The Godfather. Dir. Francis Ford Coppola. Prod. Albert S. Ruddy.
When a person hears this movie title, they automatically think action and an interesting story. A title is one of the most important aspects to the films propaganda. The title of a film can give one of two reactions for the viewer. Either they are intrigued or uninterested just by the title of the film. In Hero’s case, the title promises conflict, battles and adventure.
Inception remains one of the most complex and deeply engaging narratives of this century. By defying traditional filmmaking, Nolan crafts a stunning cinema masterpiece that plays with the human subconscious. Equally, he provides audiences with the question of whether their reality is true, or perhaps the world they know is a dream. Paralleling the film’s ambiguous ending, the line between reality and the dream world is blurred due to the exceptional strategies Nolan and his team utilize. Mise-en-scéne elements of setting, brilliant cinematography, and profound editing techniques institute the film’s prevailing narrative form and motifs.
Michael J. Fox, Christopher Lloyd, Lea Thompson and Thomas F. Wilson and. Universal Pictures, Amblin Entertainment, U-Drive Productions, 1985. DVD. (1) Back to the Future III.
In conclusion I hoped to have demonstrated just how the all the specific film making techniques used throughout the film help to define the central theme as it is intertwined with the action. As I have conveyed, realism is just one of the very important aspects that help the production of this film come to the close of its’ solid final cut. I think that this being the ultimate visual style of the picture it is what made this movie so great. It got the point across and it definitely had an influence on the way films were shot after it. In a way, it becomes sort of ironic.
A message of freedom resonates throughout the story, uplifting the audience and empowering the protagonist. Producers use vivid colors and shadowy scenery to give the film a bold style. As the plot thickens, you begin to understand why V is subsequently driven to destroy the oppressors of his nation. V for Vendetta is an overall excellent film that has become a cult classic. A good movie should be in a setting that reinforces the plot, providing a backdrop for characters to unravel the story.
Accordingly, the two perspective audiences can harmonically agree and share the equivalent intense moment over the journey of the main characters. On account of Kinsella’s wondrous literary technique to use first person point-of-view and Robinson’s ingenious techniques on special effects, the audience is able to grasp the strength of the scene depicting the physical and emotional transformation of Archie Graham very profoundly. When Karin accidentally fell from the bleacher, Archie Graham decides to help but realizes by stepping off the field “divider” of the two worlds, he would morph into the old “Doc” Graham, but yet he chooses to continue. The prominent scene is quite significant for the reason that the audience is given the ability ... ... middle of paper ... ...eld, even though initially they are clueless of what they pursue. It is conveyed through the story’s message that they don’t know have to know what they’re looking for, as they just have to start looking.
Peter Jackson (the director of Lord of the Rings: The Fellowship of the Ring) is commonly associated with fantasy films. The audience can then formulate a basic outline of the film by just using the actors and directors involved, such as expecting a fantasy tale with special effects, heart wrenching moments and ultimately a satisfactory end. In conclusion the undeniable force behind Classical Hollywood cinema is the modes and conventions implemented in making the film. The narrative structure is clearly set and events that take place are motivated. Bordwell states the style of Classical Hollywood cinema to be “excessively obvious” due to its strict following of conventions; it is a form of escapism and as such can provide full entertainment (Thompson, 2008).
Romeo and Juliet by William Shakespeare Concentrating on The Presentation of Character Setting and Sound Examine What Seems to You to be Significant Features of Baz Luhrmann’s Style of The Opening Scene of Romeo + Juliet Baz Luhrmann has a reputation of making excellent films and is known for his camera always moving. He likes doing close-ups, zooms and slow motion shots . As he has grown more secure of his position as a director, and has got a higher budget, his camera and editing have merged into a sort of helter skelter style that blends the emotional and poetic in ways that appear new and revolutionary. Luhrmann says that there are three basic things about his films: the story line is simple, the world created in his films is one of a heightened reality, there is always a specific device driving the story whether it be song or dance etc. Luhrmann did the prologue so he could show the audience the current story of what’s going on and what the story is about.