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Ancient greek vs roman military
Ancient greek vs roman military
Social division of the society during ancient greek
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Amidst the turmoil of a dragging war, Agamemnon's unjust capture of a young female stirs anger within the Gods to wreak havoc in the Greek army, further exacerbating the chaotic situation. Outraged by the supposed king's stubborn pride (and protective of his own ego), Achilles, the Greek's greatest warrior and hero, directly opposes Agamemnon, going so far as to abandon his army in times of need. His statement is regarded with fear, concern, and yet respect. Shortly after, another voice outwardly opposes Agamemnon's decision to remain in the war. Thersites, a lowly soldier, recognizes Agamemnon's desire for honor and pride at the expense of the army and speaks for the good of both himself and the rest of the massive Greek army. His attempt to salvage the lives of Greek common soldiers who have fought nine years for a trivial cause, has often earned him title of the "voice of conscience" in The Iliad from modern critics. Ironically, Thersites's outcry is not only regarded as cowardly and inappropriate by the army, but warrants a beating from a respected Greek hero, Odysseus. This disparity in responses to two similar attitudes reflects the Greeks' cultural emphasis on appearance, lineage, and ultimately, social status. The significance of appearance is made clear by the biased introduction of Thersites: "This was the ugliest man who came beneath Ilion. He was bandy-legged and went lame of one foot, with shoulders stooped and drawn together over his crest, and above this his skull went up to a point with the wool grown sparsely upon it." (l 216-219, b2) Through the imagery of a disfigured, crippled, lame creature, the repulsive nature of Thersites is revealed and seems to suggest corresponding inner uglin... ... middle of paper ... ...riptions of Thersites by Odysseus, the narrator points out his pitiable harmlessness by describing him as "frightened, in pain, and looking helplessly about" as he "wiped off the tear drops" (l 268-269, b2) after the beating. A mere soldier, demoralized over the triviality of the war and Agamemnon's selfish pride, speaks his mind and is beaten for doing so. This single event effectively portrays the significance of social class in the way one is treated. With his purpose served, Thersites never again appears in the epic. This "voice of conscience" is evidently overruled by the importance of social status in ancient Greek culture. Amidst a raging war, a suffering man's protests are regarded with disrespect, disgust and are described with such malice that the audience comes to understand the rulings of ancient Greek society and its emphasis on power and status.
hroughout the Iliad Achilles shows how the ego of a Kardashian is being portrayed and the emotional maturity of an eight-year-old because of the certain adult qualities he lacks, for example: he does not work well with others, he lacks the concept of forgiveness, he is selfish, thinks highly of his self without regard to others, being rude and unkind, aggressiveness when talking to others, and having too much pride and not thinking about the consequences of his actions and how it can affect not only him but others as well. Achilles does not like to work with others he prefers to be the one in charge of everybody and he likes for everyone to do as he says. In the Iliad Agamemnon says, "This man wants to be ahead of everyone else he wants to rule everyone and give orders to everyone" (1.302-303). Achilles and Agamemnon are having an argument amongst one another because no one wants to give Achilles the honor he feels that he deserves for being the best fighter in the war and for all the blood sweat and tears he shed while defeating the Trojans "he is a mighty bulwark in this evil war" as Nestor says.
Sophocles’ Oedipus Rex introduced the one of the most important tragic heroes of Greek literature. First performed in the fifth century B.C.E., the play is centered around Oedipus, the king of the Greek city-state Thebes, and his struggle to conquer his emotions as he seeks out the true story of his life. This work, inspired by a well-known Greek myth, scrutinizes both the tragic flaws of Oedipus and his heroism. Examples of Oedipus’ tragic flaws abound in the play. In his condemnation of Tiresias and Creon, Oedipus is controlled by his emotions. However, the heroism of Oedipus is also an essential theme of the drama, though it is often downplayed. Despite this, careful analysis can uncover many instances in which Oedipus exhibits his heroism by attempting to control his emotions and discover the truth of his origins. In his finest moments, Oedipus is in complete command of his emotions as he searches for the truth, while at his nadir, Oedipus is completely controlled by his emotions and is absolutely unpredictable. This contrast is, in large part, what makes Oedipus a tragic hero. Oedipus, King of Thebes, is among the greatest Hellenistic tragic heroes because of his fight to overcome his greatest flaw, his uncontrollable anger, as he heroically searches for the truth.
