History is the study of past events. In his novel Waterland, Graham Swift entwines the past with the present to create a cyclical rhythm, which flows through the narrative. The narrative explores the notion of temporality and explains that instead of time following a linear pattern, it is, in fact, a circle, which moves in into itself, representing the past, the present, and the future. Chapters often end in the middle of a sentence, then picked up at the beginning of the following chapter, suggesting not only the continuity of the story, but the course of history. This style reinforces the content of Waterland and embodies the theme of history being continuous. Waterland features a history teacher and narrator, Tom Crick, who has been urged to take an early retirement on account of his wife stealing a baby from Safeway, after god told her to (15). To try to understand the present, Tom takes a look into his past and decides to use his experiences as a history lesson, and instead of using the syllabus completely, he begins telling his class—his-story. He does not believe in progression, man takes “one step forward, one step back” throughout history. Through Tom’s personal stories and the juxtaposition of the historical facts, the reader infers that the narrative of Waterland believes that history travels in circles.
Swift uses specific symbols to also represent the cycle by which things occur in nature. At the center of the novel lies a river called the Ouse, which reinforces the circular movement of history. When the narrator describes the flow of the Ouse River he says, “So that while the Ouse flows to the sea, it flows in reality, like all rivers, only back to itself, to its own source; and that impression that a riv...
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...-linear. What happens in the past does not stay in the past. Water comes back when land is reclaimed, eels reproduce via a circular journey, traits of parents are transferred to their children, and decisions affect the future. Throughout the novel, Tom explains how history “goes backwards as it goes forward. It loops. It takes detours,” and it does the same with his style of his narrative (155). The stories communicated by Tom shows how, “[History] repeats itself, how it goes back on itself, no matter how we try to straighten it out. How it twists and turns. How it goes in circles and brings us back to the same place” (162). The narrative embodies the circular progression of time showing that history is never gone, but rather, it manifests itself in the present and somehow repeats.
Works Cited
Swift, Graham. Waterland. New York: Vintage, 1992. Epub.
In the book “The Boys of Winter” by Wayne Coffey, shows the struggle of picking the twenty men to go to Lake Placid to play in the 1980 Olympics and compete for the gold medal. Throughout this book Wayne Coffey talks about three many points. The draft and training, the importance of the semi-final game, and the celebration of the gold medal by the support the team got when they got home.
The climax of the story is when Miles is shot by the Bonewoman. The reader comes to realize that Miles’ choice to live life on the safe side was a mistake:
reacts to the crosser. At the beginning of the poem, the speaker’s first impression of the swamp
Initially, Elisabeth is the matriarch of the four generations of women talked about in the story. Elisabeth works in the house, but she’s married to a field slave and has three daughters. Not much insight is given on Elisabeth and her feelings, yet through the narration it is as if she lived vicariously through her youngest daughter, Suzette: “It was as if her mother were the one who had just had her first communion not Suzette” (20) Even though Elisabeth too worked in the house, Suzette had more privileges than her mother and the other slaves. Elisabeth represented the strength and the pride of her people: “You have a mother and a father both, and they don’t live up to the [plantation] house” (25). She would constantly remind Suzette of her real family, which signifies the remembrance of a history of people and their roots. It is up to Suzette to keep the heritage even through the latter miscegenation of the generations to come.
The novel, The Color of Water follows the author and narrator James McBride, and his mother Ruth’s life. It explores their childhood—when they were both embarrassed by their mothers—through the part of their lives where they began to accept themselves for who they are. Moreover, this memoir is quite distinctive as McBride cleverly parallels his story to his mother, Ruth’s story using dual narration. This technique further helps contribute to the theme of self-identity. Throughout the novel, McBride searches for identity and a sense of belonging that derives from his multiracial family. By using two different narrations, McBride gradually establishes his identity and by integrating both narratives at the end, McBride also shows that although both narrators at the beginning had different upbringings, in the end they came together, and understood each other’s perspective.
The first encounter with Helga Crane, Nella Larsen’s protagonist in the novel Quicksand, introduces the heroine unwinding after a day of work in a dimly lit room. She is alone. And while no one else is present in the room, Helga is accompanied by her own thoughts, feelings, and her worrisome perceptions of the world around her. Throughout the novel, it becomes clear that most of Helga’s concerns revolve around two issues- race and sex. Even though there are many human character antagonists that play a significant role in the novel and in the story of Helga Crane, such as her friends, coworkers, relatives, and ultimately even her own children, her race and her sexuality become Helga’s biggest challenges. These two taxing antagonists appear throughout the novel in many subtle forms. It becomes obvious that racial confusion and sexual repression are a substantial source of Helga’s apprehensions and eventually lead to her tragic demise.
