What is reality? Webster’s Unabridged Dictionary defines it as: something that exists independently of ideas concerning it; something that exists independently of all other things and from which all other things derive; something that constitutes a real or actual thing, as distinguished from something that is merely apparent. So, what defines reality? I mean can anyone, in all honesty, construct a concrete reproduction in which to turn and point proclaiming once and for all, “There, I give you reality in the flesh.” The answer simply is no. For as, the character, Dr. Igor stated “. . . Other things, however, become fixed because more and more people believe that’s the way they should be (167).” Reality is nothing more than a socially accepted opinion – a perception inherently subjective. This very principle is the driving force behind Paulo Coelho’s introspective novel, Veronica Decides To Die.
Veronica Decides to Die is an interesting story about a young woman called "Veronica" who wants to die but her suicide is not successful and she finds herself in "Villet", a place for the both the insane, as well as, the sane. Although she insists on pursuing the end she has chosen, some events, relationships, and her doctor's trick changes her view toward life.
This novel is colored by the author's intimate knowledge of the world of mental hospitals, the relationships, and the comfort and anxiety of living in such a place. Coelho’s story of insanity and madness in contrast to the monotony of life provokes the feeling of self-discovery and the power of challenging all limitations and traditions. In this atmosphere created by Coelho, you learn that being different doesn't mean being mad and you understand that reality is something the majority deems to be, not necessary the best or the most logical one. It is in the vivid moments of Veronica Decides To Die that you can feel love and religious beliefs are the most important feelings one can have in one's life. You also recognize how one can stop one's feelings like fear, hatred and love and let them emerge in a way which makes one fresh without any "vitrol" (mind's bitterness), the poison believed to be the cause of insanity.
Paulo Coelho first won my heart with his work entitled, The Alchemist, and with Veronica Decides To Die he secured a permanent place there. I must say that this particular novel was, at times, hard for me to read – not for any technical fault on Coelho’s part – because the story being told in many ways is my life.
The heart of a child is one free of fear. It is brave and courageous; uncontaminated by any sources of doubt. Therefore, during the tender age of childhood, one is able to form ideas that those older are unable to even entertain. It is only when one comes of age, that he faces predicaments which cause him to question whether his dream should be pursued. In such circumstances, the individual either comes to consider his dreams too impractical to achieve and chooses to submit to that uncertainty, or chooses to overcome his fears and pursue his dream. Such is apparent in various events throughout Paulo Coelho’s The Alchemist. In several circumstances, individuals are faced with the option of conformity as it is depicted as the result of fearing
"Suicide, what a terrible concept. There are two types of suicide: physical, and theoretical. Physical suicide is the more commonly heard type of suicide. It entails the person actually, physically killing himself or herself. On the other hand, theoretical suicide is when the person does something that will, in turn, get him or her killed. For example, in “All About Suicide” by Luisa Valenzuela, Ismael, a man that works at a minister’s office, murders the minister, a high-ranking public official. Ismael has been forced to be quiet by the government; therefore he lashes out by killing the minister so that he can reveal the truth about the government. In doing this, Ismael technically “kills himself” because he knows the government will eventually find him and execute him. The theme of this story is that quite often, the truth is misconstrued or is hidden from the public. In order to reveal the truth, action must be taken to bring the truth to the people. Valenzuela reveals this theme through flashbacks, pronoun usage, and imagery.
Paloma Josse is a twelve-year-old girl who lives a lavish life. However, she has developed a plan to end her own life by June 16th, the day she turns thirteen. After close observations to the world and people around her, she comes to the conclusion that people seem to never become who they always wanted to be. She assumes that this is inevitable in the life of every adult’s life. She convinces herself that in order to avoid this fate she must end her own life. In hopes of finding beauty, she commits herself to journaling about moments that she finds to be meaningful to leave behind when she is gone.
Thousands of cancer patients, or any terminally ill patients, wish for life in the end, nevertheless for Vivian, who states, “It is not my intention to give away the plot; but I think I die at the end” (Edson), she knows that may not happen for her. Wit’s conclusion has a great deal to say of peaceful death and salvation and is connected to that theme of “Salvation Anxiety” since Vivian is not afraid of her cancer, Vivian 's peaceful death, and Jason and Susie 's reaction to Vivian 's death.
...In conclusion, we can say that after applying Joseph Campbell's theory of The Monomyth on The Alchemist; it is noticeable that despite The Alchemist being a postmodernism wok of literature, the author Coelho used all major patterns of the hero's journey of ancient myth in his novel and this developed Santiago's journey from an ordinary one into an archetypal one.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
... sins, but she can’t take back what she did so she will forever have blood on her hands. This guilt and all of the lies she has told is giving her true trepidation and in the end she decided to end her terror by taking her life.