The subject of Homer’s epic poem, the Iliad, is very clearly stated--it is “the rage of Peleus’ son Achilles.” The reader remains continually aware of the extent of Achilles’ rage, yet is never told the reason why Achilles remains angry and unreconciled. There is no definitive answer to this question. Achilles is not a static character. He is constantly changing; thus the question of why he remains angry solicits different answers at various stages throughout the poem. To find an answer, the reader must carefully examine Achilles’ ever-changing dilemma involving the concepts of mortality and honor. At its simplest, Achilles’ dilemma is that if he goes to war, he will die. But he will die with glory.
Homer’s moral exemplars in the heroic tragedy, The Iliad, can be analyzed to further understand warrior ethics. Agamemnon, a powerful warrior king, was proud and arrogant. These qualities made him an excellent warrior and the Greeks respected him. However, Agamemnon demonstrated excess pride and arrogance, as well as stubbornness. The Greeks believed that people must face their destiny with pride and nobility.
Agamemnon survived the ten year long Trojan War, even as other great warriors such as Achilleus fell. Tales of the war are widespread and it is described by both its veterans and non-participants in glorified terms. Agamemnon is often singled out for leadership and accomplishments. Demodokos sings of the “famous actions/ of men on that venture” and “that lord of men, Agamemnon” while performing for Odysseus on Alkinoos.(VIII, 73-74, 77). Agamemnon stands out as one of “the leaders of the bronze- armored Achaians” who fought at Troy and is recognized as a major hero of the war (IV,496).
The facts of this conflict are all pretty straight forward and by recounting the facts I hope to bring to light the truths that justify Achilles' anger. First off Agamemnon had distributed the booty fairly and all the more powerful Achaeans had gotten a concubine, Agamemnon just happened to choose the daughter of one of Apollo's priest. When Apollo sends a plague to the Achaean camp Achilles' concern for his comrades leads him to call an assembly with the purpose of interpreting the plague and taking necessary action. Agamemnon reluctantly agrees to return his concubine to her father if he is repaid another concubine by one of the other powerful Achaeans. At this Achilles stands up for himself and the other Achaeans, he insults Agamemnon by saying that Agamemnon claims his greatness. When Agamemnon takes Achilles' concubine, Achilles probably expected the other Achaeans to stand up for him as he had done for them earlier. But he is left alone. His honor insulted by a man that he had served loyally. Humiliated, by a group of people to whom he owed nothing. A great sense of betrayal overcame Achilles.
Achilles, the greatest of the Greek warriors, is portrayed as a hero in some ways but, on the other hand, performs some controversial acts in the Iliad. Throughout the entire Trojan war, Achilles spent most of his time pouting in his tent after Agamemnon kidnapped his prized maiden, Chryseis.
The cyclic thread of vengeance runs like wild fire through the three plays in Aeschylus’s Oresteia. This thread, with its complexity of contemporary and universal implications lends itself quite well to – in fact, almost necessitates – deeply interested study. While a brief summary of the Oresteia will inevitably disregard some if not much of the trilogy’s essence and intent, on the positive side it will establish a platform of characters, events, and motives with which this paper is primarily concerned. As such, I begin with a short overview of the Oresteia and the relevant history that immediately precedes it.