Throughout a lifetime, one can run through many different personalities that transform constantly due to experience and growing maturity, whether he or she becomes the quiet, brooding type, or tries out being the wild, party maniac. Richard Yates examines acting and role-playing—recurring themes throughout the ages—in his fictional novel Revolutionary Road. Frank and April Wheeler, a young couple living miserably in suburbia, experience relationship difficulties as their desire to escape grows. Despite their search for something different, the couple’s lack of communication causes their planned move to Europe to fall through. Frank and April Wheeler play roles not only in their individual searches for identity, but also in their search for a healthy couple identity; however, the more the Wheelers hide behind their desired roles, the more they lose sense of their true selves as individuals and as a pair.
In the short story “Cornet at night” by Sinclair Ross, Tom Dickson is a young farm boy who lives on a farm with his parents. He is very naive and has not had a chance to experience the outside world for his own. He knows only what he learns from the farm and school, but now that he gets to go on a small adventure on his on, he grows up in a variety of ways. One way in which Tom grows up is when he goes to town by himself. He has gone before, but with the security of his parents with him, and for a young boy to go to another town “eight miles north of here” is a large task for such a young boy, thus showing one way that he matures. To illustrate this, as Tom rolls into town with Rock he says, “I remember nothing but a smug satisfaction with myself, an exhilarating conviction of importance and
Throughout many of Toni Morrison?s novels, the plot is built around some conflict for her characters to overcome. Paradise, in particular, uses the relationships between women as a means of reaching this desired end. Paradise, a novel centered around the destruction of a convent and the women in it, supports this idea by showing how this building serves as a haven for dejected women (Smith). The bulk of the novel takes place during and after WWII and focuses on an all black town in Oklahoma. It is through the course of the novel that we see Morrison weave the bonds of women into the text as a means of healing the scars inflicted upon her characters in their respective societies.
Nine patriarchs found a town. Four women flee a life. Only one paradise is attained. Toni Morrison's novel Paradise revolves around the concept of "paradise," and those who believe they have it and those who actually do. Morrison uses a town and a former convent, each with its own religious center, to tell her tale about finding solace in an oppressive world. Whether fleeing inter- and intra-racial conflict or emotional hurt, the characters travel a path of self-isolation and eventual redemption. In her novel Paradise, Toni Morrison uses the town of Ruby and four broken women to demonstrate how "paradise" can not be achieved through isolation, but rather only through understanding and acceptance.
The relationship you have with others often has a direct effect on the basis of your very own personal identity. In the essay "On The Rainy River," the author Tim O'Brien tells about his experiences and how his relationship with a single person had effected his life so dramatically. It is hard for anyone to rely fully on their own personal experiences when there are so many other people out there with different experiences of their own. Sometimes it take the experiences and knowledge of others to help you learn and build from them to help form your own personal identity. In the essay, O'Brien speaks about his experiences with a man by the name of Elroy Berdahl, the owner of the fishing lodge that O'Brien stays at while on how journey to find himself. The experiences O'Brien has while there helps him to open his mind and realize what his true personal identity was. It gives you a sense than our own personal identities are built on the relationships we have with others. There are many influence out there such as our family and friends. Sometimes even groups of people such as others of our nationality and religion have a space in building our personal identities.
Falling Water’s plans all came about when the architect, Frank Lloyd Wright was born, Jun 8, 1867. Frank was born in Richland Center, Wisconsin. Wright designed Fallingwater in 1935. At his death in 1959, he had built more than 400 buildings. Wright’s most famous house was designed and built for the Pittsburgh Kaufman family, for a weekend retreat.
When reflecting and writing on Eiseley’s essay and the “magical element”, I balk. I think to myself, “What magic?”, and then put pen to page. I dubiously choose a kiddie pool to draw inspiration from, and unexpectedly, inspiration flows into me. As I sit here in this little 10x30 foot backyard, the sky is filled with the flowing gaseous form of water, dark patches of moist earth speckle the yard, the plants soak up their scattered watering, and the leaves of bushes and trees imbue the space with a sense of dampness from their foliage. As my senses tune into the moisture that surrounds me, I fill Braedon’s artificial pond with water. I stare at the shimmering surface, contemplating Eiseley’s narrative, and the little bit of life’s wellspring caught in Brae’s pool. I see why Eiseley thought the most abundant compound on the earth’s surface is mystical.
The Flowers By Alice Walker Written in the 1970's The Flowers is set in the deep south of America and is about Myop, a small 10-year old African American girl who explores the grounds in which she lives. Walker explores how Myop reacts in different situations. She writes from a third person perspective of Myop's exploration. In the first two paragraph Walker clearly emphasises Myop's purity and young innocence.
The Color Purple by Alice Walker is the story of a poor black woman living in the south between World War 1 and World War 2. This was at a time when, although slavery had ended,many women were still virtually in bondage, and had to put up with many conditions that was reminiscent of the days of slavery. The problem was that they had to endure being treated like an inferior being by their own families sometimes, as well as from the white people that lived there. It was a life that was filled with misery for many black women, and they felt helpless to do anything about their situations.