the historical battle between Santa Anna controlling the Mexican Army and the Texan Defenders who are defending The Alamo, a mission located in San Antonio, Texas. The film is heavily concentrated on the year 1836, specifically the months February and March, and the year 1835. The film stars Dennis Quaid as Sam Houston, Billy Bob Thornton as David Crockett, Jason Patric as Jim Bowie, and Patrick Wilson as William Travis. The Alamo is a historically accurate movie that involves history, war, and immense amounts of drama.
An old English proverb states that the eyes are the window to the soul. In the film The Secret in Their Eyes (2009), directed by Juan José Campanella, this premise holds some truth. Set in the late 1970’s in Argentina, the crime thriller treats the start and end of the rape and murder case of Liliana Coloto, a 23-year-old schoolteacher. It simultaneously portrays the romance between a retired justice agent, Benjamín Espósito, and a new judge hailing from Cornell, Irene Menéndez-Hastings. In trying to write his first novel, Benjamín helps bring the case to a close after 25 years. The symbolic use of Benjamín’s rival, Romano, the color red, and doors enable character enhancement and further development of the plot.
After the Second World War mass tourism has increased worldwide and has affected almost all countries. Mexico has become a ‘major tourist destination’ and also ethic tourism has taken off, because tourists became more interested in the indigenous cultures and search for authenticity. Nowadays ethnic tourism makes up ‘10% of Mexico’s tourism sector’ (Van Den Berghe 568). This essay will especially examine the commoditisation of the Maya identity; Maya was ‘a highly developed Mesoamerican culture centred in the Yucatán peninsula of Mexico’ (McKay et al 307). Over the last two decades Western tourists have become interested in Indian cultures, traditions and artefacts and they would like to see ‘living Maya culture’, therefore tour guides, tourees, middlemen and artisans have started to work in the ethnic tourism sector. According to Medina ‘The commoditization of culture for tourism may involve the utilization of new channels to access cultural traditions of great antiquity’ (354). To illustrate this: only 20.5% of the inhabitants of San Jose Succotz identifies with the Maya culture (Medina 360). Maya culture is less available through lived experience, because Maya languages and rituals disappear, therefore villagers working in the ethnic tourism sector have to gain knowledge by utilizing other, new channels. Ethic tourism often develops around archaeological sites; tour guides will take tourists to Maya ruins and transfer knowledge that they had gained from the ethnographers, archaeologists, and epigraphers (Medina 362). Some people argue that this ‘staged culture’ is not similar to the ‘authentic culture’. It might be possible that the culture transferred to the tourists at the moment is different from the way Mayans used to do. H...
Moraga, Cherrie. “Queer Aztlan: the Reformation of Chicano Tribe,” in The Color of Privilege 1996, ed Aida Hurtado. Ann Arbor: University Michigan Press, 1996.
Using both English and Spanish or Spanglish the author Gloria Anzaldua explores the physical, cultural, spiritual, sexual and psychological meaning of borderlands in her book Borderlands/La Frontera: A New Mestiza. As a Chicana lesbian feminist, Anzaldua grew up in an atmosphere of oppression and confusion. Anzaldua illustrates the meaning of being a “mestiza”. In order to define this, she examines herself, her homeland and language. Anzaldúa discusses the complexity of several themes having to do with borderlands, mestizaje, cultural identity, women in the traditional Mexican family, sexual orientation, la facultad and the Coatlicue state. Through these themes, she is able to give her readers a new way of discovering themselves. Anzaldua alerts us to a new understanding of the self and the world around us by using her personal experiences.
Amistad focuses on the aftermath of the revolt of 1839 on a Spanish slave ship called La Amistad. The slaves manage to kill many Spanish sailors and take over the ship with their leader, Cinque. Even though the slaves manage to win the uprising against the Spanish slave traders, the slaves are founded and held prisoner in Connecticut. Amistad focuses on the trials and long debates in court about the 44 slaves that take over La Amistad.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Whether a work of art was created a year ago or centuries ago shouldn’t be a huge factor on how a person measures the beauty of the art. Let’s take Aztec art for example. Aztec art has been around for a long time and till this day, it’s one of the most significant type of art ever made. The Aztecs arrived in Mesoamerica in the beginning of the 13th century and they developed an organization that caught the attention of the region’s city-states by the 15th century. Spanish conquistador Hernan Cortes came in and destroyed the Aztec civilization by force and basically took over Tenochtitlan in 1521.
To help me understand and analyze a different culture, I watched the film Selena. The film tells the life story of the famous singer Selena Quintanilla-Pérez. Not only does it just tell personal stories from her life, it also gives insight to the Mexican-American culture. Her whole life she lived in the United States, specifically in Texas, but was Hispanic and because of that both her and her family faced more struggles than white singers on the climb to her success. Even though the film is a story about a specific person, it brought understanding into the culture in which she lived. Keeping in mind that these ideas that I drew about the Mexican-American culture is very broad and do not apply to every single person in the culture, there were very obvious differences in their culture and the one that I belong. Mexican-American culture identifies with their family rather than individualized or spiritual identities and the culture has gone through significant changes because of discrimination and the changing demographics of the United States.
Ancient cities can be found across the world in various locations. For an ancient city to be one that persists, certain criteria needed to be met; agricultural surplus, religion, defensive needs, and trading requirements. It was not necessary for all ancient cities to meet all four of these criteria, but for enough people to gather in one place to be called a city at least a couple needed to be present. Tenochtitlan was a vast city located in central Mexico, started by the Aztecs around 1345 A.D. and at its peak had a population over 200,000 people (Encyclopedia 2017.)
The film Amistad begins with a group of Africans, captured from a Havana slave market, on a ship named Amistad. The movie provides a reinactment of the slave journey between Africa and the United States of America. The Amistad was written by David Franzoni and was published in 1977. David Franzoni is well know for his film King Author. The constraints of the movie is the beginning . The extreme graphics that are shown will cause a person with a weak stomach to maybe turn away from watching the complete movie. The middle passage was a long and heart touching journey that the Africans travelled. The main reason for the movie is to manifest the capturing and freeing of the slaves in the 1800s.
Birth of an empire attempts to explain through U.S cinema. The Spanish-American War in Motion Pictures creates a time when demand for films caught up with the patriotism. Kaplan suggests that Spanish American war starts the growth and expansion of American cinema in the United States. Cinema was used a business tool to make money. This new technique recreated the combination of real and reel distinction of the war. These motion pictures gave the public the chance to see the war through a camera lens by organizing the events a “unified theme” and arranging them chronologically (Kaplan, 153). It showed how fighting for foreign domination, redefined the role of men at home because women