Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
examples of critical regionalism in architecture
examples of critical regionalism in architecture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: examples of critical regionalism in architecture
Regionalism in Asia is more about the pursuit of identity and less about performance; it does not contribute anything meaningful to the Green agenda of the 21st century.
Regionalism is a process; integration is its product.
Understanding Regionalist architecture
Vernacular and native are two words more often than not associated, and these two concepts generally refer to a language or dialect of a people, associated with architecture given a qualitative status.
Discussing the importance of vernacular architecture was the main point of study published by Oliver in his book, ‘Built to Meet Needs: Cultural Issues In Vernacular Architecture’. According to Oliver, one of the importance of studying vernacular architecture is that it is in the quest for knowledge of the diversity of mankind’s solution to the problems of dwelling and accommodation of sacred and secular community functions
The notion of the ‘vernacular’ has a negative and pejorative connotation and is commonly described as simplistic, unrefined and undeveloped. Contrary to that, cultural,
Social, intellectual and functional identities of vernacular structures are hard to deny. The term ‘Regionalism’ in architecture is constantly evolving and is not limited to the past but lives on in contemporary architecture. Our own experience suggests that the presence of vernacular concepts do not dissipate as a result of hybrid interactions between different cultures but rather evolve during this creative process. Further evolving the condition of built space.
Some years ago Ar. Rem khoolas during a presentation combined all the major buildings built in last decade together on one slide and suggested they all these buildings don't reinforce each other but rather seems to ca...
... middle of paper ...
... of a framework of thinking in terms of world view and methodology within which architectural design of the future will be created, or an approach towards Architecture of the Future on the part of architect.
Thus, assessment of and manipulation of the interrelationship between global and local paradigms can be considered as having a vital importance on the world of the future, and providing us with a strategic framework of thinking towards the coming millennium, particularly when one tries to speculate about the future of architecture and the built environment.
The conclusion of this discussion may be almost disappointingly simple, and a matter of common sense. That is, when one wants to contemplate and arrive at the Architecture of the Future, one will have to employ a GLOCAL APPROACH, combining global and local.
i.e. Global vision and based on local relevance.
Vernacular architecture is a massively important topic in regards to the study of Brazilian, and even more generally Latin America’s, culture due to a mass amount of the population being centered around
Commercial architecture does it respond to the identity surrounding it? Or does it merely respond to the conditions of Globalization? In order to answer the question above, in the following written piece I must explore the key elements of globalization and identity. I intend to relate both factors to commercial architecture, using the Hilton Tower in Manchester as a prime example. This written piece will effectively be split into two parts (Globalization and Identity).
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
In the process of development of human society, architecture and culture are inseparable. Cuthbert (1985) indicates that architecture, with its unique art form, expresses the level of human culture in different historical stages, as well as the yearning towards the future. According to his article, it can be said that architecture has become one of the physical means for human to change the world and to conquer the nature. Consequently, architecture has been an important component of human civilization. Since 1980s when China started the opening and reforming policy, a variety of architectural ideas, schools and styles have sprung up. Accompanying with a momentum of...
In conclusion, although the development of modern architecture and the intervention of computer technology to advocate this development, the contemporary architectural outcomes have became more complex and complicated with potential formulation problems. As a result, the new architecture theories came to put boundary lines between being in the range of these problems and producing elegant modern built environment. The seduction of computer-produced form also enhances architects to involve in seeking for new theories to develop the discipline and work to combine formulization with materialization. Finally, some of these theories are accepted and some other still a controversial aspect in architecture.
The paper tries to identify the techniques applied in postmodern architecture in the similarities to traditionalism that leads to the revision of old knowledge and revival of traditional forms through tangible or intangible activities. The
We know that the author is describing is the emergence of the modern approach to architecture and indeed, the modernist movement itself. The author discuss the modernist views that there was a real need for social reform. That society itself ought to be re-evaluated and re-shaped. Modernists believed that their “machine aesthetic” and ideas of mass production were the only way in which society could propel itself toward a more progressive
Buildings reflect the values and ideas of society within periods. The role of architecture in shaping society and vice versa largely depends on the period in question and who or what affects first. The Enlightenment, and the subsequent period the Post-Enlightenment, reflect the biggest change for current ideas regarding architecture and society and current theories. At the same time, individual identities and understanding of society, progress and truth all follow a similar evolving path. It is during this dramatic shift in thinking that the role of architecture to society and the idea of progress and truth becomes a more complex relationship. How this relationship works and its implications is based on the theory that there is a direct link between the two. One cannot develop without the other. Who leads whom and to what extent they influence each other is evident in architectural trends and pioneering works by architects such as Robert Venturi, Frank Gehry amongst others.
are used as the integral components of the architectural design, this reflecting a conceptual cohesion that is missed in previous architecture.
The book as a description of modern architecture, its styles and influence succeeds but falls short as a prescriptive methodology. His work is still recalled for the need by modernists to categorize everything into neat little boxes, not necessarily for the sake of uniformity, but for sake of some ambiguity. The ambiguity may be the triumph of this book as post modern architecture era is supposed to create more questions than the answers.
Curtis, W J. "12. The Ideal Community: Alternatives to the Industrial City." In Modern architecture since 1900, 159-173. London: Phaidon, 1996.
The definition of critical regionalism is a direct approach to architecture that strives to oppose ‘placelessness’ and the apparent lack of identity and character in modern architecture through the use of building's geographical context. The term ‘critical regionalism’ was first established as a concept in the 1980s through papers written by Tzonis, Lefaivre and Kenneth Frampton. Throughout Frampton’s writings he mentions and somewhat commemorates Tadao Ando as a critical regionalist and uses the specific advance as a theory to discuss Ando’s architecture (Frampton, 1983).
Constantly judged and evolving, the practice of architecture is forever plagued by the future. The future of people, of culture, technology and its resulting implications on the built environment that more often than not, outlives their creators. Much of the conversation surrounding this future architecture currently hinges itself on the creation of new experiences, forms and spatial relationships brought about by technological innovation.
An important aspect of Critical Regionalism is that the occupants of the building should experience the local climatic conditions as well as the response to the nature of the landscape sensitively and thoughtfully. In my view, I think that each of these architects has achieved this aspect in whatever environment they worked with. In conclusion, I think that these international and regional architects have reached an interaction that contributes to the symbolic and iconic architecture that suggests new formal possibilities.