The two poems, “Recipe” and “We Wear The Mask” highlight different struggles faced by non-white Americans based on their physical features. “Recipe” highlights the taunting Asian Americans received based on the shape of their eyes. “We Wear The Mask” alternatively describes a metaphorical mask the author and many African Americans wore to attempt to fit in with the rest of the world and hide their pain. Both poems deal with struggles of people who don’t quite fit in with the world around them, be it because of their race or any other factor, but both come with a message of how to deal with the pain that the struggles result in.
“Recipe” by Janice Mirikitani is a freestyle poem that hits on the difficulties Asian Americans may feel as they are held
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They both have a unique way of revealing a truth known by all: in the 20th century, Asian Americans, African Americans, and others were looked down on because they didn’t look white, or have any of the traditionally white features. Both authors clearly faced underserved judgment but came with two different views on how to retaliate. I believed Mirikitani used this poem as a way to say that while she may not have the glorified round eyes so valued by Americans, they aren’t as great as they seem. She literally says that with beauty comes pain, and tells her readers not to cry. This is more of a statement of not backing down in the face of adversity rather than not crying while attempting to make round eyes, but the message is clear. Dunbar, on the other hand, uses a mask to hide all the pain and grief he felt at his judgment. His poem alludes to the fact that the world chooses not to see the pain in other peoples eyes, instead preferring to believe they are happy simply because they say it, or there is a smile on their face. I think Dunbar is also trying to say that theses masks are not to be trusted, because we never know what is truly happening
The poem, "We Wear the Mask”, by Paul Laurence Dunbar is about separating Blacks people from the masks they wear. When Blacks wear their masks they are not simply hiding from their oppressor they are also hiding from themselves. This type of deceit cannot be repaid with material things. This debt can only be repaid through repentance and self-realization. The second stanza of “We Wear the Mask” tells Blacks whites should not know about their troubles. It would only give them leverage over Blacks. Black peoples’ pain and insecurities ought to be kept amongst themselves. There is no need for anyone outside the black race to know what lies beneath their masks. The third stanza turns to a divine being. Blacks look to god because he made them and is the only one that can understand them. They must wear their mask proudly. The world should stay in the dark about who they are. This poem is about Blacks knowing their place and staying in it. This is the only way they could be safe.
Dunbar, Paul Laurence. “We Wear the Mask.” The Norton Anthology of American Literature. Nina Baym. New York: W.W. Norton & Company, Inc., 2007. Print
The death camp was a terrible place where people where killed. Hitler is who created the death camp for Jews. The death camp was used for extermination on Jews. This occurred on 1939 – 1945. The death camps were in the country of Europe. Hitler did all this because he didn’t like Jews and the religions. The book Night is a autobiography written by Elie Wiesel. The poem called First they came for the communist written by Martin Neimoller is a autobiography.
In the line “I am the darker brother. They send me to eat in the kitchen” (Hughes 2-3) is denial of a particular person due to the pigmentation of their skin. The African American race had to suffer and be treated differently because of one small detail that was out of their control. Many individuals struggled with how they were treated during this time and others let such treatment make them stronger. As seen in the following lines “Nobody’ll dare say to me, “Eat in the kitchen, then.” Hughes illustrates that the narrator is in touch with being the same as everyone else. These lines show that he knows what he deserves and he will stand up for himself. Guilt of being a certain race is not hanging over the narrator’s head unlike many others who feel defeated. This poem stands for those who see themselves equally with the ones that look down upon them. “I, too, am America” is a testament of faith in his countrymen and women to recognize and appreciate the contribution of African-American citizens.” (Lewis) shows that America should be proud of the strong ethnic mix. Hughes possessed optimism for all human beings and took a lot of pride in showing that through his
While exploring an unknown island and struggling to survive, a group of schoolboys reveal their primitive, barbarous identities in William Golding’s work, Lord of the Flies. Similarly, Paul Laurence Dunbar, an African American poet, describes the hidden nature of individuals in order to protect themselves and conceal their pain. Golding’s novel and Dunbar’s poem, “We Wear the Mask,” both express masks as means of escaping reality and a source of strength; however, the pressures of society suppress the characters in Dunbar’s poem while the boys in Lord of the Flies unleash true feelings through their innate savageness.
