When Emily starts dating Homer Barron the town is overjoyed to see this woman finally moving on, and not being a hermit in her house. “She will marry him” (94). The only problem with this relationship is that it has a turn for the worst. One fateful day the townspeople stop seeing Homer Barron out and about. “’I want some poison’, she said. ‘Yes, Miss Emily. What kind?’… ‘Arsenic,’ Miss Emily said. ‘Is that a good one’” (94)? Some think that he went back to his home town and others believe that he and Emily have eloped and are living together in her house. Little to their knowledge but Emily has killed Homer in hopes that he would never leave her. The issue in her society is that coming from a well to do family and a father that has too much say in her relat...
With the thought that no one else but the father was good enough; “Her passionate, almost sexual relationship with her dead father…[compels] her to distrust the living body of Homer and to kill him so that he will resemble the dead father she can never forget” (Towner). Emily’s father never thought any man was good enough for her and was never able to experience love besides the love her and her father rationed for each other. Meeting Homer was a way for Emily to replace the love she possessed for her father, but Miss Emily never thoroughly overcame his death. Emily became devoted with endearment and infatuation towards Homer as time persisted. “[In] death, he was unable to leave her” (Priddy), for her poisoning Homer was an endeavoring way to never be along. Emily was looking for a way to resemble her father’s dead body she had grown to endear and learned to live without; “We did not say she was crazy then. We believed she had to do that. We remembered all the young men her father had driven away, and…knew that with nothing left, she would have to cling to that which had robbed her, as people will”
Emily’s thoughts were a mystery to everyone in her town. Her reactions and actions towards the concept of death were unusual for many of the townspeople and the readers. A psychoanalytical critic would view this story about Emily’s psyche, thoughts, emotions and her experiences that led her to be the person she became. The first concept that resulted in Emily being an extremely independent woman was probably due to how strict her father was. He rejected all her suitors and never found anyone suitable enough for his daughter. The next, which was probably the biggest shock for Emily, was her father’s death, where she even kept his dead body for three days because she couldn’t seem to let go. The townspeople then pitied her and all the rumors she probably heard about her and the circumstances that led her to her downfall. The last concept that confirmed her mental illness and strange behaviors was the fact that she killed Homer Barron and slept with his corpse, probably every night.
...s obsessive with keeping homer by her side forever. Miss Emily becomes mentally unstable and poisons homer. I do believe that the fatalities and changes she goes through have a greater effect on her emotions and actions than the townspeople and readers see without analyzing the story. Argiro states that, “The story is an allegory of misreading signifying backwardness, mystification and psychopathology…” (par.50). Miss Emily is misunderstood by the townspeople and is resistant to the changes around her as well in her life.
Emily’s struggles due to her father include “personal grief, a restricted social life, socio-economic decline, and romantic misfortune” combined with “a long history of trauma and repression” (Argiro 445). Coming from an aristocratic southern family, Miss Emily was well off money-wise, but extremely oppressed by her father in the aspects of her romantic life and getting to make friends outside her home. Although, Emily’s strange behaviors are noted throughout the short story, they become amplified after the death of her father. She does not grieve right away, which causes the rest of the residents of her town to speculate why. However, after Emily’s breakdown three days later, the narrator recalls the people of the town remember how Emily’s father would scare away any man who would want her (235). Emily’s mental health begins deteriorating at this moment, as her longing for companionship cannot be held in any longer. After her breakdown, Emily secludes herself to her house more than usual and is described to have gained weight and chopped all of her hair off. And still, she becomes hopeful when worker Homer Barron comes to town and shows an interest with
believing everything she heard from the townspeople. They kept saying Homer wasn’t the marrying type, Emily went insane. She thought if she couldn’t have him, no one else can. So ...
The meaning of love cannot be defined in one sentence or even in 16 pages. Every human has his or her own definition of what love is. People define love by their own experiences whether as true love or ending in heartaches. In Raymond Carver’s short story, What We Talk About When We Talk About Love, he describes what love is, by depicting what it is not. He executes this by portraying the experiences of four people, while using their dialogue and setting in the story to describe how something so beautiful as love can easily become an awkward and repelling subject to discuss.
The corpse being found in the house was completly unexpected for me. The short story discribes Ms. Emily as being a strong willed woman but her being a murddrer never crossed my mind. The fact that she brought the arcinic poisioning and was hessitant about telling the pharmanisis what she was going to use it for lets the reader know that she did not have good intentions with it. After reading the ending I understand why the townsmen come to the house complaining about a horrible smell after Homer's disaperance. Ms. Emily never left the house which colud have been her way of gaurding the body. The narrowrater tells us that Emily has an aunt that suffered from some mental health issuse which, in my opinon may have been a way of hinting to the
Ninety percent of Americans marry by the time that they are fifty; however, forty to fifty percent of marriages end in divorce ("Marriage and Divorce"). Love and marriage are said to go hand in hand, so why does true love not persist? True, whole-hearted, and long-lasting love is as difficult to find as a black cat in a coal cellar. Loveless marriages are more common than ever, and the divorce rate reflects this. The forms of love seen between these many marriages is often fleeting. Raymond Carver explores these many forms of love, how they create happiness, sadness, and anything in between, and how they contrast from true love, through his characters in "What We Talk About When We Talk About Love". Four couples are presented: Mel and Terri, Nick and Laura, Ed and Terri, and, most importantly, an unnamed elderly couple; each couple exhibits a variation on the word love.
She is a patient of asylum, also a prisoner. There are more than one changes in her miserable life. Start from her childhood, her father, that arrogant rich man looked down every person of Jefferson. What he has taught Emily it is his selfish dignity. Emily grows up in this kind of situation. For her teen period, the time girls will have oodles of fantasy and dream of love, her father broke it harshly. He shut those guys who asked Emily for a date out of the door as he thinks they are not good enough for her. Emily just surrenders as a good girl. That causes the first twist of her life when it comes her father's death. Emily thinks he left her alone after keeping her in prison all these years. She doesn't know how to stay with people and it is his responsibility. Thus, she wants revenge, she wants to treat her father like what he has done to her, trapped him. Emily tells the Jefferson that her father was still alive and denied the truth. "After her father's death she went out very little; after her sweetheart went away, people hardly saw her at all." It is her second change, Emily's lover leave her. We can find out that one more person she loves has abandoned her, again. It brings the following terror, she kills Homer, the unmarried man. Poor Emily cannot bear separation any longer, so she upgrades her action of escaping the truth, leading Homer's death to keep his body like exactly what had happened when her father died. Besides, she sleeps next to him, it shows