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Analyse twelfth night by shakespeare
Analyse twelfth night by shakespeare
Critical analysis of twelfth night
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Twelfth Night by William Shakespeare The complex plot - full of mistaken identities, misdirected passions, high comedy, low tricks, and unexpected poignancy - begins as a ship, carrying the identical twins Viola and Sebastian is wrecked off the coast of a fictional country, Illyria. Viola is washed ashore on this alien coast and becomes convinced that her beloved brother is dead. She learns that she is near the home of Olivia, a young countess who is also in mourning, for her recently dead father and brother. Accordingly, Olivia has sworn to have no contact with men for seven years, and in particular she is rejecting the amorous advances of the young Duke Orsino Desperate to know how to survive, and to keep the spirit of her twin brother alive, Viola decides to disguise herself as a boy. She transforms herself into "Cesario," enters into the service of Orsino and is soon sent to woo Olivia on the Duke's behalf. Olivia remains unmoved by Orsino's attentions but finds herself instead attracted to young "Cesario," who in turn begins...
And think its best not to get married at all . She becomes very angry with the war and marriage that it was starting to scare thoughts around her . Later in the story I found epilogue that Aunt Caroline sent her to a mental incaution for the insane . She died there some say she killed herself by jumping out the window or someone pushed her no one knows .
Throughout the novel, crucial family members and friends of the girl that died are meticulously reshaped by her absence. Lindsey, the sister, outgrows her timidity and develops a brave, fearless demeanor, while at the same time she glows with independence. Abigail, the mother, frees herself from the barbed wire that protected her loved ones yet caused her great pain, as well as learns that withdrawing oneself from their role in society may be the most favorable choice. Ruth, the remote friend from school, determines her career that will last a lifetime. and escapes from the dark place that she was drowning in before. Thus, next time one is overcome with grief, they must remember that constructive change is guaranteed to
that Olivia has emotional power of nobleman Orsino when in Act I Scene I he declares, "O, she
Olivia’s public status shows her as a caring and high-class lady, a persona with a stark contrast to her inner self as a bold and tenacious woman. When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit, / I had rather hear you to solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106). Olivia dismisses the Duke’s affections and rebukes him as a man would, saying his courting is gross and disgusting. This shows she is not the fragile and polite woman one may perceive her to be, but an abrasive woman who can speak her mind. Olivia breaks out of her social identity as a frail, polite, and proper Elizabethan lady and reveals her true inner character as a strong and empowered woman.
In Shakespeare 's well known play Twelfth Night, which takes place somewhere in Illyria, Lady Olivia is an independent, powerful, wealthy but single woman; the sudden deaths of her father and brother has left her in sadness alone in a big castle to herself. She has her relative Sir Toby Belch who was still around and visited her. Orsino, a duke, has a huge crush on her and is trying to have her to himself. Meanwhile, the jealous steward Malvolio who also has a crush on Lady Olivia, is a guy who is full of himself and acts like he 's king, he forgets where his place is sometimes. In Olivia 's house there is the weak and foolish Sir Andrew who has a crush on Olivia and is wishing one day he would get a chance with her. are also these twins,Viola and Sebastian. They have been shipwrecked and isolated from each other, so Viola thinks Sebastian is dead, and Sebastian thinks viola is dead. Later Viola decides to disguise herself as a messenger and call herself Cesario so she can work for Orsino. Since Viola was so pretty and the way she used her words were great, she won Orsino’s trust. Orsino tells Cesario
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
As Viola (Cesario) goes to the house to meet Olivia, Duke Orsino begins to like her after 3 days in his service. She became a favorite of him. Olivia begans to also like him, he is the only guy she seems to be able to talk and agree with. Orsino favors his new servant, he is insist on picking Cesario to go on his most, important errand- to carry his messages of love to Lady Olivia. Viola tries out for the soccer team in She’s A Man and makes it. Her new roommate is Duke Orsino, which is her brother roommate. Duke Orsino has a crush on Olivia. He wants to make a deal with Viola, if she convinces Olivia to go out with him in their class, he will help her on becoming a better soccer player.
Orsino is seen to be very much in love with Olivia. He seems to be so
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
When Orsino sends Viola-Cesario to woo Olivia in his name, he does not think any more of it. When Viola-Cesario goes to woo Olivia for her master Orsino, she starts to woo her using the first person, referring to ‘me’ and ‘I’, under Olivia’s request. She continues using the first person throughout this wooing, where she tells of Olivia’s beauty and her person through her perspective instead of Orsino’s. This wooing becomes vital to the plot and the theme of love throughout the play, because this wooing causes Olivia to fall in love with Viola-Cesario instead of the Duke Orsino. This could be due to the request of Olivia asking Viola-Cesario to “tell me your mind.” (Shakespeare I.v.204) When Viola-Cesario woos Olivia, Olivia become smitten with Viola in her disguise of Cesario, while Viola believes that her wooing helps her master Orsino. This wooing becomes essential to the theme of love because Olivia falls for Viola-Cesario; however, the pain from this love does not come until the end when Viola’s identity is revealed. Olivia is then left puzzled and upset because she believed that Cesario was a real person, when in fact, it was Viola playing Cesario and she has married Viola’s twin brother Sebastian. All of the confusion causes the pain that Olivia feels from her love of Cesario because the Cesario that had told her all of the beautiful things was not the man she married and the one who told her all of those things turned out to be a woman. Along with this pain from the realization, she continues to feels a slight pain throughout the play because Cesario will not accept her love and pushes her away, ironically, like she pushes Orsino’s love or her away.
Twelfth Night revolves heavily around the shipwreck plot device to split apart the siblings Viola and Sebastian, leading to the development of a bizarre love-triangle and a case of mistaken identity. Besides the rather literal importance of the sea as the driving force for the play’s plot, water appears to resonate as a recurring theme throughout many scenes; specifically, it becomes a living representation for the emotional status of various characters, and woven within the ebb and flow of the tides, qualities such as fate, grief, death (imagined or real), and reflection churn amongst the brackish waters of the play’s symbolic ocean. Of course, because Twelfth Night fails to meet definition of a tragedy outright, these elements will not lead
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...