Have you ever encountered problems while trying to fulfill a goal in your life? In the book The Alchemist, written by Paulo Coelho, a shepherd boy named Santiago overcomes obstacles to reach his personal legend. Throughout the book Santiago encounters many friends to help him fulfill his destiny. Santiago encounters many problems throughout the story. He overcomes them with the help of his friends and his wife-to-be. These problems shape Santiago into a dignified man of many traits.
...manic depressive state which leads her to her suicide. She no longer has a will to repress any untold secrets from the past or perhaps the past. Since she has strayed far from her Christian beliefs, she has given in to the evil that has worked to overcome her. She believes she is finally achieving her freedom when she is only confining herself to one single choice, death. In taking her own life, she for the last time falls into an extremely low mood, disregards anyone but herself, and disobeys the church.
"Forms of life resemble what I call, 'realities'. Forms of life are always form of life forming. Realities are always realities becoming" (Mehan & Wood, Five Features of Reality, 65). What is Reality? Is reality what everyone believes in or does everyone have his or her own reality? Can your reality change what you believe in? Is reality a belief, or is it what you believe in your reality? Can your reality be right or wrong?
In a psychological perspective, the author’s life is linked with the behavior and motivations of characters in the story. The author’s name is Edgar Allan’s Poe who portrayed his self in his writing. The miserable life of Poe can be measured through “The Cask of Amontillado” in which character named “Montressor” showed indifferent feeling towards his victim. After burying Fortunado alive, Montressor felt bad after burying his victim alive but then he attributes the feeling of guilt to the damp catacombs. To the character and to the author, it seems that ghastly nature murder and the immoral approach of treachery is merely an element of reality. This story is a true representation of author’s anguish and torment nature.
With each analysis the reader gets a greater understanding of suicide and the mental state of those who commit it, as well as some of their motives. One could read only a single chapter of this book and gain a greater understanding than they previously had on the topic of suicide, but when one brings all the chapters together as a whole a much deeper understanding is obtained. Lester’s analyses start with diaries, using that of a girl he has called Katie as his first example. In this 14 page chapter he analyses her diary, not only comparing her to Ophelia from William Shakespeare’s Hamlet, but using that comparison to show some of her motives and to make sense of them. It is this astute analysis that sets the tone for the rest of the similar chapters, in a way that is not boring but is not lighthearted in the slightest. The way that the whole book works together to give one insight on the topic of suicide makes it a useful resource for those who wish to understand it in a more in-depth way.
García Márquez explores magical realism within Chronicle of a Death Foretold by mixing the paranormal with reality, such as the bad omens that foreshadow Santiago’s death. These range from the explicit such as the opening sentence of the novel, to a more hidden symbolism. For example, Clotilde Armenta thought that Santiago ‘already looked like a ghost’ (García Márquez 2007; 13) – which shows how Santiago was already perceived to be dead even before his death; Victoria Guzmán “pulled out the insides of a rabbit by the roots and threw the steaming guts to the dogs” (García Márquez 2007; 8) – displaying Victoria feeding rabbit innards to the dogs, similar to how the dogs try to eat Santiago’s intestines after the autopsy. The same idea of evisceration of rabbits and Santiago emphasizes the parallel between the two events and are examples of where García Márquez employs striking visual imagery and demonstrates how fantastical it is for Santiago to suffer the same fate as the rabbits slaughtered by his house servant, thus adding to the magical realism aspect of the novel. Furthermore, García Márquez displays ‘fatal coincidences’ that are difficult to explai...
The Theme of “The Alchemist,” by Paulo Coelho is, always follow your dreams and listen to your heart. At the start of the novel Santiago does not know what he should do when he is confronted by his dream. But by the end of the novel Santiago completely trusts his heart to guide him though life. Santiago’s story shows him learning and living out the theme of the novel.
The supernatural has long been a confounding and controversial topic. As a metaphysical science, and something that is nearly impossible to quantify, it has often been criticized for its prevalence in today’s rational society. Criticism and social commentary of the supernatural, particularly religion, has not been restricted to theologians and philosophers as it may have been in the past. The scope of the supernatural has expanded into the literary field as well, particularly within the Gothic motifs. Religion has long been a natural partner with the gothic due to their shared importance that they place upon the supernatural. The Gothic motif of literature has always been interested in the human psyche, and religion has untold effects on the psyche. Through the prism of The Virgin Suicides, it is possible to make a correlation between the daughters’ suicides and the prominence of Catholicism within the Lisbon