Sympathy for Pip in Great Expectations by Charles Dickens For the past half term, in English, we have been spending our lessons on a novel by Charles Dickens called 'Great Expectations' We have been concentrating on the opening Chapters as well as to understand the novel. 'Great Expectations' is based on a boy called Pip. Pip is an orphan who lives with his cruel sister and husband Joe Smith who's a blacksmith. He is poor and lonely as his siblings unfortunately died. The book tells us how Pip was encountered with a convict and how his life has changed from there.
Mary Wollstonecraft Godwin, as she was named at birth, was born to two intellectual rebels of their day, William Godwin and Mary Wollstonecraft, on August 30th, 1797. Mary Wollstonecraft was the celebrated author of A Vindication of the Right's of Woman (Mary Shelley Biography). Godwin was the author of An Enquiry Concerning Political Justice. Just twelve days, later her mother would pass away due to puerperal fever (Garrett 9). This left William to care for Mary and Fanny Imlay, Mary's three-year-old half sister.
The Last Man, published in 1826 (Walling 10), and Frankenstein are Shelley’s two most sought novels, and William Walling observes that they are "two novels whose loneliness is final Mensik 2 and irreparable" (86). Valperga, published in 1823, received reviews with modern critics that were not as highly ranked as the others. Shelley first began Valperga in 1817, however, she completed the novella in 1821, during which Shelley went through a marriage crisis with her husband Percy Shelley and mourned over the loss of two children (Walling 52). Walling observes that Shelley’s other novelettes were Matilda, completed in 1819, Perkin Warbeck, published in 1830, Lodore, published in 1835, and Falker, published in 1837. Society also granted fame to Mary Shelley for her intriguing poetry.
How Emily Brontë Fulfills the Expectations of the Gothic Genre Within this essay I will examine the social and historical background of Emily Brontë's upbringing, and the way her only novel, wuthering height, is related to the gothic genre. Emily Brontë was brought up in a time very different from our own; she lived on secluded moors and without many of our modern day privileges, and became very close to her family. Many of her close family members died within her lifetime, affecting her deeply and leaving her emotionally scarred. The tragedy and misfortune of Emily Brontë's life is shown through her novel 'Wuthering Heights'. The many dark, sad and misfortunate parts of this novel which represent Emily Brontë's life are the same parts which can be categorised it in to the gothic genre.
Harriet Beecher Stowe, the author of Uncle Tom’s Cabin, was born in Litchfield, Connecticut in the year of 1811. She was a housewife of six, and wrote articles for magazines for a living. Stowe’s sister, Isabella Jones Beecher, was furious from the passing of the Fugitive Slave Law, passed as part of the Compromise of 1850. The law required all Northerners to return runaway slaves to their Southern owners. The result of the anger of the two sisters resulted in the production of Uncle Tom’s Cabin.
Elizabeth Gaskell started her writing career in her late thirties. She went on to becoming an accomplished writer in the Victorian British Literature. All of Gaskell’s novels droned on about the consist stigma poor people had to endure at the hands of society’s powerful and wealthy. She managed to branch away from her constant rambles of the poverty of the Englanders, just to write a biography about her dear friend Charlotte Bronte which almost resulted in a lawsuit by family and friends of Bronte. With critics delivering harsh words to Gaskell for annoyance about the plight of the poor, they could never deny her skills as a writer, which lead to her success as a writer.
Sound and The Fury William Faulkner's The Sound and The Fury is a complicated story of tragedy, lies, and destruction. The whole Compson family is filled with negativity and bad decisions. The family is broken down little by little until it is finally destroyed. Ms. Compson is supposed to be in control but she is a neurotic self-centered woman that escapes responsibility by depending on Dilsey for every need. Ms Compson also created hostility between the Family.
(4) Wuthering Heights’s mood is melancholy and tumultuous. As a result, the book gives off a feeling of sorrow and chaos. For example, Catherine’s marriage with Edgar Linton made Heathcliff jealous and angry. In retaliation, Heathcliff married Edgar’s sister, Isabella, to provoke Catherine and Edgar. Heathcliff and Isabella’s marriage ignited a chaotic uproar with Edgar and Catherine because Linton disapproved of Heathcliff’s character, and Catherine loved Heathcliff in spite of being married to Edgar.
Isolated and Marginalized Characters of Alan Bennett’s Talking Heads All the pieces in Alan Bennett’s collection deal in some way with people who are isolated or marginalized, either because of circumstances or because of their own idiosyncrasies. Every character is, in some way inadequate. Graham is a mother's boy, whose dubious sexuality seems to have caused him severe mental stress. Susan, the vicar's wife, is an alcoholic woman, trapped in a loveless marriage, whose caustic intolerance of her husband's calling alienates her from the rest of the parish and forces her into behaviour which is damaging and dangerous. Irene Ruddock is narrow minded and malicious, believing herself to be a guardian of public morals, when, in fact, she is no more than a dangerous slanderer.
After a while, Heathcliff returned, and they both realized their feeling for each other all over again. Catherine was now torn between Heathcliff and Edgar, she knew who she loved but she couldn’t back out on her marriage. One night Catherine and Heathcliff get in a heated argument, and Edgar comes in and begins to blame her for coming back into contact with Heathcliff in the first place. After this, she traps herself in her room and essentially starves herself. “... after they had quarreled, and Edgar being cruelly provoking” Bronte, 129.