...Moreover, the antithesis in “fine big house” and “shack” reflects the unbridgeable gulf between the two races. At the same time, it heightens the issue of segregation and racial discrimination which the African-Americans are suffering from. Meanwhile, words like “wonder”, “neither”, and “nor” show Hughes’ bitter sense of estrangement since he is unable to determine to which race he belongs. Thus, the poem is also a reminder by Hughes to his people of the tragic consequences of this social system on the mulatto offspring who have no place in either race. In this poem, Hughes dramatizes the inherent tensions of a mulatto who resents his mixed origins and ascribes his failure in life to it. Though blaming his parents at the beginning for his dilemma, Hughes ends by forgiving them and pitying himself for his dislocation and disenfranchisement from the American society.
In an interview with Voice of America, she said that her identity as an Asian American “definitely play[s] into all of the reasons why [she] write[s] and why [she] continues to write” (Byrd). That is evident throughout this poem which is about a facet of the Asian American narrative, the fetishization of Asian American women, that is not always discussed. Women from every background deal with catcalling and other forms of casual sexual harassment which is what makes this poem relatable, but Asian American women must face this unique brand of intertwined racism and sexism in their daily lives. “To the Man Who Shouted ‘I Like Pork Fried Rice’ at Me on the Street” is not the solution to this problem, but it is a powerful piece of literature that demonstrates no one is simply a
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
During the 1900s, many African Americans experienced the effects of racial segregation but they still had hope, their oppression did not stop their belief for future change. In “I, Too, Sing, America”, Langston Hughes has makes it clear that he envisions change. In the beginning of the poem, he speaks of being treated differently than others in his home, making it hard to live equally. Hughes writes, “I am the darker brother, they send me to eat in the kitchen when company comes” (Line). He chooses to discuss this issue because his darker shade of skin in comparison to the other residents in his home, makes it possible for him to eat separately so that he will not be seen by the guests; this depicts segregation in his home due to race. Because of the racial conflicts that Hughes experiences, he hopes that there is some form of change in the future, where he can sit equally with others. He goes on to write, “Tomorrow, I’ll be at the table when company comes, nobody’ll dare say to me, eat in the kitchen “(Line). Hughes...
The history of African American discrimination is a despicable part of the United States’ past. Inequality among Black Americans prompts these individuals to overcome the hardships. This endurance is valued by African Americans and people all around the world. However, the ability to strive and maintain positivity in a difficult or prejudiced situation proves to be tremendously challenging. When people give up in tough times, they deny their opportunity to succeed and grow stronger. This paper examines the techniques that manifest the struggles of racism and the importance of conquering obstacles in the following poems: Dream Deferred, I, Too and Mother to Son.
The narrator also discusses about a girl about the same age as her would have never been the “right kind of American.” Minorities such as the African Americans, Dominican Americans and any other ethnicity that came to America were looked right under the microscope. This perplexed me I do not understand why they are treated unfairly by the “True Americans.” There is no such thing as True Americans and that this poem definitely targeted it's audience through racial discrimination rather than cultural changes within a neighborhood in Queens, NY. Another Poet had a much refined and unique style of another part of New York City, he is one of my favorite poets Langston Hughes.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream otherwise” (13). The unreal character of the mask has played a significant role over the life of African Americans, whom pretend to put on a smile when they feel sad internally. This ocassion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart and Miller 466). Through the utilization of iambic tetrameter, end rhyme, sound devices and figurative language, the speaker expresses the hidden pain and suffering African Americans possessed, as they were “tortured souls” behind their masks (10).
In the time of the Great Depression, many people were in moments of suffering and hardships. However, African American were facing moments of prejudice and segregation, that was sonly based on the color of their skin. In the novel, “To Kill a Mockingbird” by Harper lee and the poem “We wear the mask” by Paul Lawrence Dumber, gave incite to those moments and how African Americans changed themselves to fit in to the white people society.
During this era African Americans were facing the challenges of accepting their heritage or ignoring outright to claim a different lifestyle for their day to day lives. Hughes and Cullen wrote poems that seemed to describe themselves, or African Americans, who had accepted their African Heritage and who also wanted to be a part of American heritage as well. These are some of the things they have in common, as well as what is different about them based on appearance, now I shall focus on each author individually and talk about how they are different afterwards.
“We Wear the Mask” by Paul Laurence Dunbar and “Richard Cory” by Edwin Arlington Robinson are two poems that depict how many people hide their feelings from others. The two poems are similar in theme, but are told from different points of view and differ in plot.