Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Copyright laws united states
Copyright laws united states
Copyright laws united states
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Copyright laws united states
US LAW
U.S. copyright law allows a successful plaintiff in a copyright case to obtain an award of statutory damages for copyright infringement by his sole election in lieu of actual damages or an accounting of defendant’s profits. The award is called special or extraordinary largely because it does not require any proof that the plaintiff has suffered an actual harm from the infringement or that the defendant has made a profit from the infringement.[n2] Plaintiff can choose to elect at any time up to the final judgement, and the award is to be granted in any amount that the court considers “just” in a range between $750 and $30,000 per infringed work, and up to $150,000 per work in case of a willful infringement. [n3]
The United States was the first country in the world to adopt the range-based statutory damages provisions into its Copyright Act of 1909[n10]. The historical purpose of such damages provision was to provide the copyright holder with at least some measure of compensation when it was difficult to prove the actual loss suffered by the right holder or the profit made by the infringer.[22] Even though Congress had modest deterrent goals in mind, the focus of the provisions was on its compensatory function [n3]. Section 101(b) governs that the accounting of plaintiff’s actual damages and defendant’s profit is the primary source of remedies in lieu of which statutory damages must be given only when necessary.[n3]. Establishment of range of dollar amounts within which statutory damages must be awarded at courts’ discretion shows the provision’s deterrent purpose. However, Congress also devised guidelines for determining reasonable damages for different types of infringements.[n3] It is also expressly stated in the same ...
... middle of paper ...
...of statutory damages award. Although there are lists of “factors to consider”, [n96] they have been virtually ineffective as the courts are not required by law to address them at all at their discretion nor are the they required to make specific findings on them.[n98] The factors are usually listed merely for formality, and juries are left with no comparable cases to assess the case at hand.[n100] The absence of robust statutory guidelines and sophisticated jurisprudence have been almost directly responsible for arbitrary and inconsistent awards resulting from similar or sometimes even identical fact patterns. For example, in a series of cases, a number of different entities were sued by the same recording company for making and selling records after termination of their statutory licenses, and resulting decisions were three different statutory damages awards.[n101]
...nd a strong message that the illegal distribution of copyrighted works has consequences, but if individuals are willing to step forward on their own, we want to go the extra step and extend this option" (RIAA 1).
The decision in Equuscorp is significant, as it has made clear several principles that were once ambiguous under Australian law. It ratifies that restitutionary remedies are unavailable for a claim for money had and received where recovery would reduce coherence in the law. Furthermore, Equuscorp has confirmed that a bare cause of action can be assigned where the assignee has a genuine commercial interest in its enforcement.
This high-profile Australian lawsuit involves an Oscar-winning film, six internet service providers, Piracy investigation experts, Peer-to-peer sharing sites, Federal court and 4726 Australian account holders. The case created uproar across the world because till date internet users thought there is no consequences to download pirated material. There is no precedent case for online movie piracy because of the complexity and ambiguity to declare the level of infringement if you only download the available
The U.S. Attorney who argued against LaMacchia wanted the case to broaden the interpretation of the wire fraud statute to apply to software piracy. The use of ...
Abstract: In 1995 Lance Rose and Esther Dyson wrote articles in Wired Magazine expressing polarized views on the future of copyright law and copyright infringement. This essay reviews those articles, analyzes each article's accuracy as defined by current trends years later.
The rapid development of technology over the past few centuries has certainly left an impact on the world of halacha¸ or Jewish Law. Poskim, the formulators of the halacha, have had to make decisions on a variety of topics to accommodate fast-paced advancements in areas ranging from travel (When does one crossing the International Date Line celebrate a holiday?) to home appliances (Under what circumstances may one use a refrigerator on the Sabbath?). One issue that has been particularly relevant in recent years is that of digital piracy. The ubiquity of personal computers, the Internet, and the spread of peer-to-peer programs like Napster and BitTorrent have made a never-ending stream of media accessible to many Orthodox Jews. Naturally, this has kindled an interest in the matter of copyright. Does Jewish Law provide any protection to the author of an original work? What are the halachic implications of violating a copyright?
