Venus in furs is the story of a man who loves one woman so much that he chooses to become her slave in order to not lose her. Severin meets his Venus in furs one night in a garden near his home; a red-headed woman with pale white skin and piercing green eyes. The first time he sees her, he runs away from her, but the second time, on his balcony, they make their acquaintances. She says that she was made curious about him from a picture he left in one of the books he lent her. So they discuss their differences in views of love and marriage and the relationship between men and women. She is of the opinion that the Christian viewpoint of marriage is flawed. One cannot expect a woman to stay in love with one man forever and ever. Severin expresses his opinion that in any relationship either the man or the woman will take the reins in a relationship. If the man does not quickly establish his place over the woman, then it is in her innate nature to take the reins and subjugate him. They continue their dialogue over time and he becomes more and more in love with her. She is resistant to his quest for marriage because she does not know yet if he is the man she can respect and therefore have a lasting relationship with. She asks to live with him for a year and then if the love is true she would marry him. In order not to lose her and to satisfy his desire to be controlled by his Venus, he asks that he may become her slave. At first she is resistant; she doesn’t think she has the predilection to be so cruel. But as the story unfolds she agrees to it with the warning to him that he may incite such cruelty that he may not want or expect from her.
The Venus makes up a contract for Severin to sign regarding their arrangement. Then they travel to Italy, to be away from the people they know and to be in a place where slavery is not abhorrent to the general populace. Once in Italy, she finds a Villa to stay in so no one thinks oddly of her behavior as she associates with him.
Francis Macomber is a middle age man that is good at court games such as: tennis or squash, competitions where there are set standards and rules for play. Also, there are confined areas of play for his games. He is quite wealthy and some say handsome which add to Francis masculinity. His wife on the other hand does not think that much of him and thinks of him as a coward. Margot on the other hand his “beautiful wife”, whom really does not like Francis but stays with him anyway. She cheats on him and despises, basically because he married her only for her looks. Margot on the other hand is part responsible for the same thing because she only married him for his money. They are both stuck in a situation because they both married for the wrong reasons. Their gender roles are sort of fighting against each other because she doesn’t care about the relationship and cheats; and he tries to prove that he is a man and yet fails because he tries too hard. Masculinity is something that Margot and others at the Safari think it is an aspect of manhood that Francis lacks.
Lessons for Women explains the relationship between a husband and wife, the respect and caution the husband and wife must have for each other, and the devotion a wife should have to her husband. Bisclavret is about a man named Bisclavret who turns into a werewolf. His wife is worried about their relationship and asks him about his transformation and finds out his weakness. She uses his weakness against him out of fear, betraying him and leaving him for someone else. After a year of being apart, they see each other again and Bisclavret attacks her. The story of Bisclavret puts the concepts of Lessons for Women in a different light and shows how manipulation can lead to the destruction of a husband and wife’s relationship.
The central characters, setting, and tone of the story help create the central idea of the psychological and internal desires of a woman. Through the view of the central characters it is established that the lawyer’s wife wants more than her average day and is searching for more to life than the daily routine of a house wife. Jean Varin is believed to be the desire she is looking for; however, she is not fulfilled or happy with the outcome of her choices. The setting and the tone reveal the psychological need for the wife to have an adventurous, lavish, and opulent lifestyle that she feels can only be achieved in Paris.
...tive presents a pure, confessional tone, similar to that of the woman at the beginning of the narrative. “I loved you deeply” she says, a love that was “stifled…by your fantastic devotion and your insane passion” (120). Her language is powerful as she expresses her subjugation, and her choice of adjectives when describing Severin’s love conveys her imprisonment in a fantasy that conflicted with her internal self.
The ultimate act of consummation between a man and a woman is depicted by Wright as the deepest and most profound expression of pure love that can be mutually partaken in by two fellow human beings. Such an event involves truly uniting the opposite polarities of human existence, male and female, in a selfless act that plays a crucial role in Woman To Man’s underlying interpretation of the human condition. There is an almost animalistic and primal yearning ingrained in the human condition for physical union between a man and woman, as exemplified by the juxtaposed symbolism of the male “hunter” and his prize, the “chase”, that he seeks. Such an attitude towards the physical facets of sexual passion is reinforced by the polysyndeton of “the strength that your arm knows, / the arc of flesh that is my breast, / the precise crystals of our eyes”, highlighting the magnitude of the bodily pleasure derived from this unification. However, there are clearly deeper and more emotionally significant ramifications arising internally, with the combined amorous fervour between male and female capable of producing an even greater gift, that of new life. The result...
Marie de France's use of animals in her lais is molded and adjusted to fit her needs. She creates metaphors relating to love and love relationships that were not mentioned in the Christian based Book of Beasts. However, the Gawain author appears to have kept true to the type of descriptions and natures of the animals in White's translation. Both authors were able to use animals to express specific features of human emotions and relationships, furthering our understanding of the nature of temptation, love and relationships in the medieval period.
