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Walt Whitman's "Song of Myself"
Walt Whitman's 'Song of Myself' is, on the most basic descriptive level, a really long poem. Whitman is clearly a poet with a lot to say, or at least with a lot of different ways to say it. He meanders from the micro to the macro, from atoms to the whole earth. There are obviously myriad ways to explain what the poem is about, and myriad 'keys' to its true meaning. In what became Section 6 of the final edition (lines 90-121 of the 1855 edition ) Whitman himself addresses this sort of 'meta-question' of interpretation. By doing so in one of the quieter, more straightforward sections of the poem, Whitman invites us to use the section as one such 'key.' In Section 6, Whitman lays out a (possible) microcosm of 'Song of Myself' and gives a very kind prompt that here is a place where befuddled readers can ease their way into the poem.
Whitman signals from the beginning of this passage that it is more accessible than most of his others. The first line tells us simply of a question asked by a child: ?A child said, What is the grass? fetching it to me with full hands?? (90). In contrast to some of the earlier lines--the challenge of line 22 (?Have you reckoned a thousand acres much? Have you reckoned the earth much??) or the confusion of lines 30-31 (?I have heard what the talkers were talking?.the talk of the beginning and the end,/but I do not talk of the beginning and the end?.?) --this information is easy to process. We are likely
to pause and enjoy the refreshing image of an inquisitive child, hands full of grass. Although Whitman goes on to catalogue all kinds of similar brief, simple sketches, for the moment we only have to deal with one. This single child is a messenge...
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... (as determined by the 1891-1892 edition). Whitman?s answer to the question he posed to us earlier is now just what we might expect. ?They are alive and well somewhere;/The smallest sprout shows there is really no death? he tells us (116). This seems almost to say ?Good job?you followed my clues correctly, you too can read poetry.? By setting this section up, Whitman gives us one of his main themes that we can proceed to follow through this poem. At the same time, he shows us that one poem can be about many different ideas, and so cautions us against being too adamant about our newly discovered lens. His multitude of ?uttering tongues? can be confusing, but he does not leave us stranded?he gives us a map that shows one way to navigate this poem, and also the freedom to discover others at will.
Works Cited:
Whitman, Walt. "Song of Myself." 14 Nov 2006 .
During the late romantic period, two of history’s most profound poets, Emily Dickinson and Walt Whitman, emerged providing a foundation for, and a transition into Modern poetry. In its original form, their poems lacked the characteristics commonly attributed to most romantic poets of the mid to late nineteenth century who tended to utilize “highly stylized verses, having formal structures, figurative language and adorned with symbols” (worksheet). Unique and “eccentric use of punctuation” as well as “irregular use of meter and rhyme” were the steppingstones for this new and innovative style of writing (worksheet). Even though these two writers rejected the traditional approach, both remained firmly dedicated to their romantic idealism of the glass of water being “half full” opposed to “half empty.” Noted for his frequent practice of catalogs and parallelism, Whitman stirred up much controversy with his first edition of “leaves of Grass” in 1855. Many critics responded negatively to the ...
Walt Whitman is one of America’s most popular and most influential poets. The first edition of Whitman’s well-known Leaves of Grass first appeared in July of the poet’s thirty-sixth year. A subsequent edition of Leaves of Grass (of which there were many) incorporated a collection of Whitman’s poems that had been offered readers in 1865. The sequence added for the 1867 edition was Drum-Taps, which poetically recounts the author’s experiences of the American Civil War.
The Heath Anthology of American Literature repeatedly refers to Walt Whitman and his poetry in terms of being American, yet as I read Song of Myself, my thoughts are continually drawn to the philosophies and religions of the Far East. Like the Tao Te Ching ideas are expressed in enigmatic verse and each stanza is a Zen koan waiting to be meditated on and puzzled out. Even Emerson called Whitman's poetry "a remarkable mixture of the Bhagvat Gita and the New York Herald" ("The Whitman Project"). Song of Myself contains multitudes of passages that express Hindu, Buddhist, and Taoist thought.
Walt Whitman's "Song of Myself" is a vision of the American spirit, a vision of Whitman himself. It is his cry for democracy, giving each of us a voice through his poetry. Each of us has a voice and desires, and this is Whitman's representation of our voices, the voice of America. America, the great melting pot, was founded for freedom and democracy, and this poem is his way of re-instilling these lost American ideals. In this passage from "Song of Myself" Whitman speaks through his fellow man and speaks for his fellow man when his voice is not socially acceptable to be heard.
Walt Whitman poem is about the marvel of astronomy. He wanted to learn about the stars. He went and heard an astronomer. He tells, “When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me.” All the data about astronomy was laid out in front of him, but this did not captivate his interest or filled his curiosity. It mad things worst. His plan to see the beauty in the stars was turned to boredom and sitting in a tiresome, lackluster lecture. He writes, “How soon unaccountable I became tired and sick.” The lecture, data, and astronomer were not the beauty he wanted to see. The visual experience is what he wanted to see. The silence and view of the stars was better for him than the lecture and data. The beauty is what he really wanted. He did not want the hard facts.
In this section, Whitman is telling us that the soul must be kept in its place. He wants to show us that our soul, is the most peaceful thing we can have in life. By being intimate with your own soul, that can lead to "peace and joy and knowledge. " At the end Whitman is trying to slowly sneak in a little bit of his religious beliefs, stating that God is a part of his own nature and by no means is a separate being. Love helps the world to be steady, and that love is a “kelson of the creation.”