The Greek commander Agamemnon betrays Achilles by insulting him and taking his war prize, the girl Briseis. The Greek army as a whole, betrays him by acting inactively to Agamemnon’s insults and failing to defend him. As seen in Richard Blucher’s article book discussion, “In the Iliad, Achilles has his war prize, the captive woman Briseis, stolen from him by his Commander-in-Chief, King Agamemnon. Shay explains: We must understand the cultural context to see that this episode is more than a personal squabble between two soldiers over a woman [...] The prize of honor was voted by the troops for Achilles’ valor in combat. A modern equivalent might be a commander telling a soldier, ‘I’ll take that Congressional Medal of Honor of yours, because I don’t have one” (Blucher). These betrayals are so traumatic and insulting for Achilles that he withdrew entirely from the war. Also, in Book 21 of The Iliad, Achilles shows another belief that is identified with betrayal. In this book Achilles acts with reckless courage and takes on hundreds of enemy troops without showing any fear or resentment, even when the river god rises to drown him. As he acts so reckless he disregards his own life, and kills all who comes in his path. This is seen through Irwin Kutash’s review of Achilles in Vietnam, as he said, “Achilles is found to have been betrayed by his commander, Agamemnon, who usurps his prize of honor. The betrayal is described
Knox, Bernard. "Chapter 1/ Hero." Oedipus at Thebes: Sophocles' Tragic Hero and His Time. New Haven: Yale UP, 1998. 3-52. Print.
Achilles is introduced into The Iliad getting into a debacle with the leader of the Greek army, Agamemnon, during the last year of the Trojan War. Achilles starts a quarrel with Agamemnon because he has demanded possession of Achilles’ woman, Briseis, in consolation for having to give up his woman, Chryseis, so that the gods will end their plague upon the Greek soldiers. Achilles does all he can to get his loved one back, but he knows that nothing will waver Agamemnon’s decision. This is when Achil...
The first reason Achilles is an epic hero is because he embodied the characteristics of the ideal Greek citizen at the time Homer wrote; he is in a position of power and regards honor highly. “O my mother! I was born to die young, it is true, but honour I was to have from Zeus, Olympian, thunderer on high! And now he has not given me one little bit! Yes, my lord king Agamemnon has insulted me! He has taken my prize and keeps it, he has robbed me myself” (page 17), Achilles cried to his mother. Agamemnon stole Achilles’ prize, Briseis, so Achilles is begging his mother, the sea nymph Thetis, to help him regain his honor. In Greece, honor was crucial and by taking Achilles’ prize, Agamemnon has stripped him not only of his hard-won prize but of his honor as well. Such a double loss would have been catastrophic for a Greek citizen. Classicist Ian Johnston highlights the significance of his loss, suggesting that “the greatest harm that can occur to a particular warrior is shame, the community’s public recognition that he has let the group down or failed to live up to its shared rules.”Being shamed, in this case, by Agamemnon, would cause the Achaeans to lose respect for Achilles, and as one of their leaders, this would be a tragedy for him. Achilles’ desire to regain his honor sho...
One of the best summarizes of Greeks’ gods attitude toward human is the claim of Aphrodite in Euripides’ Hippolytus that she will treat well the people who revere her power, but will “trip up” those who are proud towards her, and this pri...
Throughout the Iliad, a conflict develops through the process of each chapter which rests on the surface over a Maiden. The disagreement is caused due to one person or the other feeling far more powerful or superior than the other and is left to sense as if they should receive what is rightfully theirs even if it is not a fair exchange. This conflict is seen between two leaders who view each other with different status: Agamemnon the Argive leader of the expedition to Troy, who had inherited the role of king through his father, and Achilles the leader of Myrmidons. As the dispute develops, it is apparent that the discord between Agamemnon and Achilles is more than something about women; it seems to be their mindset distracting them from having a dispute between their views on power, honour, glory and pride amongst themselves.
The fact that the opening lines of the epic are about Achilles’ power and the people he has killed as a soldier on the Greek side show the huge importance given to him and his power. In his confrontation with Agamemnon regarding Chryseis, he tells Agamemnon that the Greek people want him to give Chryseis back to her father, the priest. This is an example of his great status among his people – he represents them, the one that lets Agamemnon hear their voice.