At the beginning of the story M. Lantin is very happy in his relationship with his wife, Madame Lantin. She is portrayed as perfect and “the very ideal of that pure good woman to whom every young man dreams of entrusting his future” and the relationship she and M. Lantin have seems perfect and ideal as well (De Maupassant 67). Because of the author 's initial description, the readers can assume that the Lantins love each other very much and are almost always sweet to each other. Despite not enjoying the same things, they still love each other as much, if not more, than they did at the start of their marriage. M. Lantin seems to be in a
The women we have encountered in this unit are trapped in various ways. Mrs. Mallard in Kate Chopin's "The Story of an Hour" is most trapped by love. The protagonist in Godwin's "A Sorrowful Woman" is a little freer and the protagonist of Minot's "Lust" is the freest of all. Mrs. Mallard wants to be free from her husband love. She is a target in their. She felt mistaking getting married and non-end able love of Breantly. However, she is feeling happy after hearing the new, of her husband's death. This news was confirmed by the man were working near the railway line and her husband friend Richards. She does not think it is a bad news, she "stood, facing the open window, a comfortable, roomy armchair". She started thinking, "in the open square before her house the tops of trees that were all aquiver with the new spring life" want her to get ready and start spring with a new ways. As compared to the protagonist of Godwin's "A Sorrowful Woman", she free of doing or saying anything to anyone. Her husbands always say, "I want you to feel freer, he said, understanding these things (40)". Ev...
“The Wife of Bath’s Tale” is written in an entertaining and adventurous spirit, but serves a higher purpose by illustrating the century’s view of courtly love. Hundreds, if not thousands, of other pieces of literature written in the same century prevail to commemorate the coupling of breathtaking princesses with lionhearted knights after going through unimaginable adventures, but only a slight few examine the viability of such courtly love and the related dilemmas that always succeed. “The Wife of Bath’s Tale” shows that women desire most their husband’s love, Overall, “The Wife of Bath’s Tale” shows that the meaning of true love does not stay consistent, whether between singular or separate communities and remains timeless as the depictions of love from this 14th century tale still hold true today.
While it has traditionally been men who have attached the "ball and chain" philosophy to marriage, Kate Chopin gave readers a woman’s view of how repressive and confining marriage can be for a woman, both spiritually and sexually. While many of her works incorporated the notion of women as repressed beings ready to erupt into a sexual a hurricane, none were as tempestuous as The Storm.
Love is a timeless sensation but can change over time for the better or the worse. In Bessie Head’s The Collector of Treasures, Dikeledi’s marriage with her husband, Garesego, is a key to her freedom from her enslavement under her uncle and to live a more stable life. As time passes, she realizes the darkness to her marriage, and must escape the misery of being with her husband. The relationship between Dikeledi and Garesego are set in three stages of Dekleidi’s freedom when marrying Garesego, then being forced into a sexual relationship, to both being victims to one another.
...r to the Beast during a card game. The father uses her as some kind of object and uses words like “pearl” and “treasure” to demonstrate how she is one. Carter uses these words to describe how the narrator is looked at for sale in the game the Beast and her father play as well. This shows shallowness of society's idea of a woman. According to society women were looked as dolls and they were winded up by their husbands and performed whatever tasks they wanted them to. Females appeared to not be able to think for themselves or be able to act upon their own natural instincts. Females also had to play this role of a doll by just using their appearance as a major feature in their marriage and doing what they were told by their husband without questioning it. In this story you see how the male gender has ownership over the female character and it was socially acceptable.
While reviewing the central debates which emphasize the feminine agency, the strange sense of irresolution is created. The feeling that some major issues were not fully developed and the author abandoned then, left alone to be resolved. The strange love story is presented which is set in a "specific location and historical, socio-political context, in addition, this love story undoes itself" (Silverman 1988, p. 5). Ada struggles to achieve the faithfulness of her own desire in the environment which hinders it. Through articulation of the nature Campion ironically asks the question if her "representation of the relationships among the landscapes and racial hierarchy" (Quart 1993, p. 2) is not in fact unreconstructed.
Beauty and the Beast is probably one of the most well known fairy tales that the Grimms’ reproduced. In it’s original form it was a long, drawn out story that was catered to adults. The Grimms’ changed the story to be more understood by children and made it short and to the point. Unlike many of the other fairy tales that they reproduced, Beauty and the Beast contains many subtle symbols in its purest form. It shows a girl and how she transfers to a woman; it also shows that beauty is in the eye of the beholder. The one major thing that separates this story from all the rest is that Beauty gets to know the Beast before marrying him.
“Love is a familiar. Love is a devil. There is no evil angel but Love. (Love’s Labours Lost.1.2.)” This Shakespearean quote relays on the fact that love can lead to many misfortunes, presented as one of the aspects of love in both William Shakespeare’s “A Midsummer Night’s Dream”, and Wole Soyinka’s “The Lion and the Jewel”. One aspect of love demonstrates its brilliant sides, and with it, brings affection, faith, and intimacy. However, it is also noted that an equal aspect of love conveys the consequences and misfortunes. Both plays display the penalties of love as a contrast to the comedies. We will be discussing the exhibition of the negative connotations of love, broken down into several characteristics: lust, manipulation, and hatred, which both plays share in correspondence and in distinction.