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sophocles oedipus the king as a tragedy
discuss d use of tragedy in Sophocles's king Oedipus
Examine the Sophocles Oedipus the king as tragedy
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Tragedy in Sophocles' Oedipus The King and Antigone
The Greeks considered tragedy the greatest form for literature. However, the tragic ends for the characters were not ordained or set by fate, but rather caused by certain characteristics belonging to that person. Such is the case with the characters of Sophocles' plays Oedipus the King and Antigone. Oedipus from King Oedipus, and Antigone and Creon from Antigone posses characteristics, especially pride, that caused their tragic ends. As the play progress, other characteristics appear and further add to the problem to such a point that it is inevitable that it will end in tragedy. Therefore the tragedies were not a result of a plot by the fates, but rather a result of the characteristics that the characters possessed.
The characters posses a multitude of traits, some of them common to all of them. Pride is especially prevalent. This characteristic seems to be the major tragic flaw or hamartia that eventually causes the downfall. Oedipus exhibits a vast amount of pride, which seems to border on sheer arrogance. This is demonstrated in the beginning of the play where he states, "I, Oedipus, whose name is known afar."(p. 25). This is reinforced by the priest's replies of, "Oedipus great and glorious,"(p.26) and, "O greatest of men."(p.26). Therefore it may be concluded that Oedipus obviously posses a large amount of pride. Antigone, daughter and sister of Oedipus also posses the same trait. Creon acknowledges this when he says, "This girl's proud spirit,"(p.139) and Antigone confirms this with her grand speech to Creon, where she states, "I knew that I should have to die... living in daily torment as I do, who would not be glad to die?" (p.138). Thus the pri...
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...in both King Oedipus and Antigone there were characters whose lives ended in tragedy. However these falls from grace were no the deeds of fate, but rather that of the character themselves. The characteristics, especially pride, of the people set them on the path. Therefore the faults of the characters were the cause of their ill-fated end.
Works Cited
Dodds, E. R. "On Misunderstanding the Oedipus Rex." Twentieth Century Interpretations of Oedipus Rex: A Collection of Critical Essays. Ed. Michael J. O'Brien. New Jersey: Prentice-Hall, 1968. 17-29.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed. Eds. Sylvan Barnet, et al. New York: Longman, 1997.
Sophocles. Antigone. Exploring Literature: Writing and thinking About Fiction,
Poetry, Drama, and the Essay. Ed. Joseph Terry. New York: Addison-Wesley Educational Publishers Inc, 2001.
Greek tragedies often teach readers several valuable lessons, one of which is the catastrophe caused by acting on emotions. Both Oedipus and Antigone experience this as a result of their rash behavior. Even Creon ends up miserable in Antigone due to the change in his behavior. By acting on their emotions, these characters all experience tragic downfalls, while others, such as Ismene and Creon during Oedipus Rex, remain safe due to their prudence and indications of wisdom.
Both characters were born into a very noble family. They were at the top of society, and had a perfect life, or so it seemed. Their flaws led them to experience tragic downfalls. With Antigone, her stubbornness, led her to be sentenced to death by Creon. Oedipus was too arrogant to believe in the prophecy against him, and he ended up fulfilling it. Then these tragic downfalls lead to the death, or serious injuries. Antigone committed suicide to avoid being killed by Creon. Oedipus blinded himself by stabbing out his own eyes because he was so angry with himself for fulfilling the prophecy. Therefore, both Antigone and Oedipus lived their lives as tragic heroes. The plays Antigone and Oedipus Rex have some major differences, but they have one similarity that ties their main characters together, which is them both being born tragic heroes. The differences between the characters is their flaws, and good characteristics. Though Antigone and Oedipus lived completely different lives, both their lives ended in a very tragic
A Greek drama is a serious of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. Grand debate over which character can hold the title of the tragic hero has discussed in the literally world for ages. A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end.
Albert, Susan Wittig. "Oedipus Rex by Sophocles." World Literature. Austin, TX: Holt, Rinehart and Winston, 2001. 301-71. Print.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York: Longman, 1997.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York: Longman, 1997.
