War on Iraq
Since the commencement of the controversial war in Iraq, people have been looking for other solutions to the conflict. Many suggestions have been voiced, but none so much and so loudly as the suggestion of simple assassination. People do not understand that assassination is not only impossible, but also never an end to conflict. Assassination of Saddam Hussein is not a viable option to end the U.S. conflict in Iraq.
The first and main reason that assassinating Hussein is unattainable is that the U.S. has a strict policy against assassination. In a section of the order labeled “Restrictions on Intelligence Activities,” Ford outlawed political assassination: Section 5(g), entitled “Prohibition on Assassination,” states: “No employee of the United States Government shall engage in, or conspire to engage in, political assassination.” Even if Hussein was locatable, the U.S. cannot even hire others to assassinate him. It would be absolutely against the law. In addition, according to a former senior Special Forces officer with firsthand experience of Gulf War assassination operations, “No one can tell you we weren’t trying to kill Saddam. We were, and that’s a fact. We weren’t very good because he is a [master] at deception, and keeping his presence low-profile.” Hussein is easily smart enough to evade assassins. He has had experience doing so, and was previously successful in eluding the U.S. Whether due to its own laws, or Hussein’s unique abilities at deception, he would not be found to assassinate.
Also, Hussein is not the only threat. If we were to assassinate Hussein, we would only be putting his kids into power. This is not a smart idea. Put someone into power who was already ruthless and suspected of torture, and kill his father, and you are asking for trouble. If Hussein is killed, it will not stop the tyranny in Iraq. Are we willing to kill his entire family to attempt to keep Iraq safe?
The texts Antigone and Wicked challenge conventional ideas about gender. Both Elphaba and Antigone demonstrate strong will and are figures of rebellion as they challenge the status quo in their patriarchal societies. The main characters in these books reject feminine constructs of leadership, challenge democracy, and deconstruct ideologies of maternity and male dependency through embracing the label as “the other” courageously.
In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.
Antigone shows the attribute of boldness. She is constantly going her own direction. She is a leader, not a follower. "Ismene: What? You'd bury him when a law forbids the city? Antigone: Yes! He is my brother and- deny it as you will- your brother too."(61). This is where Antigone's boldness begins to surface. She is expressing her disagreement with King Creon's law. This is extremely daring of her to do because she is defying the law of the land. On the other hand, Ismene displays the quality of being a coward. She says, "Remember, we are women, we're not born to contend with men."(62). On the contrary to what Ismene's brain tells her to do, her heart is screaming to go and bury her brother, and defy Creon's dishonorable law. It is not until the middle to end of the play that Ismene's true self emerges and she agrees with Antigone. This is just one of the ways Antigone and Ismene are the same at heart, but take different paths to get to their real inner person.
For example, the character Antigone attempts several times to bury the body of her beloved brother, Polyneices, despite the mandate of her uncle, King Creon, that anyone who does so would immediately be put to death. Through this action, her fame, or kleos, was achieved. Her rebellious nature to the king put her at risk of death...
However, compliance is not enough for Antigone. The desire to honor her brother goes way beyond her instinct to protect herself. Antigone finally accepts that her sister is not going to help her in her mission: “Go be the person you’ve chosen to be./ I’ll bury Polyneices myself. I’ll do/ what’s honorable, and then I’ll die.” (Antigone lines 84-85) This statement proves that Antigone is aware of what the consequences for her actions will be. She comprehends that choosing to defy the government by honoring her brother will end in certain death, and she seems at peace with her decision. Antigone’s responsibility appears to be the driving force in her defiance. We see plenty of examples in the story where Antigone feels it is her job to preserve
The position of women is an important theme in this play. Gender has an impact on Antigone and her actions. Antigone does not stress her own gender openly, but Creon does, refusing to take back Antigone's punishment because she, a woman, has broken his law. One can view Antigone as being fed up with restrictions and obsessed with death and martyrdom. Clearly, she is motivated by love for her brother and by her strong belief that the divine law has been violated. However, becoming a martyr makes the consequences of her action an additional advantage, rather than an obstacle.
Even though target killings might be a benefit to national security it is important to address the ethical issues that can be caused. One ethical issue is that target killings are often used to eliminate the leaders of the opposition in order to prevent the opposition
Antigone points out many things , however one of the main things that it points out is how bad gender inequality is back in the old day. It shows many examples of how many societies were run back then. It proves to me how women and men were portrayed in the Greece society, are the equal or different, what gender expectations do they follow or fight against?
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Sophocles’ Antigone has as its backdrop a very rigid and conservative Greek society and Greek culture when it was certainly against the norm of a typical ancient Greek woman to rebel against a male authority. And therein lies the reason to believe that Sophocles’ protagonist in Antigone showed signs of early feminism. Antigone dared to raise her voice against a patriarchal order at a time when women in ancient Greece were generally fearful that rebellion against male authority would lead to unfortunate circumstances.
First, Saddam Hussein was the president of Iraq, a position that gave him power to lead the country, to invest money and to create a network of contacts with other countries. In Iraq, Saddam was a dictator since the political system was absolute monarchy. Thus, if Saddam had an idea it was almost certain he could and would make it happen. Saddam “is a rational and political calculator who can reverse himself on a dime if his regime is threatened” . The presidential position gave him the power of decisions because he did not have to consult anyone. Also, Hussein could invest as much money as he wanted and where he wanted. The large freedom of decision in his presidency is what makes him such a negative leader. For instance, the holy grail of Saddam was to possess a nuclear bomb . Having this idea in mind, “[Saddam] was spending billions on a program to develop biological and nuclear arms and exotic long-range delivery systems” . To achieve his objective Sa...
... For Antigone, “if [she] dared to leave the dead man, [her] mother’s son, dead and unburied, that would have been [the] real pain,” not death (510-512). Her desire to free the spirit of her brother so that it can be at peace explains the true reason of her rebellious nature.
Antigone is a strong willed character who is not afraid to defend her beliefs. After learning that Creon has denied Polyneices of a proper burial she uses her free will to decide that she must lay her brother to rest, as she strongly believes he should be honored like the other fallen soldiers. Unable to
Antigone being written takes a reader back to about 441 BC. At this time, women did not have rights, and women’s rights were not even a thought. Women accepted that they were less than men, and at this time in history it was not
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.