“Great is the guilt of an unnecessary war” (John Adams)
In Vonnegut’s science fiction and dystopian novel Cat’s Cradle, the main character, John, demonstrates his personal growth and from that, his enlightened attitude towards the unnecessary horrors that war creates. In the beginning of the novel, John sets out to discover and gather information on what people’s lives were like the day that the atomic bomb dropped. Along his path of discovery, he meets the Hoenikker family, of which Felix was the patriarch and the creator of the elusive, dangerous material ice-nine. John then gets sidetracked of his initial quest and becomes infatuated on his pursuit for more knowledge about ice-nine. From there, he stumbles across more of the Hoenikker children as well as the Bokonon people and their peculiar faith. Once John is on the island he learns of the disastrous potential that ice-nine has, and by the end of the novel, witnesses it’s power as it kills virtually the entire human race. At the very end of the novel, John recognizes what his quest for ultimate truth led him to (destruction of humanity) and furthermore sees the cruel, blind and horrible nature of war (ice-nine/weapons of mass destruction). Vonnegut’s next book, Slaughterhouse-Five, another science-fiction novel that was written just a few years after details the life of Billy Pilgrim, a goofy, awkward, and incompetent guy whose life never seems to turn out the way he anticipates. When Billy was a young man, against his wish, he was drafted to fight against the Germans in World War II. As most men do in war, Billy experiences horrific sights on and off the battlefield. As a result he greatly traumatized for the rest of his life because of it. Then, in h...
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...inning and the end of nearly every day of his childhood. Billy had an extremely gruesome crucifix hanging on the wall of his little bedroom in Ilium. A military surgeon would have admired the clinical fidelity of the artist’s rendition of all Christ’s wounds- the spear wound, the thorn wounds, the holes that were made by the iron spikes. Billy’s Christ died horribly. He was pitiful. So it goes. (Vonnegut 48)”
Vonnegut states that Billy’s religion, contrary to the popular belief that it appeases and makes people feels better, is actually harmful because of how it glorifies suffering through the central figure’s crucifixion. From this, the reader can deduce that Vonnegut essentially thinks that anything that involves suffering is doomed to only hurt people in the end. Billy therefore will not be helped by Christianity but ultimately damaged, in Vonnegut’s view.
Slaughterhouse-Five is a story of Billy Pilgrim 's capture by the Nazi Germans during the last years of World War II. Throughout the narrative, excerpts of Billy’s life are portrayed from his pre-war self to his post-war insanity. Billy is able to move both forward and backwards through his life in a random cycle of events. Living the dull life of a 1950s optometrist in Ilium, New York, he is the lover of a provocative woman on the planet Tralfamadore, and simultaneously an American prisoner of war in Nazi Germany. While I agree with Christopher Lehmann-Haupt that Slaughterhouse-Five effectively combines fact and fiction, I argue that the book is more centralized around coping.
There are many similarities between the war experiences of Kurt Vonnegut and the character of Billy Pilgrim in his novel Slaughterhouse Five. Several similarities between them are shown in the letter from Kurt Vonnegut to his family dated May 29, 1945 (Vonnegut, Armageddon in Retrospect 11-14).
For a novel to be considered a Great American Novel, it must contain a theme that is uniquely American, a hero that is the essence of a great American, or relevance to the American people. Others argue, however, that the Great American Novel may never exist. They say that America and her image are constantly changing and therefore, there will never be a novel that can represent the country in its entirety. In his novel, Slaughterhouse-Five, Kurt Vonnegut writes about war and its destructiveness. Vonnegut tells the story of Billy Pilgrim, an unlikely hero, mentally scarred by World War Two. Kurt Vonnegut explains how war is so devastating it can ruin a person forever. These are topics that are reoccurring in American history and have a relevance to the American people thus making Kurt Vonnegut’s Slaughterhouse-Five a Great American Novel.
In Slaughterhouse Five written by Kurt Vonnegut, war and life are two very important aspects. The war that is taking place during this time period in Slaughterhouse Five is World War II. Being in the war can affect many different people in different ways for the good, or for the bad. The war has an affect on two men named Billy Pilgrim, and Eliot Rosewater.
Although there are many different messages that Vonnegut discusses in his novel Slaughterhouse-Five, these are the main three. This is clearly an anti-war book that has opened the eyes of many by explaining that war isn't a joke, but rather something that should be taken very seriously and avoided at all costs.
