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Character analysis of torvald
Good and evil in literature
Good and evil in literature
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In of Lazrillo de Tormes the speaker commonly makes a case that he is a morally good person, while simultaneously undermining his high moral status. This is a theme that continues throughout the novel as the speaker continuously manipulates his knowledge of Christianity to dismiss any unethical actions from his past. The speaker’s tricky tactics are first seen, in great detail, during the Prologue of the novel. The speaker begins by stating that it is “a good thing” that he is telling the story of the “important events” he has gone through in his life (3). By doing so the speaker is saying that he himself is a good and important person. The speaker continues commenting on his story stating that “everybody should have the chance to read it”
The Broken Spears is a book written by Miguel Leon-Portilla that gives accounts of the fall of the Aztec Empire to the Spanish in the early 16th century. The book is much different from others written about the defeat of the empire because it was written from the vantage point of the Aztecs rather then the Spanish. Portilla describes in-depth many different reasons why the Spanish were successful in the defeat of such a strong Empire.
When first reading about the directions for this essay, I was curious on what you, Dr. Ehman, meant by the question: Was Saint Manuel a saint or a charlatan? The descriptors were obviously opposite of each other and I thought to myself.. is it possible for someone to be both? Like most, when I first began to read the story by Manuel de Unamuno, I immediately considered the priest, Don Manuel, to be a saint. In fact, from what I read I considered him to be the definition of a saint and wondered if later in the story a connection to God (other than his appointment as a priest) would be discussed. I even thought it was silly to ask this question because it was obvious that he was a saint and as we can see the title of saint was evident in his name. Regardless, I could not help but to think that somewhere in the story lied a twist. After Lazaro appeared I knew a secret about the great priest himself was sure to happen and after reading the story I realized that there indeed seemed to be a dilemma: Was Don Manuel a saint or a charlatan? With great thinking I believe he was both.
The belief and concept of dishonor in the Greek and Colombian culture of ‘Antigone,’ by Sophocles, and ‘Chronicle of a Death Foretold,’ by Gabriel Garcia Marquez, is a deciding aspect that blinds characters moral values. It is evident that in both societies Greek and Colombian, a family or an individual without honor is an outcast to the community. As honor plays a drastic role in outlining the culture of the society. Therefore the belief that a perpetrator has brought dishonor upon the family, or community foreshadows punishment for the individual, often conveyed through death.
Author Mariano Azuela's novel of the Mexican revolution, The Underdogs, conveys a fictional representation of the revolution and the effects it had on the Mexican men and women who lived during that time. The revolutionary rebels were composed of different men grouped together to form small militias against the Federalists, in turn sending them on journeys to various towns, for long periods of time. Intense fighting claimed the lives of many, leaving women and children behind to fend for themselves. Towns were devastated forcing their entire populations to seek refuge elsewhere. The revolution destroyed families across Mexico, leaving mothers grieving for their abducted daughters, wives for their absent husbands, and soldiers for their murdered friends. The novel's accurate depiction also establishes some of the reasons why many joined the revolution, revealing that often, those who joined were escaping their lives to fight for an unknown cause.
“From Lieutenant Nun,” a memoir written by doña Catalina de Erauso, tells an intriguing story of a young Spanish female and her advantageous journey through Spain and the New World. Her family intends for her to become a nun but, that is not the life she seeks for herself. Therefore, she breaks away from the convent in hopes of finding somewhere to make her fortune by passing as a male. Catalina’s story is noteworthy because it gives readers another perspective of exploration focusing on self-discovery during the seventeenth century emphasizing how passing as a male is the only thing that secured her ability to explore. In the memoir, Catalina repeatedly reminisces about clothing and, whether she consciously or unconsciously does so, she allows the reader to see that this is an important aspect of her exploration. Throughout Catalina’s journey, clothing plays an increasingly important role not only in her travels but, also her personal life because it symbolized ones status, role, gender and privileges.
To the Vicario family, Angela’s virginity is more than a delicate flower that should only blossom to the right seed; it is a symbol of the family’s honor. As the youngest child and the last to be married, Angela must be protected at all costs so that the family’s honor is not shamed. Marriage is God’s approval for sex in the Roman Catholic religion; the only way for the family’s honor to not be shamed is if Angela marries a respectable man and has sex with this man. However, Angela loses her virginity prior to sex. Her virginity was taken unlawfully so the family’s honor was stolen in the process. The only way to redeem the family honor was to seek vengeance on the man that stole Angela’s virginity, Santiago Nasar.
Lazarillo De Tormes, at the time, was something new that struck the attention of Spain as a whole and later worldwide. The novel starting a new genre in itself, "picaresque." The change of the typical manly knight storyline had been overused and this novel was exactly what everyone needed. The novel was so far ahead of its time that in 1559 a lot of the content that shed bad light on priesthood was cut, until the full version released in the 19th century.