Let’s face it, copyright and intellectual property use is was one of the messiest, entangled webs between content owners, providers, and consumers. One of the biggest issues involved with copyright and intellectual property is with illegal infringement on use of property. I would venture to say that presently, the majority of people, under the age of 40, have been guilty of illegal use of such material.
Take this case in North Carolina for instance. A Dallas couple is sueing Kmart for $23 million dollars because some Kmart employees harassed and accused the Dallas couple of going through their garbage. The employees were fired and the Dallas couple sued for $23 million. Fortunately the couple didn’t receive all that money, there is a state law capping punitive damages which forced the judge to reduce it to $250 thousand dollars.
Copyright, in its first form, was first introduced in 1710 with a British statute of Anne. Since this time copyright laws have changed to remain current, and have grown into an international agreement by many countries around the globe.
Where compensation takes the form of a monetary award, it adequately satisfies the plaintiff for any financial harm caused . For example...
Music Copyright is a very important aspect of the music industry. The Copyright law was established to preserve the creativity and rights of authors, composers, performers of expression. Copyright is the law that protects the property rights of the creator of an original work in a fixed tangible medium. (http://dictionary.reference.com/browse/copyright) A fixed tangible medium is something substantial like copying lyrics on paper or putting a song on tape or CD. Copyright can be seen every where in the music industry. Many music artist of our culture today have been involved in copyright issues. Recently, on MTV news it was stated that, "As the music industry becomes increasingly concerned about protecting the integrity of artists copyrights in the age of MP3. Prince has now filed a motion in New York federal court aimed at shutting down several websites offering free downloads of the Artist's songs." (http://www.mtv.com…19990304/prince.jhtml) In addition, in recent music news, "Nine Inch Nails lead man Trent Reznor copyright infringement suit was dismissed. Another artist claimed that the Reznor had stolen material for his last album." (http://www.mtv.com…19991202/nine_inch_nails.jhtml) The copyright law has become an important legal aspect to know our music generation.
This article mainly focuses on the ethics and its importance in the daily life and the need of the ethics to the individual and to the society. It mainly focuses on the ethical theories; consequence based theory, duty based theory, contract based theory and character based theory and how these theories are implemented for the copyright infringement i.e. the free access of the copyright material. It explains all the four types of theories in detail with examples and how these are implemented for the given topic. The modern ethical approach has been given based on the four ethical theories and the recommendations based on the outcome of the four theories. It is followed by the conclusion and the references.
Physical piracy-the copying and illegal sale of hard-copy CDs, videotapes, and DVDs-costs the music industry over $4 billion a year worldwide and the movie industry more than $3.5 billion. These numbers do not factor in the growing (and difficult to measure) problem of Internet piracy, in which music and movies are transferred to digital format and copies are made of the resulting computer file. Journalist Charles C. Mann explains why Internet piracy has the potential to be vastly more damaging to copyright industr...
However, in recent years, it is not uncommon to see copyright in the possession of a third party other than the creator. These companies make use of copyright as an investment and financial tools to gain profit. In this case, the use of copyright loses its original purpose of protecting the creator, but used as a mean for financial gain. This could possibly hinder creativity as innovation becomes a financial tool catered to the tastes of the general public, while the less marketable new ideas goes unnoticed by the general public under the copyright laws. It is crucial to note that online platforms such as blogs, Facebook and Youtube, and people making their music/works available online for free shows the rapid surge in the number of people willing to sacrifice their copyrights to market themselves to the world. In this highly saturated market, copyright laws can become less relevant as marketing and business is placed on higher
Copyright infringement is a major issue with media ethics. Many people confuse copyright infringement with trademark infringement (Miller, 2012). However, copyright infringement is when someone unlawfully uses a particular work that is protected by copyright law. These works can include: movies, pictures, songs, albums, artwork, pieces of literature, and newspapers. There is no reason for any of the previous to be copyright infringed, because there are ways to correctly cite all of them as sources, without illegally copyright infringing them. Most people simply do not use their resources to help them with their citing.