I sat on the leather couch gazing at my older brother’s bag of Sour Patch Kids. My taste buds were yearning for the taste of just one human shaped sour gummy. However, I could not taste the candy as it was my older brother’s and that would be stealing, or, maybe I could. After all, he would not notice one piece missing. With watering taste buds and iniquitous and divine forces clashing inside my brain, I decided not to take piece in order to take the moral high ground. In contrast, a young minister, Arthur Dimmesdale, in Nathaniel Hawthorne’s The Scarlet Letter and a greedy, meagre fellow named Tom Walker in Washington Irving’s The Devil and Tom Walker both succumb to the forces of the devil in divergent ways and become his pawns. While Hawthorne …show more content…
The two illustrated the punishment for sin through the devil, but Hawthorne was able to better convey that sin is in everyone through Chillingworth’s devilish torment of Dimmesdale, than Irving’s punishment of the devil coming to get a sinner and taking them away forever. Chillingworth’s punishment of Dimmesdale was depicted by Hawthorne as a slow physiological torment which physically destroyed Dimmesdale and proved that the punishment from secret sin could have an effect on anyone. On Dimmesdale’s trip up to the scaffold to repent his secret sin, he was aided by Hester because he was decrepit from the torment from secret sin and Chillingworth realized that he could no longer torture the minister as long as he was on the scaffold (Hawthorne 175). Through a long and grueling process, Chillingworth, symbolizing the devil, slowly tortured Dimmesdale to death until the minister finally admitted his sin. While in the grip of Chillingworth and the devil the minister was no longer himself as he grew weaker every week. However, Chillingworth could no longer torment Dimmesdale after he repented his sin on the scaffold because he was no longer a slave to the devil as he admitted his secret sin. By having a holy minister be tortured by the devil for his sin, Hawthorne illustrated that no one is without secret sin or immune to the acerbic tactics of the devil. In contrast, the devil’s punishment of Tom Walker consisted of the devil taking Tom’s soul forever and using Tom as a pawn to take more souls. The Devil’s punishment of Tom Walker was depicted by Irving as the devil stealing his soul and Tom unaffected by the devil until his death. After the devil had used Tom for many years, the devil said it was his time and took Tom away on horseback and he was never seen again (Irving 251). Using Tom as a pawn, the devil was able to drive those around him
In “The Devil and Tom Walker,” written by Washington Irving’s, Tom Walker gives his soul to the devil for greediest. For example, in the story, it was said, “He accumulated bonds and mortgages, gradually squeezed his customers closer and closer and sent them at length, dry as a sponge, from his door.” This shows how greedy and selfish he was for not caring about what anyone else feels,
Both “The Devil and Tom Walker” and “The Devil and Daniel Webster” are exemplary specimens of Faustian myths, and as such have very many similarities and concurrences. But, they also emphasize different aspects of the characters and their respective personalities. These two commendable stories serve as excellent chronicles of literature and as worthy examples of moral lessons for all ages.
Washington Irving the author of the tale “The Devil and Tom Walker” uses stories from literatures past, to make a compelling tale, The Devil and Tom walker represents the importance of processing morals and the problems associated when virtue fails to exist. He also creates the right tone for the story and gives details throughout the story, so the readers figure out the topic of the story and how it will change their perspective on the temptation of greed. “Greed is a bottomless pit which exhausts the person in an endless effort to satisfy the need without ever reaching satisfaction.”-Erich Fromm. He describes each character in a way that you can assume who they are, their character, and the decisions that they might make throughout the story. However, he provides a background for each character to understand their choses and their ultimate demise.
Written during the American Romanticism period, “The Devil and Tom Walker,” by William Irving, personifies the belief in the primacy of imagination. The period of Romanticism in America is often seen as the crucial period of American culture, as it was the central movement of the Renaissance period that moved into a more free-feeling and artistic approach to literature. American Gothic literature made its early appearance with William Irving, first with “The Legend of Sleepy Hollow” in 1820, and carrying over to “The Devil and Tom Walker” in 1824, both of which use a macabre approach to establish a moral ending (Matterson). Told by a narrator known as Geoffrey Crayon, “The Devil and Tom Walker” takes on the tone of a legend or tall tale as the story describes the life of a greedy money lender by the name of Tom Walker, who sells his soul to the devil to gain wealth. Irving ultimately uses literary elements such as symbolism and character development, as well as themes such as greed and hypocrisy to establish a moral to the corrupt man’s tale.
During Goodman Brown’s journey, he recognized Goody Cloyse, his catechism teacher, the preacher, and Deacon Gookin is going to the devil’s meeting. However, after seeing his church members at the devil’s meeting, Goodman says, “My Faith is gone! and There is no good on earth; and sin is but a name. Come devil! for to thee is this world given” (Hawthorne 27). “But, where is Faith?”, asked Goodman Brown (Hawthorne 29). As hope came into his heart, he trembled when he found the pink ribbon of his wife, Faith, in the forest. At that moment, Goodman Brown lost his faith in his family and church members. Goodman becomes unforgiving of others and believes only evil can be created from evil and there is nothing that anyone can do to change it. Here, Hawthorne demonstrates that a naive faith in our family, friends, and church member’s righteousness could lead to distrust. While, “Young Goodman Brown” lives a long life with Faith, he never loses his meanness toward humanity and the evil in the world, “for his dying hour was gloom” (Hawthorne
Nathaniel Hawthorne was one of the first American writers to pioneer the unprecedented and unforeseen gothic genre which resulted in the exposure of darker themes across America in the 19th century. This new genre sprouted the “brooding” romantics who revolved around the human’s capacity for evil as a main theme of their works. Being one of the “brooding” romantics, Hawthorne followed the Puritans’ belief that everyone is a sinner as a result of being a descendent of the Puritans associated with the infamous Salem witchcraft trials. Not only was he related to the despicable Puritans, but also, he had to live with the guilt that his dishonorable great-great grandfather, Judge Hathorne, was “the only one who refused to apologize for his role
Irving, Washington. “The Devil and Tom Walker”. Elements of Literature: Fifth Course. Austin: Holt, Rinehart and Winston, 2008. 175-185. Print.
