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A brief essay on the white tiger
A brief essay on the white tiger
A brief essay on the white tiger
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While the stories in Adiga's first major fictional exploration, Between the Assassinations, occupy a time frame in India prior to globalisation, his later fictional works, The White Tiger and Last Man in Tower, are both set in liberalised India of the nineties and beyond. Therefore, his fiction is shaped by the great economic upheavals that take place in India towards the close of the twentieth century and the beginning of the New Millennium. The White Tiger, set in an India increasingly tending towards capitalism and global integration, has a protagonist who is the proud master of his own destiny. His latest novel, Last Man in Tower, set in Mumbai, the commercial capital of India, during the recent real estate boom, is peopled by a bunch of …show more content…
Nehru deserves a fair appraisal and cannot be blamed because Indian businessmen also wholeheartedly endorsed Nehru's ideas on central planning with their Bombay Plan (Das 76). Das also shares views similar to Mustafi about Nehru's economic policies which “represented the wisdom of his age” …show more content…
The building was inaugurated by Krishna Menon, the Defence Minister of India, in 1959, on the birthday of Pandit Jawahar Lal Nehru who expressed his “fondest hope that Vishram Society should serve as an example of 'good housing for good Indian's'” (8). Weathering the elements for more than half a century, its facade has become “rainwater-stained, fungus-licked grey,” but it continues to offer a venerable cosmopolitan life to its residents with Roman Catholics, Hindus and Muslims living together in universal brotherhood and harmony (8). Adiga muses that “the spirit of Prime Minister Nehru, if it were to hover over the building, might well declare itself satisfied,” even if the Vishram residents will readily point out that their Society is not at all a paradise for them (9). Without any self-deception, they will openly admit to
While it may be easier to persuade yourself that Boo’s published stories are works of fiction, her writings of the slums that surround the luxury hotels of Mumbai’s airport are very, very real. Katherine Boo’s book “Behind the Beautiful Forevers – Life, Death, and Hope in a Mumbai Undercity” does not attempt to solve problems or be an expert on social policy; instead, Boo provides the reader with an objective window into the battles between extremities of wealth and poverty. “Behind the Beautiful Forevers,” then, exposes the paucity and corruption prevalent within India.
The story, “Hills like White Elephants” by Ernest Hemingway written in 1927 that portrayed a couple consuming alcohol and discussing a concern, while they waited at a train station in Spain for a train coming from Barcelona and heading to Madrid. The story was set up as a controlled conversation with the two characters American man and Jig, in which the American was demanding to encourage Jig to do something that she was doubtful for doing. In the whole story, Hemingway used symbols and metaphors to convey the attitudes and emotions of both characters. I accept as true that the couple is arguing to abort the baby. In the story, they both argue for getting an abortion, the woman is unsure about her decision, eventually she decides to go ahead and keep the baby, even though American man is opposing her.
... British had colonized India for approximately 200 years, there were lasting effects on the country in terms of many sectors, specifically the economical and industrial sectors. Due to India’s non-participation and manipulation of agriculture by the British, some would argue that the British obliterated the economy. Others would argue that the British instead helped due to the creation of the railroad, improved communication and created the beginnings of an industry. The British harmed the economy and industrial sector more than they helped it, and effectively caused the destruction of the economy both in the short term and the long term. The growth rate directly after the independence was less than 1% for almost 5 years (BIC 4). It was necessary for India to rebuild the economy if they ever wanted to be on the same playing field as the other countries at the time.
In the novel, The White Tiger, by Aravind Adiga the main character, is Balram, one of the children in the “darkness” of India. Adiga sheds a new light on the poor of India, by writing from the point of view of a man who was at one time in the “darkness” or the slums of India and came into the “light” or rich point of view in India. Balram’s job as a driver allows him to see both sides of the poverty line in India. He sees that the poor are used and thrown away, while the rich are well off and have no understanding of the problems the poor people must face. The servants are kept in a mental “Rooster Coop” by their masters. The government in India supposedly tries to help the poor, but if there is one thing Adiga proves in The White Tiger, it is that India’s government is corrupted. Despite the government promises in India designed to satisfy the poor, the extreme differences between the rich and the poor and the idea of the Rooster Coop cause the poor of India to remain in the slums.
