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The use of symbolism in Lord of the Flies
The use of symbolism in Lord of the Flies
The literary analysis of Lord of the Flies by William Golding
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In William Golding’s Lord of the Flies, a group of school-age boys' crash land on a deserted island. By themselves. The island appears as paradise upon their first arrival, until the horrors of the island and human nature is unveiled. As the boys' regress to man's state of nature, the island implies the dual-nature of humanity. The island's paradise imagery conceals a darker nature which alludes to the allegorical reflection of humanity's dual-nature of evil which is masked by a good facade. The imagery on the island is contradicted by the symbolism of the butterfly, alluding to a deeper-nature. Golding describes a cavern on the mountain as “filled with a blue flower, a rock plant of some sort, and the overflow hung down the vent and spilled …show more content…
Golding states, “The most usual feature of the rock was a pink cliff surmounted by a skewed block; and that again surmounted, and that again, till the pinkness became a stack of balanced rock projecting through the looped fantasy of the forest creepers” (26). The color pink is a symbol for goodness throughout the novel. Pink is used to describe the conch, the symbol for order and democracy. The conch is the connection of the boys to civilization, the device that establishes democracy as order. Order is a quality of maturity and The rocks projecting out of the earth are also described as pink. The color is used to describe the rocks to cover up the evils that hide beneath the surface of the island. Pink is a pretty disguise, meant to give the allusion of goodness. However, later in the novel “The breeze hauled the figure through the blue flowers, over the boulders and red stones, till it lay huddled among the shattered rocks of the mountaintop”(96). As we see the true horror of the island, pink is no longer used. The dead parachutist is a sign from the grown-up world, except he is dead. His death signifies the boys' loss of civility. The island around the boys is reflecting their isolation from civilization, and descent into savagery. Pink is not describing the rocks, instead red is used. Red is an extreme color symbolizing violence, demonstrating the island true colors. The island is no …show more content…
Golding states,” On the other side of the island, swathed at midday with mirage, defended by the shield of the quiet lagoon, one might dream of rescue; but here, faced by the brute obtuseness of the ocean, the miles of division, one was clamped down, one was hopeless, one was condemned, one was-“(111). The very beginning of the novel focuses on the paradise, and promising beginning to a new life on the island. However, first impressions can be deceiving, and often are duplicitous. On one side of the island, hidden beneath a pink mirage is the truth. On the other side, the duplicity evident, revealing the nature of humanity and the island. Without the mirage, the truth is clear. The duplicity on the island is an allegory of the duplicity within human beings. The island attempts to conceal its secrets with a paradise facade, just as humans use societal norms to create mannered, and respectful people. Etiquette is a social construct to hide the evil-nature of humans. The duplicity on the island reflects the dual-nature of
In his novel, The Lord of the Flies, William Golding uses symbolism to illustrate the theme that darkness of the heart is a trait within all of us- some people fight against it while others allow it to take over.
meetings are held, and the cliffs at the edge of the island are pink in the sunlight. Besides their
...the outside world, all humanity was lost. The boys were sick with power and evil, much like the world outside the island. War had corrupted their very souls and they had become savages in order to appease the devil that dwelled within. As humans we cannot escape evil. Beelzebub dwells within every human soul and it cannot be hunted or driven away. Mankind is sick and guilty for giving into these sins. However, mankind is not lost. Through the use of reason and civilized means we can escape the grasp of Beelzebub and its dark reign of anarchy. Beelzebub served as a means of destruction in the story. He accelerated the boys fall of grace. Although the boys failed that does not condemn mankind. Hope is offered through the story in the form of a young, epileptic name Simon. Simon stood for the weak that fought with the nature of reason rather than with a bloodthirsty rage.
For all their differences the Lord of the Flies and Simon have one singular trait in common; they both know what the pig’s head really means for the boys on the island. At first glance, the Lord of the Flies is just a pig’s head on a stick, however it is so much more than that. The moment Jack and his hunter’s kill that pig, a part of them is lost forever and this lost part is their moral sense of right and wrong (149).
At first the island is thought to be a paradise by the boys. It is a
The lagoon, often described as a “mirage”, represents the initial impression of paradise and peace while the rocky cliffs on the other side of the island represent a harsher reality: “A kind of glamour was spread over them and the scene and they were conscious of the glamour and made happy by it… On either side rocks, cliffs, treetops, and a steep slope…” (29). Golding uses these symbolic images to contrast the fantasy of goodness and the reality of corruption. At first, the boys spend happy, carefree days in the lagoon unclouded by corruption and evil. As the plot progresses, however, Jack starts gravitating toward the rocky side of the island, which symbolizes his gradual transition into corruption. In the end, when Ralph reflects on all the horrific experiences the boys have on the island, “For a moment he had a fleeting picture of the strange glamour that had once invested the beaches. But the island was scorched up like dead wood- Simon was dead- and Jack had…” (202). The disappearance of the “glamour” as the island is engulfed in flames is symbolic of corruption driving out (the illusions of) innocence. The fire can be considered a metaphor, for it shows how experiencing corruption incinerates former misconceptions about innocence. The boys arrive on the island with the expectation that the world is a safe place and that
Golding illustrates mankind’s essential illness when the boy’s pillage the once beautiful Garden of Eden and render it a perverted Eden. When the boy’s first crash on the island, Golding describes it as enchanting, full of beautiful waters and tress that cover the skyline. Golding illustrates the enchanting beauty of the island when he depicts, “ This was filled with a blue flower, a rock plant of some sort, and the overflow hung down the vent and spilled lavishly among the canopy of the forest. The air was thick with butterflies, lifting, fluttering, settling” (Golding 28). Clearly, before the evils of mankind disturb the island, it is quite beautiful. However, this charming landscape does not last forever, as the boys light half the island on fire when they try to make a signal fire. Golding conveys the children are destroying the once beautiful island and turning it int...
