Wasteland by T.S. Eliot
The driving force of all life is procreation and re-birth. For mankind,
vegetation, the animal kingdom, the survival of the species is the
dominant factor and only the fittest survive. For millennia, different
races have believed that the fertility of the land depended on the
sexual potency of their ruler or favour of their gods. Pagan, Roman,
Greek and other gods have been invented who were believed to control
the fertility of the land, such as Ceres, the Roman goddess of
agriculture, on which the survival of their populations has been
believed to have depended. Various superstitions and religions have
further developed and become significant factors in the lives of
billions of the world's population. The Waste Land takes these themes
and portrays a dead land that lacks the fertility and sexual potency
needed to sustain and progress life. A land void of what is needed for
re-birth. The 4 life-giving elements: Earth, Air, Fire, Water. Earth is
sterile; Air is turned to "brown fog"; Fire burns; Water drowns. The
sexual imageries are unproductive: sex is present as a lustful
functional device but lacking of the necessary fertility. Superstitions
are turned to by the society in search of the answer in the form of
Tarot cards and religion is a constant thread as evidenced by the
recurring Biblical references and themes.
In The Burial of the Dead we see that he gives us an image of
the Earth as sterile, instead of being the foundation of
vegetation. It is only a repository for the dead. Earth is the
1st. of the 4 natural elements. These 4 opening lines echo the
"April", "root", "Lilac/flower", and "rain/shower" imagery of
the 4 opening lines of The General Prologue of Chaucer's
Canterbury Tales. These lines are reflecting the image of life
and death. Rain usually nurtures and strengthens plants and sustains
them, but here we see that life even with water is slowly dying and
wasting away. He later goes on to say that the trees will give no
shelter and the crickets, no relief. This line comes from Ecclesiastes
12:5-7: "Also when they shall be afraid of that which is high, and
fears shall be in the way, and the almond tree shall flourish, and the
grasshopper shall be a burden, and desire shall fail: because man goeth
to his long home, and the mourners go about the streets. Or ever the
silver cord be loosed, or the golden bowl be broken, or the pitcher be
broken at the fountain, or the wheel broken at the cistern.
Night is a memoir written by Elie Wiesel, a young Jewish boy, who tells of his experiences during the Holocaust. Elie is a deeply religious boy whose favorite activities are studying the Talmud and spending time at the Temple with his spiritual mentor, Moshe the Beadle. At an early age, Elie has a naive, yet strong faith in God. But this faith is tested when the Nazi's moves him from his small town.
Sylvia Plaths poem, Sow, depicts a beast of mythic proportions through various images, comparisons, and specific word choices. By presenting the sow from both the point of view of its owner, neighbor, and of the speaker, Plath paints a vivid picture of farmyard decadence that the reader can relate to.
Hills like White Elephants is a typical short story by Ernest Hemingway bordering around the themes of sadness and bewilderment. The Yellow Wallpaper, on the other hand, written by Charlotte Perkins Gilman is classified in the genre of American feminist literature, which is also considered to come under gothic fiction due to its gothic settings. Under different genres, the use of symbolism in the settings greatly contributes to the theme, characterization and the tone of the story.
Land- Indigenous people don’t think of their land as soil, rock and dirt but for Indigenous Australians it is all about how the land is spiritual (Australian Indigenous Culture Heritage 2015).
The attack on the farmhouse that resulted in the rape of his daughter and his near-immolation penetrate every part of his life, even in his work as he subconsciously writes the character of Byron’s daughter Allegra into his opera. A character who he had not intended to incorporate, the voice of Allegra cries ‘Why have you left me? Come and fetch me!’ , eerily paralleling the voice of nightmare-Lucy, and thus he is unable to ignore his grief any longer. In American Pastoral the reader begins to criticise the strength of the Swede, his fatal flaw being that he is too caring. An example of this is when Merry asks Swede to kiss her the way he kisses her mother and after an initial refusal, her father kisses her passionately on the mouth. This transgression is highlighted as a crucial factor debated in the Swede’s mind as to whether it is the cause of the subsequent grief suffered, ‘he wondered if the strange parental misstep was not collapse responsibility for which he paid for the rest of his life.’ This becomes the centre of his mental hell, in which he agonises over how he could have ‘wounded’ Merry. The aftermath of the kiss leads the Swede to become more wary of his emotions and affections toward Merry. This reclusive behaviour adds to the fragmented mind-set of the Swede.
Some people say that history finds a way of repeating itself. The same thing happened to poetry in the Twentieth Century era. Poetry returned to a metaphysical style, which concentrates on nature and the belief in the supernatural power of different things. You ask how is history repeating itself this way? It is like this because this is the style that Romantic Poets wrote. The main difference between the two completely separate eras is the poets in the Twentieth Century use more common events and common relationships. This made poetry even easier to understand because more people could relate to it. To me, their poetry is often easier to understand because it addresses everyday life. I also think that much of this is due to the fact that more people were reading then there ever was before. Now the poets were writing so that everyone could read and understand what they were trying to express and have them relate it to everyday life. This can be easily seen through different works by different authors of that period. Poems such as "Under the Waterfall" By Thomas Hardy and "Sweeney Among the Nightingales" by T. S. Eliot. Both works express their feelings about an ordinary event, adult relationships.