...fferentiation of fields like production, transportation, consumption and so on. Change in them with respect to time indirectly determines the increase in the dependency on machines which in turn gauge the industrial growth of a nation. With reference to above measures, it can be observed that the onset of Industrial Revolution in India was early but very sluggish. India is neither a developed, nor an underdeveloped nation. The ongoing ‘industrial revolution’ has classified it as a developing nation.
According to a survey conducted by Amazon across India, the English translation of ‘Colaba Conspiracy’ by Surendra Mohan Pathak, a Hindi pulp fiction novel was the most popular Indian book of 2014. But the works of Surendra Pathak and the likes of his such as Ved Prakash Sharma or Om Prakash Sharma has never been reviewed by any critics and published in magazine and newspapers. There was a time they didn’t care – but now they do, and with a little help from fans and loyal publishers, they are trying to reverse the tide. We believe, if we follow the efforts of at least one such eminent best-selling writer in our film, follow his trials and tribulations over a period of time as and when it happens – we might have a story at hand that has a universal appeal because it represents the ‘situation’ that popular (read non-mainstream if you like) writers are facing worldwide.
In order to raise awareness of the staggering injustices, oppression and mass poverty that plague many Indian informal settlements (referred to as slum), Katherine Boo’s novel, Behind the Beautiful Forevers, unveils stories of typical life in a Mumbai slum. Discussing topics surrounding gender relations, environmental issues, and corruption, religion and class hierarchies as well as demonstrating India’s level of socioeconomic development. Encompassing this, the following paper will argue that Boo’s novel successfully depicts the mass social inequality within India. With cities amongst the fastest growing economies in South Eastern Asia, it is difficult to see advances in the individual well-being of the vast majority of the nation. With high
Aravind Adiga in his psycho-social thriller, The White Tiger, explores issues that modern day India faces, ranging from social mobility to globalization, and morality to corruption. Adiga’s use of an epistolary novel allows his first person narrator to not only provide a commentary on the socio-political and geopolitical problems that India face, but also reflect on the effects of these problems on his own life. Adiga exploits the corruption in India and uses it as device to develop Balram’s character, as he journeys from “the darkness” to “the light”. It is true that Balram becomes increasingly corrupted, and at some points the reader may sympathise with him, however at other points, his actions cannot be justified. Growing up, Balram is tainted
2 Stein, Burton (2001), A History of India, New Delhi and Oxford: Oxford University Press. Pp. xiv, 432,
Rushdie’s Midnight’s Children, published in 1980, was perhaps the seminal text in conceiving opinions as to interplay of post-modern and post-colonial theory. The title of the novel refers to the birth of Saleem Sinai, the novel’s principal narrator, who is born at midnight August 15th 1947, the precise date of Indian independence. From this remarkable coincidence we are immediately drawn to the conclusion that the novel’s concerns are of the new India, and how someone born into this new state of the ‘Midnight’s child’, if you will, interacts with this post-colonial state. To characterise the novel as one merely concerned with post-colonial India, and its various machinations, is however a reductive practice. While the novel does at various times deal with what it is to be Indian, both pre and post 1947, it is a much more layered and interesting piece of work. Midnight’s Children’s popularity is such that it was to be voted 25th in a poll conducted by the Guardian, listing the 100 best books of the last century, and was also to receive the Booker Prize in 1981 and the coveted ‘Booker of Bookers’ in 1993. http://www.bookerprize.co.uk/
India's strategy for development has had many critics. It was pointed out that the emphasis on heavy industry
We must avoid the temptation if at any given time our individual national economy is more prosperous than those of our other partner states, to be so arrogant as to forget that our economic situation may be suddenly reversed and that therefore we will soon need close links with our partner states in matters concerning both the intra-regional and extra-regional spheres. West Indian history abounds with instances of countries suffering sudden reversals of their economic fortunes.
In this way, Salman Rushdie presents the derogatory picture of India throughout the novel preferring the superiority of what is European and inferiority of what is not. By presenting the orientalist perception of India, Rushdie attempts to attract the western readership. In spite of the fact that he himself is an Indian, he could not avoid the attraction of western readership. For this reason, sometimes, his position becomes ambivalent.
“India was a latecomer to economic reforms, embarking on the process in earnest only in 1991, in the wake of an exceptionally severe balance of payments crisis”(Ahluwalia 2002).The idea being simple ,there was a need to ...
Rakhee Moral, “In Time of the Breaking of Nations The Glass Palace as Post-Colonial Narrative” Amitav Ghosh: Critical Perspectives ed. Brinda Bose (New Delhi: Pencraft International, 2003)152.