Originally published in 1688, Aphra Behn’s groundbreaking novel Oronooko remains a rich artifact for decoding the context and era in which it was written in. When Oroonoko had first been published, the basic concept of the novel as a writing technique was still in early experimental stages. Aphra Behn, though, through countless stylistic techniques and interwoven patterns, seamlessly wrote one of the earliest and most important novels of all time. This essay will elaborate upon such stylistic traits
Aphra Behn, an certainly woman, still attracts critical attention with her novella Oroonoko. The aim of this essay was to find out the political implications of Oroonoko. First, the significance of the main character, Oroonoko, and interpreting his possible symbolism. Second, how the political sympathies of the author, were expressed in the book through her presentation of characters and plot. And third, the treatment by the author of slavery and racial issues, as seen in the political context.
The Life and Works of Dramatist Aphra Behn Aphra Behn left a legacy of being not only a complex and enigmatic woman, but a poet, a playwright, a writer, a novelist, and a spy. A commoner who blended with the royalty and revolted against the societal norms with her lewd yet cunning writings, she exhibited the influence of more than just a writer of her time period and left her mark in the canon of English literature by creating her own genre of amatory. She was a feminist, an adventurist, an abolitionist
Aphra Behn’s novel, Oroonoko, gives a very different perspective on a slave narrative. Her characters embody various characteristics not usually given to those genders and races. Imoinda’s character represents both the modern feminist, as well as the subservient and mental characteristics of the typical eighteenth-century English woman. Oroonoko becomes an embodiment of what is normally a white man’s characteristic; he is the noble, princely, and sympathetic character that is not usually attributed
Aphra Behn and the Changing Perspectives on Ian Watt’s The Rise of the Novel Ian Watt’s The Rise of the Novel (1957) remains one of the most influential texts in the study of the English novel. However, an increasingly strong case for a revision of both the work itself and the discourse it personifies has been gradually building over the past twenty years. While the initial stages of, first, feminist and, later, post colonial perspectives may have sought only to insert marginalised texts into