I am plunged into Golding's imagined island world from the first sentence. He uses lush description to build a setting that will contrast and reflect the boys' primitive descent. The word "scar" describes the natural feature of the land, conjuring images of redness and blood from the first paragraph. The beautiful, yet often odd, descriptions help serve as a contrast between humans and nature. The use of words like "scar" and "blood" foreshadows the future interaction between the boys and nature - the pigs, the hunt, the storm. At the same time, the beauty and the order of the natural surroundings contrast with the decline of society developed throughout the book. Integral to this setting is the fair-haired boy climbing the rocks, Ralph. When Ralph meets Piggy, we notice the obvious differences between the two - the attractive and the fat, the daydreamer and the thinker. There is a moment when Piggy looks up at Ralph and sees the shadows on his face reversed. This reverse of shadows seems to signify the missed initial connection between Piggy an...
Another of the most important symbols used to present the theme of the novel is the beast. In the imaginations of many of the boys, the beast is a tangible source of evil on the island. However, in reality, it represents the evil naturally present within everyone, which is causing life on the island to deteriorate. Simon begins to realize this even before his encounter with the Lord of the Flies, and during one argument over the existence of a beast, he attempts to share his insight with the others.
Another thing that was symbolized in the book is the conch shell. The conch is what Ralph blew into to get the boys to come together. At first they established rules, one of them being the person holding the conch is the only person who can speak. The conch symbolizes order among the boys. As time past the boys acted more and more uncivil, and they didn't pay much attention to the conch. At this point, order stated to disintegrate. Towards the end of the novel, when the conch was shattered, all civilization of the boys shattered along with it. There was complete chaos on the island.
Symbolism is defined as the representation; treatment or interpretation of things as symbolic. In society and in particular, literature, symbolism is a prominent component that helps to illustrate a deeper meaning then perceived by the reader. Symbolism can be anything, a person, place or thing, used to portray something beyond itself. It is used to represent or foreshadow the conclusion of the story. In William Golding’s, Lord of the Flies symbolism of the main characters Ralph, Jack and Simon plays a very important role in helping to show how our society functions and the different types of personalities that exist. An examination of Simon as a symbol of good, Ralph as a symbol of the common man, and Jack as a symbol of evil, clearly illustrates that William Golding uses characters as a symbol of what is really happening in the outside world throughout the novel.
When the children become stranded on the island, the rules of society no longer apply to them. Without the supervision of their parents or of the law, the primitive nature of the boys surfaces, and their lives begin to fall apart. The downfall starts with their refusal to gather things for survival. The initial reaction of the boys is to swim, run, jump, and play. They do not wish to build shelters, gather food, or keep a signal fire going. Consequently, the boys live without luxury that could have been obtained had they maintained a society on the island. Instead, these young boys take advantage of their freedom and life as they knew it deteriorates.
It can be said that Golding describes the moral of the book in relation to the scientific mechanics of society. This is found as a major theme in the book, which is actually fear. The boys on the island view this ideal in the form of the "beastie". The "beastie" is an unseen figure on the island, which is symbolized of the dead parachutist. This fear, however, represents the potential evil found in humans. Yet, this evil is only brought about amongst specific environmental conditions, which Golding synthesized in the book.
The use of diction is powerful, with the gripping use of words and description. Golding creates tension and reinforces his theme and tone with the use of specific words. Many are connotative and therefore create a story abundant in meaning and symbolism. Golding uses colors such as pink to symbolize particular things such as innocence, as shown in the piglets and the island. The word yellow makes the reader think of the sun, enlightenment and Ralph; the words black and red bring to mind evil, blood and Jack.
Imagine a group of young boys who have just crash-landed on a deserted tropical island with no adults or supervision. William Golding showed in his ground breaking novel Lord of the Flies, what may happen in just those circumstances. In his very complicated and diverse novel Golding brings out many ideas and uses many literary devices. Above all others though comes symbolism of three main important objects being the conch, fire, and "Piggy's" eyeglasses. Through each of these three symbols Golding shows how the boys adapt and change throughout the novel. These symbols also help to show each of the boy's ideals on a variety of elements from human nature to society and its controls. All three of these symbols also change and are one of the most important elements of the story.