Ever since man, has set foot upon the earth drama and tragedy has been the path chosen whether it is of ones own doing or of society’s traditional influences. Such is the case of Sophocles’ Oedipus. Oedipus, an infant born unto nobility, discarded by nobility, to be adopted into nobility and then to be chosen for nobility by the people, to be King of Thebes . To end up blinded by his own hand and led by his own daughter through the remainder of his life. It is in this manner that Sophocles choses to use the understanding of Aristotle’s definition of a tragic hero to depict that life lesson for today’s audience. It is no coincidence that Aristotle’s characterization of a tragic hero befits Oedipus through his high estates, tragic flaw, and …show more content…
The relevance for virtue ethics arises from the ways in which characters in the play react to their predicament and try to cope with the situations they must face. Sophocles is alluding in the very opening of the play to the information of what Aristotle mentions as one of the requirements to be a tragic hero. “Priest. Great Oedipus, O powerful King of Thebes.” Sophocles provides another insight of Aristotle’s definition in the way Oedipus extinguishes himself in answering the Sphinx riddle. Therefore, by passing the Sphinx riddle Oedipus earns the throne of Thebes plus the widowed queen as wife, his own mother. Yet, it is more than the murder that has plagued the city of Thebes however; it is the plague of one protagonist, which has brought about this …show more content…
Even when Oedipus questions Teiresic repeatedly and demands the truth of her, her answer remains the same “he who asks is guilty of murder.” Sophocles’ identifies the plot by giving the glimpses of Oedipus wisdom mixed in with the folly of poor discernment at the same time. Thus, the hamartia Oedipus reveals of himself. Oedipus, as many Greeks then, believes in oracles more than trusting one God. By doing so shows the gullibility of the King to be misguided and misinformed of the truth. According to the textbook, Sophocles’ begins the fall from high to low estate the moment Oedipus announces his proclamation to all the Thebans to bring this murderer to justice even if it was himself. However, he then turns around and places the blame on Creon for the murder of his father and wanting to take over the thrown. Creon asks for his sisters’ defense in the matter with Oedipus. Here again Oedipus is told of the prophecy by his own wife .Therefore, providing another detailed report of Aristotle’s definition of a tragic hero. Locaste repeatedly reminds Oedipus that he was the murderer, ignoring the truth he already had known. Once again, Sophocles’ under no knowledge gave another moment to witness of the one true living God. In Luke 12:3 it states, “Therefore whatsoever ye have spoken in darkness shall be heard in the light; and that which ye have spoken in the ear in closets shall be proclaimed upon the housetops.”
Here one sees that even after obtaining all this knowledge Oedipus, who does not believe any of it, goes on his journey to find Laius’ murderer. At this point one theme makes itself clear, Oedipus refuses to accept the truth in his life, and Sophocles makes it a point to bring this up several times through the use of tragic irony, symbolism, and repetition throughout the play.
Trying to solve the mystery of who killed the previous King, Oedipus does not look at the facts around him. As a prophet, Teiresias explains to Oedipus that he is at fault for the death of Laius but Oedipus does not accept this as true, he embraces the darkness and his view of the truth. Teiresias goes further to convince Oedipus of his fault by saying, “Your clear eyes flooded with darkness. That day will come.” Oedipus has placed himself in a world that is suitable as the truth for him. He is not prepared for change or the opinions of others although he is directly seeking the answer to who killed Laius. This connects to Plato’s “Allegory of the Cave” because Oedipus is very similar to the prisoners. He is set in his way and the light of knowledge does not immediately impact him. Teiresias bluntly says to Oedipus, “You have eyes to see with, but you do not see yourself” (Sophocles, 42). He pushes and pushes Oedipus to understand that he killed Laius but with no luck. Once Oedipus learns more about how Laius was killed and figures out that he killed a man that way he goes into the light. His reality has now changed just as it did for the prisoner who was released from the cave. But for Oedipus, facing the truth is something he is not able to do with ease. Teiresias says to Oedipus that “wisdom is a curse when [it] does nothing for the man who has it” (37).
As the truth is getting revealed: "… You, Oedipus, are the desecrator, the polluter of this land." Oedipus does not believe (his choice). He (Oedipus) start to accuse Creon of truing to take his powers away (king). And still want to reveal whole truth. After talking to Jocasta Oedipus faces that he in fact might killed the king Laius. " There was s herald leading a carriage drawn by horses and the man riding in the carriage … The driver pushed.
The purpose of this essay is to demonstrate that the events in Oedipus the King, written by Sophocles, are the result of the hero’s self determination and restless attempt to escape a terrifying destiny predicted for him by the oracle of Apollo at Delphi. My intention is to prove that although the Fates play a crucial part in the story, it is Oedipus'choices and wrong doing that ultimately lead to his downfall.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438). Oedipus’ impulsive nature leads him to discovering the truth and reveals that he has indeed fulfilled the prophecy he was running from.
In Sophocles’ Oedipus the King, the reader finds Oedipus as an overzealous king, but one that cares deeply for the people who are under his rule. After solving the mystery of the Sphinx and under the belief that he has escaped the prophecy of killing his father and marrying his mother, Oedipus’ self-confidence goes into over drive. His compassion, for the pain and suffering his people are under, causes him to pronounce a curse on the murderer of Laius. Unknown to the king, he is condemning himself for the crime he committed years ago.
With this in mind, many believe that King Oedipus in Sophocles’ play, Oedipus the King, is the perfect example of Aristotle’s tragic hero. Does he, however, truly fulfill all the “requirements” described in Poetics or is there something we miss in the depths of his fascinating and multi-faceted character that does not fit into Aristotle’s template? Without a doubt, Oe...
This essay seeks to explore the life of the flawed mythological person, Oedipus, as protagonist of Sophocles’ Oedipus Rex.
It is said that the truth will set you free, but in the case of Sophocles’ Oedipus, the truth drives a man to imprison himself in a world of darkness by gouging out his eyes. As he scours the city for truth, Oedipus’ ruin is ironically mentioned and foreshadowed in the narrative. With these and other devices Sophocles illuminates the king’s tragic realization and creates a firm emotional bond with the audience.
According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.
When it comes to the history of drama Sophocles’ Oedipus is the king of all tragic heroes. From killing his own father and marring his own mother Oedipus’s tragic downfall leaves the reader emotionally scarred for life. Yet he still holds on to his morality and prevails past it all. Famous Greek philosopher Aristotle defines what a tragic hero is and Oedipus fits it perfectly. Oedipus is a true embodiment of Aristotle’s definition of a tragic hero through his ability to preserve his virtue and wisdom, despite his flaws and predicament.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.