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Recommended: Poetry comparative
Lyric poetry is a form of poetry where the author expresses his/her feelings and thoughts in a brief, compressed manner (Stanford). It is the most popular and common type of poetry today, conveying the authors emotions to the readers (Grimes). Although these poems allow the author to personally express him or herself, they should not be confused with stories like narrative poems (Grimes). Lyric poems can easily be compared to one another based on certain criteria. It is useful to compare these poems so that one can identify and become familiar with the different styles in lyric poetry. Similarities and differences can be found in the lyric poems “In the Station of the Metro” by Ezra Pound and “The Second Coming” by William Butler Yeats when comparing the criteria: tone and metaphors.
Each poem has it own tone or mood. A specific poem may depress the reader, while another may fill him/her with complete ecstasy. Both poems, “In the Station of the Metro” and “The Second Coming” leave the audience with a peculiar feeling. Most of the lines written in each poem are end-stopped lines finishing with commas. The use of the commas and short pauses capture the reader with suspense, compelling him/her to read more. This continues throughout “In a Station of the Metro”, differentiating it from the other poem. Another distinction between these poems is the use of enjambment. The poem written by Yeats contains run-on lines, unlike the one by Pound. An example of this is “The best lack all conviction, while the worst” (7). Yeats then continues with the next line, “Are full of passionate intensity” (8). He does not add any punctuation at the end of the first line. This method causes the reader to pause and slow down while reading, giving...
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...ow each poem can relate to and differ from one another. Criteria like tone and metaphors should be used to compare lyric poems to have an enhanced understanding of the author’s intention for his/her work of art.
Works Cited
Grimes, Linda Sue. “Lyric Poetry.” Suite101.com. Google, 17 Feb. 2007. Web. 6 Oct. 2009. .
Pound, Ezra. "In a Station of the Metro." Couse Kit: An Introduction to Literary Study. Ed. B.W. Powe. Toronto: York U Bookstore, 2009. 75. Print
Stanford, Judith. “Glossary of Poetic Terms.” Online Learning Center. N.p., n.d. Web. 7 Oct. 2009. .
Yeats, William Butler. “The Second Coming.” Couse Kit: An Introduction to Literary Study. Ed. B.W. Powe. Toronto: York U Bookstore, 2009. 73. Print.
This does not make up for the lack of other poetic elements, and the simplicity of the writing. The differences between the two pieces is still very vass. The two pieces have two totally different objectives, which makes them have different writing styles. Claire Dederer writes “Song lyrics do a fine imitation of poetry, but they’re not quite the same thing. Lyrics are a vessel, designed to hold a singer’s voice.
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
In conclusion both Ezra Pound’s poem “In the Station Metro” and Emma LaRocque’s poem “The Red in Winter” state the author’s perception of the world very well through imagery that is very subjective to interpretation. Even though they have similarities in style they are almost polar opposites in terms of meaning as Pound’s talked about art and LaRocque’s talked about politics. The two poems are extremely good examples of imagist poems, that used imagery and economy of verse.
The Norton Anthology of English Literature, Volume 1c. New York: W.W. Norton & Co, 2006. Print. The.
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
"Characteristics of Modern Poetry - Poetry - Questions & Answers." ENotes - Literature Study Guides, Lesson Plans, and More. Web. 09 Jan. 2012. .
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
Mays, Kelly. "Poems for Further Study." Norton Introduction to Literature. Eleventh Edition. New York: W.W. Norton and Company Inc., 2013. 771-772. Print.
“Travel, Homecoming and Wavering Minds in Lyrical Ballads and other Poems.” ' A Natural Delineation of Human Passions': The Historic Moment of Lyrical Ballads. Amsterdam: Rodopi, 2004.
Kennedy, X. J., and Dana Gioia, eds. An Introduction to Poetry. 13th ed. New York: Longman, 2010. 21. Print.
Ellmann, Richard and Robert O’Clair. Modern Poems. New York: W.W. Norton and Company, Inc., 1989.
Wheeler, Kip. "Literary Terms and Definitions M." Literary Terms and Definitions "M" Carson-Newman University, n.d. Web. 12 May 2014.
The construction of the poem is in regular four-line stanzas, of which the first two stanzas provide the exposition, setting the scene; the next three stanzas encompass the major action; and the final two stanzas present the poet's reflection on the meaning of her experience.
Booker, M. Keith. “A Practical Introduction to Literary Theory and Criticism.” White Plains: Longman Publishers USA, 1996. Print.