In stanza six of the poem "Song of Myself", by Walt Whitman, he poses the question "What is the grass?" I believe that grass is a metaphor for the cycle of life. Throughout the poem Whitman points out images that grass could represent. All of these images stem from the life and death that we come to expect in our lifetime. During your life you will experience death, it at times surrounds you, but if you look past the grief and look to the beauty you will see that it is a cycle that keeps our world in balance. The images of flags, tears, children and older people that are torn from the ones they love, but only to soon return to other lost ones are all parts of Walt Whitman's poem.
*Whitman, Walt. Song of Myself. The Heath Anthology of American Literature. 3rd ed. Ed, Paul Lauter. Boston,NewYork: Houghton Mifflin, 1998.
The poem has set a certain theme and tone but no definite rhyme. In this poem, the poet explores into a thought of the self, the all-encompassing "I," sexuality, democracy, the human body, and what it means to live in the modern world. He addresses that the human body is sacred and every individual human is divine. Hence, Whitman was known for writing poems about individualism, democracy, nature, and war.
Walt Whitman used free verse in “Song of Myself” in order to connect with the common man and his American readers. In this first person narrative, Whitman deconstructs the “self” into many different sections that all are a part of the celebration of the individual. Some of the topics he breaks the “self” into are self- identity, and human exploration (including the human body and sexuality). In the poem, Whitman uses a speaker to exclaim that for individuals to grow they must discover themselves spiritually, physically, and mentally. The speaker in the poem
The “rude, unbending, lusty” look of the live-oak points out the similarities between the tree and Whitman. Each of these characteristics highlights the sameness of the tree and Whitman, but soon he realizes that he and the tree are not of the same nature. Whitman is lusty like the tree, but notices that his lust and shared personality of the tree depend on a companion. How the tree stood “without any companion” astonishes Whitman, for he knew that he could not possess these qualities and thrive without a friend.
Whitman cannot grasp how this is possible and reflects that he differs from the oak. “standing alone there without its friend, its lover— For I know I could not.” (p. 1096) Whitman is taken in by the oak’s beautiful growth, and how it does not depend on the contribution of another living thing.
The poet was fascinated with the realization that masses of unique individuals construct a single democracy under which everyone is amalgamated. As aforementioned, this paradoxical concept of individuality coexisting with unity and equality is evident in “Song of Myself” (Chase 132). Whitman believed the theme of unity is a common link embracing all humanity. Whitman also felt that “one of the founding beliefs of American democracy is the fundamental equality of all people” (Casale 49). In “Song of Myself,” the people portrayed as a collection of distinct individuals with their own soul and
Explication Through a multitude of literary devices and techniques, Walt Whitman's poem, "Song of Myself," is one of his most famous contributions to American literature. He uses simile and metaphor, paradox, rhythm, and free verse style, to convey his struggle between the relation of the body and soul, the physical and the spiritual being. He continues to disobey all social restrictions of the romantic time period. From the beginning, Whitman begins by stating, "What I shall assume, you shall assume, for every atom belonging to me as good belongs to you," proposing that the reader listen to him, for he possesses all of the answers to life. The setting is somewhat naturalistic, and offers an image of the speaker, relaxing, possibly sprawled out across a blanket, philosophizing about life, while in the middle of a peaceful meadow. As the poem later shifts in tone, and setting, Whitman starts to think about the answers to life he has come up with, based upon the past, and decides that the reader should hear him out, one final time, as his ideas have changed. This brings us to #44 of "Song of Myself." In section #44 of, "Song of Myself," Whitman's first stanza begins: "It's time to explain myself…let us stand up. What is known I strip away…I launch all men and women forward with me into the unknown. The clock indicates the moment…but what does eternity indicate? Eternity lies in bottomless reservoirs…its buckets are rising forever and ever, they pour and they pour and they exhale away." Whitman is simply stating that he wants to tell the purpose of his madness. The madness that Whitman expresses is that of power and self-confidence. Whitman has written this based upon his experiences in life. Through these experiences, he has grown to know certain things about life and tries to pass them down to the reader. Throughout the beginning of the poem, Whitman takes the reader by the hand and demands that he follows Whitman and his ideas, because based on his own life Whitman holds the answers to the reader's questions. But now, he asks the reader to erase everything that he has previously said - forget the past. Why don't we try something new? We have to focus on the present, not on the past, but also to focus on what we are going to experience in the future, what can we expect?
In “On the Beach at Night Alone,” Walt Whitman develops the idea that everyone has a connection with everything else, including nature. Whitman uses a variety of writing techniques to get his point across. First, the repetition and parallel structure that his poems contain reinforce the connection between everything in nature. The usage of “All” 11 times emphasizes the inclusion of everything in the universe. The sentence structure remains the same throughout the poem, without any drastic change; however, the length of the lines in the poem vary. In addition, Whitman’s’ extravagance with his words further illustrates his idea of the Over-Soul. For example, “A vast similitude interlocks all” (4) shows his verbose nature. Whitman does not do directly to the point, but gives every little detail. Most importantly, Whitman’s’ use of catalogues stands as the most recognizable Whitman characteristic that illustrates his beliefs. These long lists that he uses set the mood of the poem. “All spheres, grown, ungrown, small, large, suns, moons, planets,” (5) shows the idea that everything is connected in nature. Similarly, “All nations, colors, barbarisms, civilizations languages.” (10) furthermore emphasize Whitman’s belief in the Over-Soul.