Though he was able to escape war unharmed, Billy seems to be mentally unstable. In fact, his nightmares in the German boxcar at the prisoners of war (POW) camp indicate that he is experiencing Post-Traumatic Stress Disorder (PTSD): “And now there was an acrimonious madrigal, with parts sung in all quarters of the car. Nearly everybody, seemingly, had an atrocity story of something Billy Pilgrim had done to him in his sleep. Everybody told Billy Pilgrim to keep the hell away” (79). Billy’s PTSD is also previously hinted when he panics at the sound of sirens: “A siren went off, scared the hell out of him. He was expecting World War III at any time. The siren was simply announcing high noon” (57). The most prominent symptom of PTSD, however, is reliving disturbing past experiences which is done to an even more extreme extent with Billy as Slaughterhouse-Five’s chronology itself correlates with this symptom. Billy’s “abduction” and conformity to Tralfamadorian beliefs seem to be his method of managing his insecurity and PTSD. He uses the Tralfamadorian motto “so it goes” as a coping mechanism each time he relives a tragic event. As Billy struggles with the conflict of PTSD, the work’s chronological order is altered, he starts to believe
"In Slaughterhouse Five, -- Or the Children's Crusade, Vonnegut delivers a complete treatise on the World War II bombing of Dresden. The main character, Billy Pilgrim, is a very young infantry scout* who is captured in the Battle of the Bulge and quartered in a Dresden slaughterhouse where he and other prisoners are employed in the production of a vitamin supplement for pregnant women. During the February 13, 1945, firebombing by Allied aircraft, the prisoners take shelter in an underground meat locker. When they emerge, the city has been levelled and they are forced to dig corpses out of the rubble. The story of Billy Pilgrim is the story of Kurt Vonnegut who was captured and survived the firestorm in which 135,000 German civilians perished, more than the number of deaths in the bombings of Hiroshima and Nagasaki combined. Robert Scholes sums up the theme of Slaughterhouse Five in the New York Times Book Review, writing: 'Be kind. Don't hurt. Death is coming for all of us anyway, and it is better to be Lot's wife looking back through salty eyes than the Deity that destroyed those cities of the plain in order to save them.' The reviewer concludes that 'Slaughterhouse Five is an extraordinary success. It is a book we need to read, and to reread.' "The popularity of Slaughterhouse Five is due, in part, to its timeliness; it deals with many issues that were vital to the late sixties: war, ecology, overpopulation, and consumerism. Klinkowitz, writing in Literary Subversions.New American Fiction and the Practice of Criticism, sees larger reasons for the book's success: 'Kurt Vonnegut's fiction of the 1960s is the popular artifact which may be the fairest example of American cultural change. . . . Shunned as distastefully low-brow . . . and insufficiently commercial to suit the exploitative tastes of high-power publishers, Vonnegut's fiction limped along for years on the genuinely democratic basis of family magazine and pulp paperback circulation. Then in the late 1960s, as the culture as a whole exploded, Vonnegut was able to write and publish a novel, Slaughterhouse Five, which so perfectly caught America's transformative mood that its story and structure became best-selling metaphors for the new age. '"Writing in Critique, Wayne D. McGinnis comments that in Slaughterhouse Five, Vonnegut 'avoids framing his story in linear narration, choosing a circular structure.
Kurt Vonnegut’s war experiences had a great impact on his life, which greatly contributes to the readers understanding of the "Barnhouse Effect." His war experiences are reflected quite vividly through his writing of the "Barnhouse Effect." This short story reflects "the human horrors during war, and the de-humanization of modern men and women, and the loss of humane values in a society dedicated to technological progress." (Modern Stories, p. 408)
Kurt Vonnegut has built a universe for Billy Pilgrim in Slaughterhouse-Five where Billy’s cruel, unforgiving reality is contrasted by a philosophical utopia where he has learned to operate without the pains of being human. Within this self-described ‘telegraphic’ and ‘schizophrenic’ novel, Vonnegut manages to swing the reader halfway across the galaxy to a planet inhabited by a plunger-like race called the Tralfamadorians, take them into the harrowing depths of a POW camp, and show you a man who is increasingly coming undone at the seams after having lived with the psychological terrors of the Dresden bombing. He accomplishes all of this while only leaving the reader with a slight case of jet lag and hopefully a new perspective on the American
In Slaughterhouse- Five, Kurt Vonnegut’s themes of war and time travel to tell the story of World War II in Dresden through the eyes of Billy Pilgrim. Vonnegut uses flashbacks and blackouts to bring Billy back and forth throughout different eras of his life in order for him to develop a way to cope with the bombing in Dresden.
Vonnegut's Slaughterhouse Five as an Antiwar Novel. War can affect and inspire people to many degrees. Kurt Vonnegut was inspired by war to write Slaughterhouse Five. which is a unique book referred to sometimes as a science fiction or semi-autobiographical novel.
In the novel Slaughterhouse-Five by Kurt Vonnegut, he talks about World War II and the bombing of Dresden. He writes about this historical event through the character Billy Pilgrim, Billy is drafted into the army at age twenty-one during World War II. He is captured and sent to Luxembourg and then later Dresden as a prisoner. Throughout the novel Vonnegut constantly ridiculous Billy. He describes Billy as a character that has no individualism and no choice in anything that happens in his life. Billy is used to show that everything happens because of fate. As a prisoner Billy has no control over his day to day life. While Billy is in Dresden the city is bombed, because of luck, only Billy and a few others survive the bombing in a slaughterhouse.
“Slaughterhouse-Five” is an anti-war novel. It describes a flesh-and-blood world. Main character is Billy Pilgrim, he is a time traveler in this book, his first name Billy is from the greatest novelist in the USA in 19 century’s novel “Billy Budd” ; and his last name is from “The Pilgrim’s Progress” by John Bunyan. Differently, the main character in “The Pilgrim’s Progress” ’s traveling has meaning and discovering, Billy Pilgrim’s traveling just has violence and escape. In the novel “Slaughterhouse-Five” by Kurt Vonnegut ’s main character, Billy Pilgrim is sane and his time travel is half in his mind half is real. He is looked so innocent and weakness, there is a sentence which is spoken by Billy Pilgrim “So it goes.” (2) This quotation shows that a poignant sense of helplessness.
“How nice- to feel nothing, and still get full credit for being alive” (Vonnegut 181).
In conclusion, Slaughterhouse-Five is an anti-war novel because Vonnegut, the character, says it is in the first chapter, the terrible damage it left on Billy, and how it exposes war's horrifying practices. Knowing these elements, one might wonder why people still have wars. Although these anti-war novels cannot completely stop wars, they are important. The role that such novels play is one of raising awareness of war's actions and wrongdoings. Since the role of the novels is important, authors should continue to write them to keep people informed and educated about a problem of such a huge magnitude.