From orchestras and opera houses, Broadway to the West End, film and television studios, to pop and commercial groups, brass bands, wind bands, jazz, big bands, funk groups, and so many other genres and ensembles, instruments made by Michael Rath are found in almost every conceivable musical situation requiring a trombone.
Peyser, J. (1986) The Orchestra: Origins and Transformations. New York: Charles Scribner’s and Sons. Sadie, S. (1980) New Grove Dictionary of Music and Musicians.
Like his father, who played the trombone in the U.S. Marines Band, John, too, learned to play the trombone. John also spent time studying voice. John was a rather mischievous teen. At the age of 13 John tried to run away to join the circus. Dad was not all that impressed.
Throughout the life of an individual most people would agree that dealing with tough conflict is an important part in growing as a person. In “The Cellist of Sarajevo” all the characters experience a brutal war that makes each of them struggle albeit in different ways. Each of them have their own anxieties and rage that eventually makes them grow as characters at the end of the book. Steven Galloway’s novel “The Cellist of Sarajevo” exemplifies that when an individual goes through a difficult circumstance they will often struggle because of the anger and fear they have manifested over time. The conflict that the individual faces will force them to reinforce and strengthen their identity in order to survive.
Michael Brecker was born in Pennsylvania, Philadelphia, and grew up in the suburbs of Cheltenham Township. His father was an amateur jazz pianist, and Michael Brecker has touched with Jazz from his father since he was young. At that time, Jazz music was just in the early period of development which had not been seen opposite against rock but a different form of music. The first musical instrument Michael touched with and began to learn was the clarinet. When he started to go to school, he changed to learn alto saxophone and finally decided to learn it for the whole life.
The piano is the most commonly known and most used. The saxophone has the ability to produce a unique sound. The clarinet has a reed connected to the mouthpiece, which the player blows through to create music. The trumpet is another a popular instrument. The trombone is descended from the trumpet that’s with played in bass clef or treble clef. With the larger size the double bass, the player usually has to stand up. The drums include the bass drum, snare drum, and cymbals. Last but not least, it’s good to have a vocalist because songs will sound
Hughes, Langston. "Trumpet Player by Langston Hughes." Trumpet Player, a Poem by Langston Hughes. Poets Love Poem at Allpoetry. N.p., n.d. Web. 14 May 2014.
Dmitri Shostakovich, born on September 25, 1905, started taking piano lessons from his mother at the age of nine after he showed interest in a string quartet that practiced next door. He entered the Petrograd (formerly St. Petersburg, later Leningrad) Conservatory in 1919, where he studied the piano with Leonid Nikolayev until 1923 and composition until 1925 with Aleksandr Glazunov and Maksimilian Steinberg. He participated in the Chopin International Competition for Pianists in Warsaw in 1927 and received an honorable mention, after which he decided to limit his public performances to his own works to separate himself from the virtuoso pianists.
Instruments like the English horn can be found in popular music, while the bassoon may only be found in traditional and ensemble music. There are, however, composers and musicians who explore the use of these instruments in esoteric and unconventional ways. One way to think of the woodwind family is the various instruments mimicking (representing) the human voice such as a clarinet for an alto singer, or a bassoon for a baritone singer. Many modern composer look at this group of instruments in exactly that
He organized the Citizen's Cornet Band, available for both Republican and Democratic rallies; "I played every instrument but the slide trombone and the E-flat cornet," he once remarked.
Born as Jan Václav Antonin Stamic and later Germanized as Johann Wenzel Anton Stamitz, he was an influential composer and violinist. He was born on June 19, 1717 in Deutschbrod, Bohemia, now called Havlíčkův Brod, Czech Republic. Stamitz received a musical education from his father from a young age, and attended the Faculty of Philosophy at the University of Prague for the academic year of 1734 – 1735, and shortly thereafter left the university to become a violin preformer. In 1741, he was employed as a string player in the court orchestra of Mannheim, Germany. Stamitz went on to marry Maria Antonia Luneborn on July 1, 1744, the couple had 5 children, two of which died in infancy. One of their children, named Carl Phillip Stamitz went on to have a successful musical career. By 1745, he was appointed as the concertmaster of the court orchestra at Mannheim, with a role as the conductor and lead violinist. In the years of 1754 – 1755, he travelled to France to conduct for the Concert Spirituel and the Concert Italien, which were the two most important concert series of 18th – century Paris. He returned to Mannheim in 1755, his health rapidly deteriorated and he died in Mannheim on March 27, 1757 at the age of 39. The entry of his death contains the following quote: “March 30, 1757. Buried, Jo'es Stainmiz, director of court music, so expert in his art that his equal will hardly be found “. Overall, he was an accomplished individual and died at a very young age.
The Concert Band musicians primarily played instruments to signal to the guards and villages. There were a few unique instruments, however, that were desired to play a military tune. These instruments include instruments such as a flute or bagpipe. Throughout the Middle Ages, this difference in military preference led to different job opportunities. For example, a cavalry company required trumpets, horns, and trumpets.
Ennio Morricone is an Italian composer, orchestrator, conductor, and trumpet player who is one of the most versatile and influential composers of all time. His career encompasses an extensive range of composition genres, from absolute concert music to applied music, working as orchestrator, as well as a conductor and composer for theatre, radio and cinema. “Throughout his near 50 year career as a film composer, across the board, his signature ideas have included simple ideas (easy to hum) in complex arrangements, unusual instrumentation, concrete sounds, the use of the human voice as part of the orchestra, long silences, musical gags and single notes sustained for ever.” (Frayling)
Although the foundation of his career is as a virtuoso violinist and composer of string chamber works, his involvement at S. Petronio led him to contributing immensely to the development of trumpet repertoire. While it is not known whether he studied under Leonardo Brugnoli or Bartolomeo Laurenti while building his career as a performer, they were both S. Petronio players and ultimately led to his involvement
That brings us to the last segment of our concert, the Modern Era. Traditoinal musical instruments in the modern period have not changed nearly as much as they have in the 18th and 19th centuries. There have been gradual iterations of musical instruments within the 1900’s, such as updates to the violin family. There were many new instruments created in the Modern Era, all of which focused around electricity. This evening’s selections do not include any such selections with electronic instruments; however, there are arrangements available for the electric instruments such as the organ, keyboard or syntehsizer, or electric guitar.
On Wednesday, June 14, 2017, I had the pleasure of watching the Chicago Symphony Orchestra perform Symphony No. 9 in D minor, Opus 125 by Ludwig Van Beethoven. The original performance was recorded and put on YouTube, May 7, 2015, in honor of its first premier 191 years before when Beethoven decided to share his 9th Symphony with the world even though he couldn’t hear it himself. The symphonic masterpiece was recorded at the beautiful Symphony Center Orchestra Hall in Chicago and conducted by Riccardo Muti. The performance was completely deserving of selling out every single seat for one hour and twenty-two minutes. In fact, the musicians did not disappoint, Stephen Williamson was in the first clarinet chair, alongside colleagues Mathieu