Washington Irving displays a sense of humor throughout “The Devil and Tom Walker” about greed, marriage and religion to help the reader, become a better person. Tom Walker makes a Faustian Bargain, also known as a deal with the devil. Tom has a lot of problems with his abusive wife, his desire for riches and getting into the afterlife. Washington Irving tells us the story of Tom Walker in a humorous way. Irving does this to display a message to his readers.
It is no secret that Nathaniel Hawthorne’s “The Minister’s Black Veil” is a parable. Hawthorne intended it as such and even gave the story the subtitle “a parable.” “The Minister’s Black Veil,” however, was not Hawthorne’s only parable. Hawthorne often used symbols and figurative language to give added meaning to the literal interpretations of his work. His Puritan ancestry also influenced much of Hawthorne’s work. Instead of agreeing with Puritanism however, Hawthorne would criticize it through the symbols and themes in his stories and parables. Several of these symbols and themes reoccur in Hawthorne’s “The Minister’s Black Veil,” “Young Goodman Brown”, and The Scarlet Letter.
Chillingworth contributes to those of guilt and alienation. For example, Chillingworth expresses his own guilt through the ironic searching of Dimmesdale’s. “He had begun an investigation… with the severe and equal integrity of a judge, desirous of truth… instead of human passions and wrongs inflicted upon himself,” (Hawthorne 121). It is conspicuous that Chillingworth, being engrossed in finding the truth of Dimmesdale and his adultery, which he observed through victimizing him, inflicted his own sin upon himself. However, Chillingworth does not only inflict guilt upon himself, but on Dimmesdale as well. The observable effects are “his inward trouble [which] drove him to practices more in accordance with the old, corrupted faith of Rome than with the better light of the church in which he had been born and bred,” (Hawthorne 136). These effects, which Dimmesdale puts blame on his inward trouble, or sin, is caused in part by the victimization of Chillingworth towards him. Hence, Chillingworth has altered Dimmesdale’s original, clergy-like practices to those that are a derivative of sin and guilt. A testament of inflicted alienation upon Dimmesdale is seen in evidence brought up prior, on page 128 of The Scarlet Letter, “… a bodily disease, which we look upon as a whole and entire within itself, may, after all, be
The theme Hawthorne builds up in Chillingworth is not simply his pain and torment. It is a more important representation of the weakness in the values of the people in Puritan times, and how their perseverance for "justice" skewed their views on life and forgiveness. Because of his mindset, Chillingworth torments himself with his goal to destroy Dimmesdale just as much as Dimmesdale tortures himself for their seven years together. Chillingworth is ruining his own life and does not realize it, because he no longer sees the value in life as he tries to ruin one.
We see that good vs. evil has been a theme that is ubiquitous in many writings. The story "The Devil and Tom Walker" is a story about a man who lives an immoral life of greed. Walker lives in a wooded area, where it is solemn, and quiet area of New England. Walker runs into the devil and sees that the devil is cutting down someone else's timber.
“Young Goodman Brown”, by Nathaniel Hawthorne, delves into the classic battle between good and evil; taking the protagonist, Goodman Brown, on a journey to test the resolve of his faith. Goodman ventures out on his expedition deep into the sinister forest, in order to repudiate the attempt of the devil to sway him from Christianity; a test he believes his devout faith is prepared to confront. Goodman Brown is forever altered in ways unforeseeable by taking a stroll with the ultimate antagonist, the devil himself. The prevailing theme in this literary work, which is common in Hawthorne’s gothic writing, is the realization that evil can infect people who seem perfectly respectable. Throughout the course of his journey, Goodman Brown discovers that even highly reputable people of Salem are vulnerable to the forces of darkness.
How would one feel if one came face to face with the Devil himself? Would one run away screaming or would one let the Devil change their views of the world? Gary and Goodman Brown both had different experiences with the Devil resulting in some of the best works of fiction ever wrote. Gary met the Devil as a young boy who feared him unrelentingly, but Goodman Brown talked to the Devil and let the Devil change his life and the viewpoints of people he knows. I plan to discuss on how Gary, from the short story “The Man in the Black Suit”, and Goodman Brown, from “Young Goodman Brown”, dealt with the Devil and compare their encounters together.
“The theme of the stories has been variously stated as the reality of sin, the occurrence of evil, the secret sin and hypocrisy of all persons, the hypocrisy of Puritanism, the results of doubt or disbelief, the devastating effects of moral skepticism, or the demoralizing effects of the discovery that all men are sinners and hypocrites” (McKeithan 93). Although “The Minister’s Black Veil” and “Young Goodman Brown” both deal with the obsession with sin, Nathaniel Hawthorne illuminates the different consequences.