Charles Percy Austin used fine detail and a mesh of color in order to bring out the beauty in the girl. The strokes he used are precise and even throughout the painting. Charles Percy Austin settled in the golden state of California. He was an artist that had a fine soft brush stroke throughout his canvases. He has done many paintings such as “Mary Pickford’s wedding on the mission’s grounds (1924), La Buena Ventura 91927), and a padre feeding a parrot in the courtyard (1924).” His works earned him a medal from the Panama-California International Exposition. Charles Percy Austin is best known for his splendid and expensive-looking paintings. I experienced this first hand when I entered the museum because his painting stood out from the rest.
Rafael Trujillo was the infamous dictator of the Dominican Republic. He was often feared by some and loved by others. Trujillo often attracted followers by utilizing his sexual intrigue. He would take advantage of woman to boost his political power and to put his subjugates on a higher pedestal . Trujillo also changed the “common Dominican household”, with this being he aided in changing the gender relations between males and females. Trujillo also utilized the infamous trait that various men from Latin America take pride, Machismo. With this being said Trujillo utilized gender relation, sexual intrigue and machismo to his favor to get the citizens to jump on his bandwagon causing them to legitimately agree with his regime.
One of the most important themes throughout `Campos de Castilla' is the relationship between the poet and the external reality. In `La Tierra de Alvargonzález', this is also an important theme, yet this poem differs from the collection, not only in its length, but also its content. There are many different levels of interpretation of this poem: first of all as a simple murder story, secondly as historical degeneration - represented within a family by parricide, and lastly as Cainism. `La Tierra de Alvargonzález' existed in two forms: prose and verse. The prose form was the original form, but it is the verse form which is more well-known out of them. There are some fundamental differences between the two forms. Most notably is the absence of the second narrator - the peasant, in the verse form, which creates a multitude of effects upon the interpretation of the poem. As a result, the narrator of the poem is more involved in the action he is retelling, and there is a greater accumulation of tension, more ambiguity and supernatural aspects. Another difference between the prose and verse versions is the murder of Miguel, the youngest brother. In the prose version, he is also murdered, yet in the poem, Miguel survives which puts more emphasis upon the theme of guilt and retribution. The unseen forces of sin, guilt and retribution are conveyed with an ambiguity made effective through poetic rhythm and imagery which conveys that nature and human lives run parallel, which is emphsised by the landscape's role as a reminder of the brothers' guilt in the final stages of the poem.
In “The Fortune Teller,” a strange letter trembles the heart of the story’s protagonist, Camillo as he to understand the tone and meaning. The author, Joaquim Maria Machado de Assis, attempts to make the reader believe that the letter is very ambiguous. This devious letter is a symbol of Camillo’s inability to realize that the treacherous deeds he has committed in the dark have finally come to light. This letter will ultimately change his life forever something he never expected. Not thinking of the large multitude of possible adverse outcomes, he reads the letter. Frightened that he has ruined what should have never been started, he broods over his decision to love a married woman. In light of this, Camillo continues his dubious love affair with his best friend’s wife, unconvinced that he will ever get caught. “The Fortune Teller” focuses on an intimate affair between three people that ends in death due to a letter, and Camillo will not understand what the true consequences that the letter entails until he is face to face with his best friend, Villela.
Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these components played an important role in each civilization read, and even over 1,000 years later it continues to be a social topic as well as a large part of the culture. The only difference a reader or scholar could make for this particular piece of literature is its authenticity and how it was based on a true event. Regardless, new views on power and how one obtain it become apparent through the dialogue between characters like Laurencia and the Commander.
Chronicle of a Death Foretold by Gabriel Garcia-Marquez holds a lot of symbolic meaning regarding the bible and the Catholic church. During the time this book was written, the church was faced with accusations regarding the Father. Within the book, Gabriel Garcia-Marquez puts the bishop and the church to shame with all the symbolic references within the book. This paper highlights the symbolic meanings using magical realism behind Santiago Nasar, his mother, the townspeople and Bayardo San Roman, and corruption of the Catholic church using the bishop.
“Who is more to blame though either should do wrong? She who sins for pay or he who pays to sin?” Throughout “You Foolish Men” by Sor Juana Inés de la Cruz the central question lies around who is to really blame for the suppression of women. De la Cruz attempts throughout her poem to portray men as ludicrous for their a double standard of women. However, De la Cruz blames human nature more than men for the suppression of women.
... makes the decisions taken by his characters during their lives of a fatalist nature, he also gives that nature to their eternal resting places. In the world of The Spanish Tragedy, the destiny of every single character is predetermined. It gives a reader a certain chill down his spine and makes him feel pity for those characters. The personages inside the play have no free will, and they don’t know they have no free will. The Spanish Tragedy presents a violent and bloody sequence of events that make a reader feel as if the entire play and the actions are pointless.