The Underdark has proven to be a place of many challenges, changes and surprises. My home is not a comfortable one, it is rather cold and isolated but it serves its purpose. Moreover, I’ve taken on a more primitive role in order to survive in this violent and volatile place. I have also risked my life and ventured into unwelcome territory in search of companionship. Interestingly enough, my encounter with the gnomes was not what I had anticipated. My dwelling is far from being a pleasant and attractive, but it suffices. The vast space in the Underdark allows for a large structure to be built. Unfortunately, building such a place will require time and extraneous work. Precious time that can be used to search for sparse necessities and such a grander place will only attract unwanted attention. This poverty stricken area also lacks the materials required for such project. Regretfully, I’ve been forced to build my home on higher grounds and within the tunnels. The entrance, …show more content…
I have transgressed the norms of the of my new domain and traveled into my foe’s territory, in search of company. I arrived at Blingdenstone, home of the Svirfneblin and much to my surprise I was received with regard. A gnome named Belwar saved my life as I had once saved his. I wasn’t able to halt his brother’s Dinin, savageness and he pierced off the svirfneblin hands. Upon returning to his home, the gnome was immediately brought in, his hands were replaced with well crafted tools and is now honored with the title of “Most Honored Burrow-Warden.” (pg. 106) Had he returned to my previous municipality, he would have immediately been discriminated against, looked upon as inferior and eventually set aside as a useless being. In my prior home it was believed that “There is no room for apparent weakness in drow culture.” (pg. 105) I appreciate the gnomes nondiscriminatory view of others; it has benefited me by allowing me to co-exist among
The chat wasn’t the only lasting result of the mining; left in this corner of Oklahoma was also 300 miles of mining tunnels (5). These tunnels were created by a method known as room-and-pillar (1). Large rooms were mined to get access to ...
Sir Gawain I am, and I am very pleased to meet you. I've just returned from the Green Chapel where I suffered the most humiliating experience at the hands of the Green Knight. I did my best to uphold the code of chivalry by being courteous, truthful and loyal. Somehow I let my guard down and failed. And yet, the Green Knight and my companions of the Round Table laughed at my situation. For some reason they do not see that I've failed; instead they seem to think that I've just been human. But I still feel that is no excuse...
Dostoyevsky’s Notes from Underground is a story about the thoughts, views, and actions of a strange unnamed man who we’ll refer to as The Underground Man. The Underground Man is strange because he lacked self-respect, he had sadistic and masochistic tendencies, and he enjoyed inflicting emotional pain on himself and others.
It is a given that our culture will vary differently than of one that dwells in the tunnel. In prehistoric time, the underground was seen as a place of safety, much like it is seen today for the mole people. Throughout literature, the underground man, as Toth explains, is extreme, withdrawn and isolated. He is self exiled from human society and only maintains as much contacted as needed to survive. He believes in nothing and is often filled with rage and anguish (177). Many of the tunnel dwellers share many of the same practices and use of material objects key to their survival like eating rodents, using loose electrical wires for electricity, finding water through leaky pipes and cardboard and garbage for building a home. They all share the same knowledge and ideas of how live in the tunnels. They evolve by the changes in their environment and learn how to change to better protect themselves from predators like outsiders or from the dangers of trains. They have norms like we do but what they considered to be a norm, is what we may see as a folkway. Some may even develop their own language so others in their group can understand them. The nature of this counterculture and its formation shows that our society has the ability to create various countercultures that can either show how we excel or fail as a society. However it does show that if we were to
The Sun is slowly sinking. Birds are ceasing to sing. You should be asleep, but instead, you’re wondering if you will. There’s no way to earn money, you are going to have to find another way to help yourself. Forget about sleeping in a house, the cold ground is your bed. All of your “friends” have vanished, your canteen is dry, and if you go into town, you will surely be shot. Once you go wrong, you can’t go back, because you’re wanted. Dead or alive.
Traffic is a drama about the consequences and ironies that happen all the time in the drug dealing business. It presents various situations in which almost everyone is involved with drug problems. A few examples of what happened in the movie showed the American anti-drugs czar's daughter consuming drugs, a known businessman in Los Angeles revealed as drug dealers, poor truck drivers trafficking drugs to the US because of the need for money, and of course the leaders of the drug cartel in Mexico. The main characters are the anti-drugs czar in the United States and his family, two Mexican cops, Carlos Ayala (drug dealer) and his wife, a Mexican colonel responsible of the fight against drugs, and a pair of American cops. Traffic tries to denote the importance of doing something about drugs in our society because, just as shown in it, almost everyone can become involved in the world's largest business, and once you are in, you can never get out of it.
"I shall show you what happens to people who defy the laws of the land! In the tribunal everybody is equal, here there is no regard for rank or position. The great torture shall be applied to you!" (194)
Fanger, Donald. Introduction. Notes From Underground. By Fyodor Dostoevsky. Trans. Mirra Ginsburg. NY: Bantam, 1992.
As someone with a passion for writing, my final project will be an extended expository essay about the history of homebuilding from ancient to modern times. It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
Upon renovating the quaint little house on the hill with my mom, my own feelings toward the house changed dramatically. Before the project took off, I hesitated to step foot inside the building. The odor and dim lighting made it difficult to envision a successful result, but once we finished I was tempted to move in myself. This is the goal. Taking on this second project, I’d do my best to make the house one I’d love to live in while not allowing myself to implement my personal style preferences. The result is a home both move-in ready and open for visitors.
The Underground Man is spiteful. He tells us this and we really ought to believe him. The Underground Man is not only bothered by the class system of Russia but he is also plagued by everyone that he happens to glance at. Namely, I think that he is tormented by the fact that he is not free. He will never be free. He is a prisoner of himself.
In Notes from Underground, Dostoyevsky relates the viewpoints and doings of a very peculiar man. The man is peculiar because of his lack of self-respect, his sadistic and masochistic tendencies, and his horrible delight in inflicting emotional pain on himself and others. Almost instantly the reader is forced to hate this man. He has no redeeming values, all of his insights into human nature are ghastly, and once he begins the narrative of his life, the reader begins to actively hate and pity him.
... of architects and engineers, I have a very warm heart for buildings of this nature. I am extremely blown away by steel and glass structures so I am very pleased I got to report about this structure. I did not go inside though because I was running short on time but I do plan to go back and find a way to visit or tour the building.
What is architecture? Is it the practice of designing or rather the art of designing buildings? Is architecture the necessity of shelter? If so, then when did humanity transcend living in caves and progress on to communal living as seen in the remains of Catalhoyuk? Humanity did not stop the progression of architecture at communal living; architecture continued to evolve to accommodate the ever increasing needs of humanity. Has architecture existed since the days that humanity resided in caves and simply evolved with humans to become the modern day building method? These questions and many more have been asked and debated for centuries, and as architects we study the arguments and ideals of the greatest of the host who have asked: what is architecture?
I believe that a better understanding of our basic human sensibilities is key to designing buildings of lasting resonance. The following discussion looks to the beginnings of architecture for its groundwork, namely through the reconsideration of the the ‘Cave’ typology. It seeks to tease out its latent spatial qualities as well as our innate cognitive responses and expectations of this environment, through it remedying the current design approach that is increasingly prospect