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Nazi propaganda during World War 2
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Nazi propaganda during World War 2
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Triumph of the Will and Jud Suess as Nazi Propaganda
It has been readily admitted that propaganda has little to do with the truth. Why then is it so convincing? Why does the demagogic appeal of propaganda triumph over reason and truth? The answer is that the power of our emotions and our prejudices clouds our reasoning; and even more, propaganda uses our emotions against us by manipulating them. We are shown what the propagandist wants us to see; we feel what the propagandist wants us to feel. And in that way, propaganda becomes a tool for exploiting the masses, for shaping public opinion and turning ordinary people into supporters, participants and onlookers of genocide. Both Triumph of the Will and Jud Suess function effectively as propaganda of the Nazi regime, though the films' specific goals and techniques are quite different.
The film Triumph of the Will (Triumph des Willens, Leni Riefenstahl, Germany, 1935)1 is perhaps the more blatant of the two propaganda films discussed in this essay. It is not so much a film in the modern sense as it is a careful collection of Hitler and Nazi Party members captured in all their nationalistic glory.There is no story, no plot, just one overriding theme that each and every shot contributes to.
The film was made in 1935, during the years that Hitler was working to legitimize himself and his regime in the eyes of the German public. Triumph of the Will reflects that objective: the images harp on nationalism and on the greatness of the Nazis-the perfect and seemingly endless lines of soldiers marching past Hitler; the huge crowds of youth gathered to hear Hitler speak; the fervency and devotion of the government officials. Of course, it is...
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...ove the Jewish people.
Both Triumph of the Will and Jud Suess are powerful movies, movies which do indeed make their point. Having been alerted to the fact that these films are propaganda, it is easy to see their emotional appeals and blatant disregard for the truth. But what of those who knew not what the truth was? For the great majority who had not an inkling of the truth, their ignorance become perhaps the greatest asset the Nazi regime could ever hope for. Packaged lies, labeled 'truth', delivered into the hands of an unsuspecting, unknowing public-that is where this propaganda becomes dangerous. Ignorance is not the only thing to blame; but how different would history be if ignorance was not a factor?
Works Cited
1"Triumph of the Will" by Leni Riefenstahl, Germany, 1935.
2"Jud Suess" by Veit Harlan, Germany, 1940.
German cinema was greatly affected during the Nazi movement between 1933 and 1945. Once appointed Chancellor of Germany on January 30, 1933 Hitler wasted no time and almost immediately began working on his propaganda strategy. Typically “propaganda targets a mass audience and relies on mass media to persuade. Propaganda is aimed at large numbers of people and, as such, relies on mass communication to reach its audience” (Gass, 14). The Nazi party used film propaganda to brainwash the German people, distract them from the harsh reality of the Nazi party, and attempt to intimidate the enemy. Hitler knew propaganda entailed mass persuasion and he knew just how to get his message out there; film. It was through the use of propaganda, largely film that made the Nazi party so powerful as they redefined propaganda.
Prior to the Nazi takeover of Germany, the nation had been suffering deeply. An economic depression, large-scale unemployment, and the shame of losing World War I had put Germany in a dark place. The Nazi’s were incredibly aware of this, and their propaganda at the time reflected a need to reunite the German people. Propaganda appealed to national pride, and putting ones country before themselves. Of course, a strong united people needed a leader that was just as strong, and the “myth of Hitler” would create that leader. Slogans like “One People, one Fuhrer, one Reich!” promoted national unity, and a Wochenspruch from February 1938 states, “The greatest of all sacrifices is to give one’s life to preserve the existence of the community.” Leni Riefenstahl’s Triumph of the Will comes from this time period and helps form the mythological image of Hitler. Propaganda also focused on the good the Nazi party was doing. It discussed how well the Nazi welfare system was working, newsreels showed happy German people enjoying the benefits of the Nazi regime.
When she was younger Horne often dreamed about becoming a performer, which upset her middle class family. They held college degrees and prominent positions in the NAACP and the Urban League. She pursued her dreams and was hired at Harlem’s Cotton Club at the age of 16. In 1934, with no singing experience, Horne was assigned a duet with Avon Long (Porgy and Bess). The duet, being a success, inspired her to take voice lessons. . In 1935, she joined the "Noble Sissle Society Orchestra" as a singer and dancer. Soon after, she had her first child and married Louis L. Jones, the father of both her children. The two ...
When Hitler was campaigning as a candidate for Chancellor he stated in one of his speeches, “Show tomorrow your firm national unity. Support with me and the Reich Chancellor the principle of equal rights and of peace with honor” (Larson, p. 175). By using a manipulative style of speaking to the public Hitler was able to present himself as one for the people, showing that he prioritized them above everything else. However, this was all a trick to increase Hitler’s popularity so he could eventually become dominant over all aspects of German life. The Nazi Regime achieved this through strategic implementations of propaganda.
Propaganda is the dissemination of information to influence or control large groups of people. In totalitarian regime like Nazi Germany, propaganda plays a significant role in consolidate power in the hands of the controlling party (Nazi propaganda).The propaganda used by the Nazi Party in the years leading up to and during Adolf Hitler's leadership of Germany (1933–1945) was a crucial instrument for acquiring and maintaining power, and for the implementation of Nazi policies. The pervasive use of propaganda by the Nazis is largely responsible for the word "propaganda" itself acquiring its present negative connotations (definition).
Quentin Tarantino’s 2009 film Inglourious Bastards entails a Jewish revenge fantasy that is told through a counterfactual history of events in World War II. However, this story follows a completely different plot than what we are currently familiar with. Within these circumstances, audiences now question the very ideas and arguments that are often associated with World War II. We believe that Inglourious Basterds is a Jewish revenge fantasy that forces us to rethink our previous understandings by disrupting the viewers sense of content and nature in the history of World War II. Within this thesis, this paper will cover the Jewish lens vs. American lens, counter-plots with-in the film, ignored social undercurrents, and the idea that nobody wins in war. These ideas all correlate with how we view World War II history and how Inglourious Basterds muddles our previous thoughts on how these events occurred.
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“Why is propaganda so much more successful when it stirs up hatred than when it tries to stir up a little friendly feeling?” (Russel). September 1st 1939 the brutal World War II was just beginning. (When did WWII start). This war was the start of many racial slurs that carried decades into the future. The Nazis knew propaganda was a very strong and reliable way to persuade people to understand and support their views, and soon enough it would help them change the course of history.
Introductory Paragraph: Propaganda is a tool of influence that Adolph Hitler used to abuse the German population by brainwashing them and completely deteriorating an entire race. How does one person get the beliefs of an entire country? Hitler put Joseph Goebbels in charge of the propaganda movement. Goebbels controlled every element of propaganda, there were many varieties of Nazi Propaganda. Propaganda was also being used as a tool to gain the support of the German population for the war, and supporting their government. The Jew’s were the targeted race and were completely pulverized by the Nazi’s. Hitler not only tried to destroy an entire race, he gained complete control of an entire country.
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