The Hippie Movement changed the politics and the culture in America in the 1960s. When the nineteen fifties turned into the nineteen sixties, not much had changed, people were still extremely patriotic, the society of America seemed to work together, and the youth of America did not have much to worry about, except for how fast their car went or what kind of outfit they should wear to the Prom. After 1963, things started to slowly change in how America viewed its politics, culture, and social beliefs, and the group that was in charge of this change seemed to be the youth of America. The Civil Rights Movement, President Kennedy’s death, new music, the birth control pill, the growing illegal drug market, and the Vietnam War seemed to blend together to form a new counterculture in America, the hippie.
“Hills Like White Elephants”, is a short story by Ernest Hemingway. It was first published in August 1927, in the literary magazine Transition, then later in the 1927 short story collection Men Without Women. “Hills Like White Elephants” tells the story of an American man and a woman having some beers outside the station bar as they wait for the train to Barcelona. It elaborates on how an irresponsible couple unaccustomed to serious communication interact in a poison relationship and try to manipulate each other to get what they want.
In the novel Sula, by Toni Morrison we follow the life of Sula Peace through out her childhood in the twenties until her death in 1941. The novel surrounds the black community in Medallion, specifically "the bottom". By reading the story of Sula’s life, and the life of the community in the bottom, Morrison shows us the important ways in which families and communities can shape a child’s identity. Sula not only portrays the way children are shaped, but also the way that a community receives an adult who challenges the very environment that molded them. Sula’s actions and much of her personality is a direct result of her childhood in the bottom. Sula’s identity contains many elements of a strong, independent feminist character. However, the people in Medallion do not see Sula in a positive light. When she returns to Medallion as an adult Sula is seen as evil and regarded with much fear. The reason Sula outcast from the community is specifically due to the fact that she is a woman who refuses to contain herself in the social norms set up for the town. She refuses to marry and frequently sleeps around. The characters that exist around Sula serve as a point to compare the different ways the community treats those who are different. Specifically the way the characters, Shadrack and Hannah are treated by the community can be compared to the way the community treats Sula. In one way or another, Sula, Shadrack, and Hannah are outcast from the community in the bottom.
13th March, 2014 In the poem “Mirrors”, by Sylvia Plath, the speaker accentuates the importance of looks as an aging woman brawls with her inner and outward appearance. Employing an instance of self-refection, the speaker shifts to a lake and describes the discrepancies between inevitable old age and zealous youth. By means of sight and personification, shifts and metaphors, the orator initiates the change in appearance which relies on an individual’s decision to embrace and reject it. The author applies sight and personification to accentuate the mirror’s role.
Mirror, Mirror on the Wall. Sylvia Plath’s poem “Mirror” is a sad expression of a woman’s perception of her own self-worth, based primarily on her outward appearance and her inability to come to terms with her aging. The work utilizes the literary devices of personification, imagery, and symbolism, to emphasize the poems theme of human vanity and the subsequent fear of aging. Plath personifies the mirror as a first person narrator, taking on two forms.
“Spinster” by Sylvia Plath is a poem that consists of a persona, who in other words serves as a “second self” for the author and conveys her innermost feelings. The poem was written in 1956, the same year as Plath’s marriage to Ted Hughes, who was also a poet. The title suggests that the persona is one who is not fond of marriage and the normal rituals of courtship as a spinster is an unmarried woman, typically an older woman who is beyond the usual age of marriage and may never marry. The persona of the poem is a woman who dislikes disorder and chaos and finds relationships to be as unpredictable as the season of spring, in which there is no sense of uniformity. In this poem, Plath not only uses a persona to disclose her feelings, but also juxtaposes the seasons and their order (or lack thereof) and relates them to the order that comes with solitude and the disorder that is attributed with relationships. She accomplishes this through her use of formal diction, which ties into both the meticulous structure and develops the visual imagery.
Thanks to these factors, pricing becomes one of the primary uses with which hotels attract customers. However, due to customers’ independent nature, there influence over industry players is limited. In the high-end segment of hotels, price influence becomes even less as hotels find it easier to differentiate themselves from the competition and customers become less price sensitive coming to expect higher prices as a symbolism of superior quality and services. Lastly, corporate business and tour operators can exert more influence due to their large purchases but this affect is of a limited nature and does not extend across the whole
In The Wasteland, T.S. Eliot offers a wonderful insight to the spiritual aspect of the modern world. The wasteland that is described in the poem consists of a dried up and waterless land. Throughout the poem, Eliot looks for us to find a solution on how to rescue ourselves from what is known as the wasteland. To come to the full solution, he asks that we must give ourselves in the way of sacrifice. Another way to look at sacrifice is in Christianity, it has a tie into the theme of love. In order to come to this solution, it is very important to look deeper into the meaning of the poem and the way it is related to religion. Through doing this, it is important that one looks at the symbolism that lies deep within the poem, and analyzes what it really means to the reader in a spiritual form. The spiritual symbol that most lead us to the solution of rescuing oneself from the wasteland is water and its influence in the theme of love in the poem.
How many people do you think these days eat junk food? Fast food is the food that is made fast and quickly. Everyone knows that food is the fuel for our body, it gives us the energy we need to start our mornings. But now a day people are eating fast food more than healthy and organic food. People are not aware of the bad effects of fast food on their bodies junk food is affecting the body negatively. Fast food has a lot of bad effects on the human’s body that we should all be aware of. Extra calories, affecting the brain negatively and Obesity.