True Identity in The Invisible Man by Ralph Ellison

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He is not Your Pinocchio Anymore: The Brief Look into the Narrator’s Self-Realization
In the novel Invisible Man, Ralph Ellison utilizes the motif of paper to demonstrate the journey the narrator goes through to realize his true identity. By using this motif, the narrator’s identity is revealed in various stages over the course of the novel.
In the beginning of the novel, paper seems similar to a beacon of hope; shining light on all the wonderful opportunities the world has to offer for the narrator. He feels that paper will help pave the way for his future. For example after the Battle Royal had taken place, the superintendent gives the narrator a briefcase “filled with important papers that [would later] help shape the destiny of [his] people” (Ellison 32). The narrator is surprised to find “a scholarship to the state college for Negroes” amongst the numerous envelopes and papers (Ellison 32). This one document shows the narrator that he possesses the potential to make something more of himself. In addition, the paper represents a key that helps unlock all the doors to the narrator’s future. One of those doors happens to be going to college and earning an education. This opportunity closely relates to the narrator’s identity: an accomplished, educated, African American who wants to make a change in society. Therefore, he decides to attend college, but he runs into some trouble that gets him expelled. Even though he was dismissed, Dr. Bledsoe wants to aid the narrator in getting back on his feet. Therefore, he promises to “give [the narrator] some letters addressed to several friends of the school” in New York, and Bledsoe claims that “[o]ne of them will do something for” the hopeful narrator (Ellison 149). This helpful documen...

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...Invisible Man, Ellison uses the motif of paper to reveal the journey through which the narrator has to travel to realize his true identity. Ellison does this in a matter of stages, which are associated with differing emotions towards the paper.

Works Cited
Barón-Fritts, Amanda. "Alter(Ing) Identities: On Becoming The Other." The Black Scholar 34.1 (2004): 34-39. Sociological Collection. Web. 8 May 2014.
Drake, Rachel. "Blackness, Autonomy, And Power In Selected Works Of Walter Mosley And Ralph Ellison." The Researcher: An Interdisciplinary Journal 25.2 (2012): 1-8. Academic Search Complete. Web. 7 May 2014.
Ellison, Ralph. Invisible Man. New York: Vintage International, 1995. Print.
Neighbors, Jim. "Plunging (Outside Of) History: Naming And Self-Possession In "Invisible Man.." African American Review 36.2 (2002): 227. Advanced Placement Source. Web. 8 May 2014.

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