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structure of auditory system
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The human auditory system is a sequential network of multiple acoustic parts enabling sounds to be received and communicated from our surroundings. Sound is defined as waves of pressure arising from the vibration of air molecules (REF). A complex network of sensors in the ear recognise these waves and encode the waves into electrical signals to be processed by the primary auditory cortex in the brain (REF).
The human ear is divided into the outer ear, middle ear, and inner ear. The outer ear is made up of the auricle, concha, and the external auditory canal (Purves, 2008). All three structures complement each other to maximise sound collection and conduct auditory input towards the tympanic membrane, the outer most surface of the ear drum.
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In terms of the ear, and the auditory pathway as a whole, it is considered to be the most important compartment (Purves, 2008). The sensory organ of balance is comprised of the vestibule and semicircular canals, whereas the cochlea is the main sensory organ of hearing. Within the cochlear partition, there are three fluid-filled compartments known as the scala vestibuli, scala tympani, and the scala media (Bear, Connors, & Paradiso, 2006). Within the cochlea partition is the scala media which and situated on the basilar membrane between the scala tympani and scala media is the organ of Corti. The organ of Corti has arrays of hair cells used for translating incoming vibration energy into electrical signals for innervation (Bear, Connors, & Paradiso, 2006). Each individual hair cell has stereocilia on its apical surface which acts as the site mechano-transduction. These stereocilia have a bilateral symmetric arrangement. The hair bundles depolarise when displacement towards the tallest stereocilia occurs whereas an opposing displacement of a hair bundle towards the shortest stereocilia results in hyperpolarisation (Purves, 2008). During depolarisation, a stretching of tip links, found on at the tips of adjacent stereocilia, causes cation-selective transduction channels to open allowing an influx of K+ ions into the cell. By varying tensions of these tip links, a graded potential can be established
Parnes & Nabi (2009) mentioned in their article that the vestibular system allows for vertebrates to detect spatial position as well as motion. Timothy & Hain (2009) further elaborated that rotational movement is detected by the semi-circular canals. The vestibular system can be subdivided into the otolith organs and the semi-circular canals (SCC) (Parnes & Nabi, 2009). The otolith organs can be further divided into the utricle and saccule (Timothy & Hain, 2009). All of these canals have a pivotal role in the maintenance of balance (Fife, 2009). The SCC which contains endolymph is situated at right angles to each other and detects rotational hea...
The next speaker, Dr. Gottlieb investigated the hearing aspect of our senses. He investigated the interaction between our heari...
The human auditory system is incredibly accurate in identifying signal content, location, and meaning through discrete neurological processes. The accuracy of these processes begins at the external, anatomical portions of the auditory pathway: the pinna and ear canal. The pinna serves to collect sound from the environment and generate direction-dependent cues through spectral transformations (Hofman, et al, 1998; Raykar, et al, 2005). Sounds that are funneled into the ear canal contain range of frequencies that are amplified and attenuated. This interaction of complex sound waves, based on the unique shape of an individual’s pinna, results in a transfer function used for localization in the vertical plane (Hofman, et al, 1998, p. 417). There is evidence that the spectral notches and peaks formed when sound interacts with the pinna are a key component to localization of sound in the vertical plane (Raykar, et al, 2005, p. 364). The spectral changes caused by reflections of sound waves on the unique curves of the pinna are referred to as “spectral patterning”. This occurs primarily in frequencies above 6 kHz, as the wavelength of the sound is short enough for it to interact with the pinna. This indicates that sound localization is influenced most by high-frequencies (Moore, 2007, p. 186).
Hearing allows us to take in noises from the surrounding environment and gives us a sense of where things are in relation to us. All those little folds on the outside of the ear, called the tonotopic organization, make it so sound waves in the air are directed to the ear canal, where they can be further processed. Once in the ear, the sound waves vibrate the ear drum, which tell the ear exactly what frequency it is sensing. The vibration of the ear drum is not quite enough to send a signal to the brain, so it needs to be amplified, which is where the three tiny bones in the ear come into play. The malleus or hammer, incus or anvil, and stapes or stirrup amplify this sound and send it to the cochlea. The cochlea conducts the sound signal through a fluid with a higher inertia than air, so this is why the signal from the ear drum needs to be amplified. It is much harder to move the fluid than it is to move the air. The cochlea basically takes these physical vibrations and turns them into electrical impulses that can be sent to the brain. This is...
serves as a channel for the sound to go into. The sound that you hear travels in vibrations. Those vibrations make the eardrum start to vibrate. When the eardrum starts to vibrate it makes three small bones bump into each other and a signal is sent to the inner ear. The signal is then sent to the cochlea, which is the Greek word for snail. In the cochlea there is a fluid, and from all the vibrations it pushes the fluid through the coil. This then activates the receptor cells or the hair cells to send a signal to the brain.
