Understanding Wolff’s Analysis of Chopin’s The Awakening
“Un-Utterable Longing” analyzes The Awakening from the diverse, yet overlapping perspectives of deconstruction, feminist/gender theory, new historicism, and psychoanalytic criticism. Much like Yaeger and Treichler, Wolff attributes Edna’s struggle and eventual demise to her failed search for a language that voices her (un)womanly desires. Wolff first adopts the new historicist viewpoint to situate Edna as a 19th-century southern woman, presenting a very real conflict between: the dominating values of her time and place; and her own innermost passions and needs. Wolff additionally deconstructs traditional ideals of sexuality, adultery, and gender roles while acknowledging the psychological turmoil and deterioration Edna experiences throughout the novel. Wolff’s essay, despite its faults, “combines perspectives” to provide a fuller representation, understanding, and appreciation of Chopin’s character and her story.
Wolff begins by providing The Awakening’s historical background and the cultural obstructions hindering Edna’s sexual expression. Puritan conservatism had given way to Calvinist repression and it was believed as irrefutable fact that women only experienced the sexual impulse through their innate desire to procreate. Therefore, Wolff is able to claim that, “… it is not enough to say that The Awakening is a novel about repression” (381). But rather it is, “… about a woman whose shaping culture has, in general, refused her the right to speak out freely” (381). Here Wolff’s new historicist concerns provide not only an accurate backdrop, but a greater thematic interest. The novel is not just about Edna’s repression of her sexual feelings, but also about her societ...
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...It is a fascinating and moving affirmation that Chopin is able to convey the success of feminine discourse through the trial and failure of her hopeless yet heroic character. However, given the bad reviews and the lack of attention her novel received, would it not also be the case that Chopin, like her character, failed to find an audience? If The Awakening failed to “speak” until fifty years after its publication, is that an indication of its failure or instead the failure of the early 20th-century readers? There seems to be a bit of a problem with Wolff’s argument here, for I do not believe that she would agree that Chopin’s lack of audience indicates her failure. Therefore Edna does not fail because she cannot find an audience, as Wolff asserts, but rather because she clings to the language of her society and does not invent a new one. That was left to Chopin.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence. Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relationship as an individual to the world within and about her” (35).
Often in novels, a character faces conflicting directions of ambitions, desires, and influences. In such a novel, like “The Awakening,'; the main character, Edna Pontellier, faces these types of conflicting ideas. In a controversial era for women, Edna faces the conflict of living in oppression but desiring freedom. The patriarchal time period has influenced women to live only under the husband’s thumb but at the same time, break away from such repression. These opposing conflicts illuminated the meaning of “social awakening'; in the novel.
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
particular group of people whose symptoms are indicative of personality disorders, and are between neuroses and psychoses (Manning, 2011, p. 12). Personality disorders are extremely pervasive because they effect a person’s “mood, actions, and relationships” (Manning,
Personality disorders and mental illnesses are viewed by the general public as similar attributes that are equally harmful. However, when one delves into the diagnostics and patterns of the individual disorders and illnesses, it can be seen that there are major differences between each one. There are many levels of severity of the effects each disorder or illness has on society as a whole. They range from affecting only the individual on a solely personal basis to affecting a large amount of people on a highly violent level. Generally, it is found that mental illnesses have an influence on an individual level while personality disorders have an influence on a widespread level. As in every medical topic, there are outliers, or cases that are far outside the expected outcome, but for the most part, illnesses have less far reaching effects than disorders. On the spectrum of the societal effects of personality disorders and mental illnesses, the obsessive-compulsive disorder, which is actually a mental illness, is on the lowest level in terms of widespread consequences; just above this illness is schizophrenia which has the ability to affect more than the individual unless treated; the narcissistic disorder has farther reaching effects in society, such as in bureaucratic situations, than the two previously mentioned illnesses, placing it higher on the spectrum, and last, but not least, the schizoid personality disorder has proven to have the most wide spread consequences in the form of both emotional trauma and violence allocating it the highest level.
Each time I read The Awakening, I am drawn to the passage on page 69 where Edna and Madame Ratignolle argue about “the essential” and “the unessential.” Edna tries to explain, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself.” What most would see as essential—money (you need it for food, clothing, shelter, etc) and life—Edna sees as “unessential.” Edna is speaking of more than that which one needs for physical survival; she would not hesitate to give her life to save the life of one of her children. On the other hand, Edna’s being, her “self,” is something quite different from her physical form.
Simoni-Wastila, Linda, and Francis B. Palumbo. "Medical Marijuana Legislation: What We Know-- And Don't." Journal Of Health Care Law & Policy 16.1 (2013): 59-75. Academic Search Complete. Web. 20 Apr. 2014.
In Frances Porcher’s response to “The Awakening” by Kate Chopin published in May 1899, she felt as though the book is slightly pathetic. While she believes that one can get absorbed by the principles of the book, she writes that the story makes one feel like “it leaves one sick of human nature and so one feels cui bono!” Furthermore, in Porcher’s analysis, the book “is not a pleasant picture of soul-dissection.” The distress of Edna does not allow one to joyfully engage in the plight that is exhibited. In addition to ugly cross-section, the book makes readers feel, “for the moment, with a little sick feeling, if all women are like the one” that is studied in the book. While it is disheartening to read that women might feel this way about the
Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish.
Critics of Kate Chopin's The Awakening tend to read the novel as the dramatization of a woman's struggle to achieve selfhood--a struggle doomed failure either because the patriarchal conventions of her society restrict freedom, or because the ideal of selfhood that she pursue is a masculine defined one that allows for none of the physical and undeniable claims which maternity makes upon women. Ultimately. in both views, Edna Pontellier ends her life because she cannot have it both ways: given her time, place, and notion of self, she cannot be a mother and have a self. (Simons)
Yet, according to Yaeger, The Awakening does deserve to be read as “one of the great subversive novels” and for reasons entirely unrelated to the plot mechanics attending Edna’s adulterous urges. A “real transgressive force” animates this novel, Yaeger argues, gathering a narrative momentum through its successive attempts to articulate a language that corresponds to Edna’s interior landscape, “a language which nobody understood,” as Chopin’s narrator says. While Edna may never possess this language nor delight in sharing its spoken cadences with another, the reader of The Awakening experiences a gradual liberatio...
As this passage commences, Chopin, through Edna’s thoughts, describes the seemingly endless sea that presents itself before her. Edna, through personification, shows the intimacy of her relationship with both nature and the sea. This large, “[…] never ceasing […]” (Chopin 139) body of water has entranced and enthralled Edna to the point where she is now beginning to see this natural element that amazes her so much as the only option left to her in life. Chopin reveals these intentions to the reader by describing the sea as “[…] inviting the soul to wander in the abyss of solitude” (Chopin 139). The word abyss in itself leaves the reader the impression of a mysterious place in which one might not return from; and it is later implied that Edna accepts this sensuous invitation from the sea.
Madness is subjective, especially so in a time period where women’s emotions and thoughts were brushed off as unimportant. In The Awakening, Kate Chopin explores the inner life of a woman, lost in the patriarchal world and without anyone who truly understands her. Edna Pontellier’s supposed madness plays a large part in her characterization as a woman who has lost her way. However, Edna’s madness is not truly madness; it stems from a neglectful husband, crushing responsibility to society, and a sense of the complete isolation.