Females as a general population have been faced with discrimination across the ages. In recent history, women have begun to assert their freedom and independence from the male oriented traditions that have spanned generations. In industrialized countries the discrimination of women has diminished, but a serious form of violation of human rights occurs sometimes in parts of the world, such as Africa, the Middle East, and even sometimes the United States and other industrialized countries in North America and Europe. Female genital mutilation (FGM) is an umbrella term for three subtypes of crimes committed against women as a part of various coming of age rituals for young girls in certain patriarchal communities in Africa, spreading through migration of a populace through Northeastern and Western Africa and some spread into the Middle Eastern countries. These communities integrated this practice into women through marriage into these cultures, spreading this practice into their daughters and so forth. FGM has been classified by the World Health Organization (WHO) into three basic subtypes, each growing more and more disturbing. Subtype number one is a clitoridectomy which is the complete or partial removal of the clitoris, while subtype two it includes the clitoridectomy plus the removal of the labia minora of the young girl. Alone, these two types of FGM composed approximately 90 percent of female genital mutilation. The third subtype is the most gruesome that is the narrowing the vagina opening by sealing the orifice with the use of the labia majora. These medical procedures have been described the WHO working in conjunction with United Nations Children's Fund (UNICEF), the United Nations Joint Programme on HIV/AIDS (UNAIDS), Un...
The horrible fates of Oedipus and Creon are due to their tragic flaws. Even though both fates of these characters are absolutely terrible, Oedipus experiences the greatest tragedy. Oedipus’s flaw of ignorance might not be directly his fault but it results in horrific actions that no one else can be blamed for. Creon's flaw of pride causes him to make irrational decisions that end up harming the people he loves. Both characters directly cause the deaths of loved family members as a result of their flaws and decisions. Nothing can be worse that this. Oedipus The King and Antigone demonstrate the horrific tragedies of life.
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.
Tess Being a Victim of Fate in Tess of the D'Urbervilles “The president of the Immortals had done his sport with Tess” In his novel Tess of the d’Urbervilles Thomas Hardy expresses his dissatisfaction, weariness, and an overwhelming sense of injustice at the cruelty of ‘our’ universal fate disappointment and disillusionment. Hardy puts out an argument that the hopes and desires of Men are cruelly saddened by a strong combination of fate, unwanted accidents, mistakes and many sad flaws. Although Tess is strong willed and is clearly educated emotionally and mentally she soon becomes a victim of ‘fate’. Many people would say that Tess was just unlucky, “Had a stroke of bad luck,” others would prefer to differ and argue that she has fallen into fates hands.
Sophocles. "Oedipus the King" Literature: An Introduction to Fiction, Poetry, and Drama. 9th ed. Kennedy, X.J. and Dana Gioia, New York: Pearson Longman, 2005. 1365- 1433
The purpose of this essay is to demonstrate that the events in Oedipus the King, written by Sophocles, are the result of the hero’s self determination and restless attempt to escape a terrifying destiny predicted for him by the oracle of Apollo at Delphi. My intention is to prove that although the Fates play a crucial part in the story, it is Oedipus'choices and wrong doing that ultimately lead to his downfall.
Sophocles. "Oedipus Rex." An Introduction to Literature, 11th ed. Eds. Sylvan Barnet, et al. New York: Longman, 1997. 800-836.
In ancient Greece citizens hoped to go unnoticed by the Gods. The Gods played a huge role on what occurred in a citizen’s life. If a prophecy was decided by a God, then there was no altering it. Aristotle believes that this is what makes up a true tragedy. He suggests that tragedy is plot driven, and if the plot is set then there is no way around it. In Oedipus Rex by Sophocles, Oedipus is paying for the sins of his father King Laios. Laios was given horrible future by the Gods for angering them when he rapes another man. He was given a prediction that his son would murder him, and would marry his mother, Queen Jocaste. To prevent the prediction from happening Laios sent his shepherd to kill Oedipus, but gave him to a messenger from a different kingdom for another royal family to call their own. After many years the prophecy came true with Oedipus killing Laios and marrying Jocaste, without anyone knowing who Oedipus really was. Aristotle states, “Thus the structure of events, the plot, is the goal of tragedy, and the goal is the greatest thing of all” (2196). He puts tragedy into two categories: simple and complex.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.