Tori Amos
body: Tori Amos And Her Archetypes
The lyrics of Tori Amos are some of the most complicated in music
today. They remain the primary focus of her dedicated fans, as well
as her detractors, despite the media's fixation on her past history of
rape and abuse. They are complicated on many levels, and Tori Amos'
lyrics demand a mythological approach to scratch the surface of her
artistic vision. In several interviews, she has admitted to being much
influenced by numerous books of symbology and others of Jungian
psychology and their archetypal insights. "I don't fall in love much.
I mean, I fall in love every five seconds with something but I don't go
from boy to boy. I go from archetype to archetype" (Rogers 33). Most
dominantly, her lyrics rely on concept of the archetypal woman in all
of her aspects. Motifs of creation and destruction are also
represented in her work. Her ideals of balance for herself and
femininity in general have propelled her into stardom; her uses of
archetypes have led the way.
The allusions to Christian mythology and obscure references in "Father
Lucifer" delve deeper than the casual listener may recognize. Even
Toriphiles, her avid fans like to affectionately refer to themselves in
this way, are pushed to the edge of their comprehension in attempting
to come up with a meaning for every image. Applying a critical
mythological approach works best with "Father Lucifer's" imagery
because the archetypes lurk just below the surface. The title of this
song aids the audience in being able to place the situation -as does
the song's tranquil melody; the speaker treats the Lucifer character
with compassion and appreciation. Lucifer represents more than just
the idea of the Christian Devil; he is the Jungian shadow. "The shadow
is the invisible saurian tail that man still drags behind him" (Guerin
180). He is not unlike other symbolic representations of this
archetype in literature, namely Milton's Satan. "Father Lucifer"
begins with questions and infe! rences from the speaker that seem
encouraging: "Tell me that you're still in love with that Milkmaid/
how's the Lizzies/ how's your Jesus Christ been hanging" (Amos, Boys
for Pele). Toriphiles and new listeners alike might concede that
picking out who or what "the Lizzies" are is a daunting task. It is
clear that they represent something and that their connection is more
than likely appropriate, however, the reference is just not available.
Who "the Milkmaid" may be remains another reference on the same cryptic
plane. We might just be able to expect that the Milkmaid was simply a
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Many jazz artists as we know it are quite talented. Their talents are unique in that they can translate human emotion through singing or playing their instruments. Many have the ability to reach and touch people’s souls through their amazing gifts. Although this art of turning notes and lyrics into emotional imagery may somewhat come natural, the audience must wonder where their influence comes from. For Billie Holiday, her career was highly influenced by personal experience, the effects of the Great Depression, and the racial challenges of African Americans during her time.
Scott Joplin was know as the kings of ragtime. I will explain also explain how he grew up and what type of music he played. I will also write about why I believe he deserves the title that he has been bestowed upon him.
As a child Dylan was comfortable being the center of attention, often writing creative poetry for his mother and on occasion singing. Dylan had no formal music lessons, but none the less he began to compose. Later at age 14, he took up the guitar and shortly after formed a band, one of many he played the guitar in. Always plunging ahead, performing to his up most potentional, Dylan absorbed his surroundings as a source of inspiration. Even during his early efforts Dylan responded very positivly to mainstream musicians, such as country star Hank Williams. Yet, he responded especially well to early rock stars such as Little Richard, Elvis Presley and Jerry Lee Lewis. In the summer of 1959, after graduation Dylan began to work at a cafe, where he began to pay increasing attention to folksingers such as Judy Collins and Jesse Fuller. Finding an instant connection with their songs, songs relevant to social issues. Dylan was drawn into both the musical style and the social message of these indivisuals.
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