Use Of The Diary Form Narrative in The Novel Dracula
Bram Stoker, being the creative and intellectual writer himself, wrote
the novel Dracula in the diary form of narrative. This was a good choice of
how to write the novel since it was very beneficial to the plot of Dracula.
Examples of how the diary form is beneficial to Dracula is seen in his writing
and book.
One of the greatest benefits of the diary narrative is that the reader
is allowed see, and feel the emotional hearts and souls of the emotional
characters. This is great because when a character is not feeling too great
and is trying hide something, the reader knows this, and therefore the reader
knows everything that is happening; nothing is being hidden from the reader.
An example of this happening is when Mina is at the insane asylum and is
worried sick about something happening to Jonathan Harker. Mina hides all that
she feels when Jonathan Harker is near her. All that Mina is feeling is
written by herself, and what, how she is feeling is ready for a reader to
examine because they are able to see her diary. If Mina's diary was not open
to the reader, or if Someone was telling of what he or she saw, the observation
could be false and the reader would lose valuable information that would be
valuable to the whole plot of the book.
Some things that can be noticed about the diary form is that different
views of the same thing can be expressed by many different people; all in first
person view. Then, along with that, there are extensive and very detailed
descriptions about a thing, or person that is being described. In the novel,
this is seen as Jonathan Harker is traveling and he describes almost everything,
he does, eat, sees, etc.
Another use of the diary form is that Bram Stoker can have people "talk
to themselves." So if the person who is writing in his or her diary, that
person can make notes to him/herself writing "I must ask the Count about this."
So by "talking to him/her own self" in this manner, he is writing it down and
they do not in any way make it so that they seem strange in front of public.
Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil.
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The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
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In Dracula, Bram Stoker portrays a clear battle between the “traditional woman” of the time and the “new woman.”. Stoker uses the contrasting characters of Lucy Westenra and Mina Murray to depict this evolution in women and, also, to paint an image of the reaction to this advance, expressed by both men and women.
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Since the 19th Century, Bram Stoker’s Dracula has entertained its readers taking them to heights of excitement in the climax
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Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
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