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The importance of individuality in today's society
An essay about individuality
The importance of individuality in today's society
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What is individuality? Individuality is defined as the quality or character of a particular person or thing that distinguishes them from others of the same kind, especially when strongly marked (google.com). There is always an alluring story behind a photograph or any piece of art. The hidden meaning being explored is individuality. In The Wanderer above the Sea of Fog Caspar David Friedrich illuminates distinctiveness through the impeccable use of focus, contrast, and composition. Focus is the point where fine details at most clearly visible. Friedrich is showing polestar with one of the most detailed object in the center of the painting, the man in the blue coat. This is supported when looking at the picture it is the first details someone's eyes are drawn to. The eyes of any observer become attentive because of the variety of colors of the man. In the portrait, the many diverse colors of the man are hues similar to dark blue or black with white and contrasting shades for the hair and skin tone. The focus is showing originality through his body language. The way he is standing exhibits power in a person. …show more content…
As seen in the illustration, there is a man standing on what appears to be a cliff above fog; there is contrast in this through the pigments of the man and the rest of the scene. While the man is wearing what seems to be a black suit or coat, the rest of the background is a light grey that makes the man stand out from the rest of the icon. Not easily detected by a spectator, is the lighting of the painting that exposes contrast with the focus and the other parts of the picture; the heart of the image is darker than other areas that appear to have more light. The contrast of the view makes the man look like he is dwelling on something. This depicts that it takes thought for someone to be clear on something, especially
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
He also illustrates principles of design. If you were to place a vertical line on the picture plane the two sides would balance each other out. The painting can also be divided half horizontally by the implied divisional line above the horses head and the sword of the man who St. Dominic has brought back to life. Contour horizontal lines that give the expression that the dead man on the ground is sliding out of the picture plane, and dominate the bottom of the painting. On the top of the picture plane, behind the spectators is the brightest intermediate color, which is red orange that gives the impression of a sunrise.
Also, he appears to be the victim of the quarrel because his face is scrunched, and he looks scared. Also, he is the center point of the scene for the reason that all the figures’ eyes are focused on him, specifically his sword. This is similar to Manet Dejeuner painting Le Déjeuner sur l'herbe because his painting also does not differentiate the figures in the front from the back to illustrate distance. Also, in the background, there are several figures who are in distress from the violence that is occurring.
A old sandy color bridge is cast upon the middle of the painting, which is crumbling apart and crashing into the water. The water in this painting is dark blue and white showing the choppiness of the water. In the middle of the painting is a white statue with its head broken off, but still standing, holding a black shield leaning forward towards the center of the painting. In the background fire and gray and black smoke cover the landscape. The gray skies linger over the town with a dark depressing tone. While the river banks are roaring with fire. In the lower center of the painting is a woman dressed in white jumping to off the river bank with a warrior behind her. In the lower portion of the painting ships are on fire. Throughout the whole painting you will see thousands of people, some enemy warriors some townspeople. The enemy warriors are wearing red. While the townspeople are dressed in typical daily life clothing
The man’s eyes are closed and his mouth is slightly open. The colours of the painting shades of blue, and there is a flatness to the painting. The only break in color is the brown guitar. Like other paintings at this time, the mas is assumed to be poor. There is an overall sense of depression and tragedy.
If one came close to the figure’s stomach where there’s the seafoam green, one can see the strong mark makings of the paint brushes and knife strokes, making the paint come out of the canvas. Similarly, Brown also uses big paint strokes of different colors to direct viewer’s eyes around the artwork. For instance, on the left side of the figure, there is a big vertical downward motion of a brush stroke in maroon, that connects to a green streak that goes up and encompasses the figure’s head and then downward to the body of the figure, which outlines and pushes the figure to stand out. And to make our eyes go back to the figure, Brown paints a blue triangle on the chest, making it a focal point due to it’s dark color that stands out of the light colors. And if someone stood facing the side of the painting, one can see the thick globs of paint that would make the viewer take a double glance to see if it was either a painting or a sculpture, which reinforces the idea that the painting is coming alive and making one feel
Allowing people the discovery of their true nature, ending their life of mimicry and fakery. Individuality is important and beneficial for it develops a sense of freedom which brings out the authentic self. Whether this is rebellious or not is up for debate, but this act of nonconformity can unlock new ideas and open paths for brighter futures, letting creativity flow through minds of those who have been restrained by peers and their opinions. Be different than others, express yourself through thoughts and ideas that have been hidden by conformism and do not be afraid to be a
own painting. He sees some figures, along with a castle and somewhat of a landscape. The artist
Individualism is considered to have many meanings, such as individual rights and freedoms, economic freedom and equality, self-interest, and can also be expressed as one’s self. The three sources depict the idea of individuals and the roles they hold in society and how it is being manipulated.
Individuality is the quality or character of a particular person or thing that distinguishes them from others of the same kind, especially when strongly marked. According
The composition of the painting takes place with the square of the canvas. The square is approximately 5' x 5'. A black frame surrounding the painting protrudes approximately 4" off the canvas. There is a 1" inlay between the canvas and frame. From this square, Reinhardt breaks the composition into six equal squares in three even rows. Texture is no where to be found in the painting. No visual indication of the artist's brush stroke is present. No varnished glare is given off by the piece. The entire work, including the frame, is completely matte. The squares take up the entire canvas in a checkerboard type arrangement. Each square is a slightly different shade of blue-black. It almost becomes impossible to see the difference between each square. The middle squares in the top and bottom rows shift more towards blue than the rest of the squares. The division of these middle squares become more obvious than the others. When the painting is looked at from a distance, it is almost impossible to see any of the squares at all. When looking from a far, all a viewer can see is a blackish blue canvas. As you stare longer into the painting, a halo begins to form around the corners of the canvas, creating a circle inside the square. Once you look away from the canvas, the circle is gone. With this observation in mind, we could say that the painting most definitely relies on the viewer. A viewer is required to look at the piece for its full affect. We could say that the squares in the painting are self-contained.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
Individualism in today’s society is the “belief that each person is unique, special, and a ‘basic unit of nature’.” The individualism concept puts an “emphasis on individual initiative” where people act independently of others and use self-motivation to prosper. The individualists “value privacy” over community the individual thrives to move ahead in life (U S Values).
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
Identity is the essence of a person which makes him stand out as an individual. There are various factors which help form and evolve a person's persona, and that is what I write about in the follwing essay.