For any individual who either avidly listens to or performs music, it is understood that many melodies have amazing effects on both our emotions and our perception. To address the effects of music on the brain, it seems most logical to initially map the auditory and neural pathways of sound. In the case of humans, the mechanism responsible for receiving and transmitting sound to the brain are the ears. Briefly stated, the outer ear (or pinna) 'catches' and amplifies sound by funneling it into the ear canal. Interestingly, the outer ear serves only to boost high frequency sound components (1). The resonance provided by the outer ear also serves in amplifying a higher range of frequencies corresponding to the top octave of the piano key board. The air pressure wave travels through the ear canal to ultimately reach and vibrate the timpanic membrane (i.e.-- the eardrum). At this particular juncture, the pressure wave energy of sound is translated into mechanical energy via the middle ear. Here, three small bones, the ossicles, vibrate in succession to produce a unique pattern of movements that embodies the frequencies contained in every sound we are capable of hearing. The middle ear is also an important component in what music we actually keep out of our 'head'. The muscles grasping the ossicles can contract to prevent as much as two thirds of the sound from entering the inner ear. (1, 2)
Noise is ubiquitous in our environment. (Pediatrics , 1997) It is undesirable sound, unwanted sound. Sound is what we hear. It is vibration in a medium, usually air. Sound has intensity, frequency and duration. The ability to hear sounds at certain frequencies is more readily lost in response to noise. (Pediatrics , 1997). The further you are from sound the less effect you hear it but the more closer you are to sound the louder it is.
Hearing serves a very important function in our lives. Much of the time, it is taken for granted. We tend not to appreciate it, until it starts to fail. There are many disorders that can cause a difficulty in hearing and hearing loss. One such disorder is otosclerosis. This disorder deserves a significant amount of research. Not only because we are dependent on our sense of hearing, but because its effects are far reaching. So much so, that it is hard to comprehend how we could ever live without it. It has even been said that Beethoven had otosclerosis. Toward the end of his career, he could not even hear his own music (Goldstein, 1999). Its effects are devastating and are well worth studying.
Hair cell transduction is a major part in the hearing method, by converting mechanical vibrations into electrical activity. The elaborate structures and specific roles for the thousands of inner and outer hair cells, in each cochlea, are essential to hearing. The auditory process would not work coherently, as it does in normal hearing individuals, if it were not for the multiplex functions of these hair cells. Without hearing your communication is limited and with limited communication the individual
The part of the brain that actually receives the electrical impulses is the upper temporal lobe of the cerebral cortex shown in the diagram below. In order for the sound to enter the brain however, The impulses have to flow over neurons due to an electro-chemical action. The neuron allows the impulse to have enough energy to continue the electrical impulse along the nerve. Once entered in the brain the sounds are interpreted and then heard as the sounds people are familiar with. All of these steps happen within milliseconds in order to hear just one sound. This is how every sound is received whether its talking, singing, a dog barking or someone playing the piano. All of those sound we hear go through those steps in order for people to hear them.
Sound is (a) the physical transmission of a disorder (energy) in a standard and the physiological response generally to pressure waves in air. However, the sound spectrum has much lower frequencies and is much simpler, with only three frequency regions; the infrasonic region (f<20Hz), the audible region (20Hz20 KHz), (Shipman-Wilson-Higgins, 2013). Depending on the volume of sound can be determined as a low or high frequencies.
The ear houses some of the most sensitive organs in the body. The physics of sound is well understood, while the mechanics of how the inner ear translates sound waves into neurotransmitters that then communicate to the brain is still incomplete. Because the vestibular labyrinth and the auditory structure are formed very early in the development of the fetus and the fluid pressure contained within both of them is mutually dependant, a disorder in one of the two reciprocating structures affects the (2).
...nsations are then interpreted and we hear. The range of our hearing abilities is amazing. Most of this can be attributed to the sensitivity of our hair cells which can detect the smallest audible sounds yet withstand a trillion-fold increase in power (Martini, 2009). Our hair cells are constantly changing in order to adapt to our environment. We can have a conversation with our friends, listen to music, and distinguish which direction a car alarm is coming from without any awareness of the detailed process that is necessary for hearing. Overall, the process of turning sound waves into auditory sensations is quite remarkable.
Around thirty-two million people in the United States have hearing losses of some degree. Of this number, approximately two million people have hearing losses severe enough to be considered deaf. We define the word “deaf,” as either partially or completely lacking in the sense of hearing (Lytle & Rovins). Throughout history, there have been many technological advances invented to aid the deaf, such as assistive devices, sign language, hearing aids and cochlear plants and mainstreaming.
The ear is looked upon as a miniature receiver, amplifier and signal-processing system. The structure of the outer ear catching sound waves as they move into the external auditory canal. The sound waves then hit the eardrum and the pressure of the air causes the drum to vibrate back and forth. When the eardrum vibrates its neighbour the malleus then vibrates too. The vibrations are then transmitted from the malleus to the incus and then to the stapes. Together the three bones increase the pressure which in turn pushes the membrane of the oval window in and out. This movement sets up fluid pressure waves in the perilymph of the cochlea. The bulging of the oval window then pushes on the perilymph of the scala vestibuli. From here the pressure waves are transmitted from the scala vestibuli to the scala tympani and then eventually finds its way to the round window. This causes the round window to bulge outward into the middle ear. The scala vestibuli and scala tympani walls are now deformed with the pressure waves and the vestibular membrane is also pushed back and forth creating pressure waves in the endolymph inside the cochlear duct. These waves then causes the membrane to vibrate, which in turn cause the hairs cells of the spiral organ to move against the tectorial membrane. The bending of the stereo cilia produces receptor potentials that in the end lead to the generation of nerve impulses.