Tom Comes Home in The Mill on the Floss
TOM was to arrive early in the afternoon, and there was another fluttering heart besides Maggie's when it was late enough for the sound of the gig wheels to be expected; for if Mrs Tulliver had a strong feeling, it was fondness for her boy. At last the sound came - that quick light bowling of the gig wheels - and in spite of the wind which was blowing the clouds about, and was not likely to respect Mrs Tulliver's curls and cap-strings, she came outside the door, and even held her hand on Maggie's offending head, forgetting all the griefs of the morning.
'There he is, my sweet lad! But, Lord ha' mercy, he's got never a collar on; it's been lost on the road, I'll be bound, and spoilt the set.'
Mrs Tulliver stood with her arms open; Maggie jumped first on one leg and then on the other; while Tom descended from the gig and said, with masculine reticence as to the tender emotions, 'Hallo! Yap, what, are you there?'
Nevertheless, he submitted to be kissed willingly enough, though Maggie hung on his neck in rather a strangling fashion, while his blue-grey eyes wandered towards the croft and the lambs and the river where he promised himself that he would begin to fish the first thing to-morrow morning. He was one of those lads that grow everywhere in England, and, at twelve or thirteen years of age, look as much alike as goslings: - a lad with light brown hair, cheeks of cream and roses, full lips, indeterminate nose and eye-brows - a physiognomy in which it seems impossible to discern anything but the generic character of boyhood; as different as possible from poor Maggie's phiz, which Nature seemed to have moulded and coloured with the most decided intention. But that same Nature has the deep cunning which hides itself under the appearance of openness, so that simple people think they can see through her quite well, and all the while she is secretly preparing a refutation of their confident prophecies. Under these average boyish physiognomies that she seems to turn off by the gross, she conceals some of her most rigid inflexible purposes, some of her most unmodifiable characters, and the dark-eyed, demonstrative, rebellious girl may after all turn out to be a passive being compared with this pink and white bit of masculinity with the indeterminate features.
perceive the novel in the rational of an eleven-year-old girl. One short, simple sentence is followed by another , relating each in an easy flow of thoughts. Gibbons allows this stream of thoughts to again emphasize the childish perception of life’s greatest tragedies. For example, Gibbons uses the simple diction and stream of consciousness as Ellen searches herself for the true person she is. Gibbons uses this to show the reader how Ellen is an average girl who enjoys all of the things normal children relish and to contrast the naive lucidity of the sentences to the depth of the conceptions which Ellen has such a simplistic way of explaining.
Marjane Satrapi’s graphic novel, Persepolis, is a story based on her own childhood in Iran. The story consists of the struggles her family and friends are forced to deal with, changing Marji’s view of Iranian life and its people. The book starts during a revolution, the Iranian people are trying to overthrow the emperor and when they finally do, war breaks out between Iraq and Iran. During the war thousands of people’s lives were taken, women, children and men of all ages. During this Marji’s parents forced her to leave Iran because they know it is too dangerous for a child of her age to live in the middle of a war so severe and life threatening. During the time Marji did live in Iran, she heard many tales about the umpteen conflicts and struggles that lower class people were faced with. Marji saw her maid whom she loved and cared for, not being able to date her love, their neighbor, because she was embedded in a different social class. She experienced the harsh realities of divergence between men and women. Women were compelled to wear a veil in order to not “distract” men with their hair. Younger boys in the lower end of the class system were given a “golden” key to take to war, which was actually plastic; this key meant that if they were killed fighting for what they believed in, it would guarantee their entrance to heaven. In Iran, there were a variety of ways in which the people of Iran can be distinguished between social classes. Your social class affected you in every way there was during this horrible time in Iran.
Strongmore is described as alluring and seductive, making him appear as the sexual man that women of the Victorian Era tried to help to control their desires.Men were encouraged to repress their sexuality as well as women, and men who could not were permitted to see prostitutes.The young unmarried girl was the last person that a man should be seen with, but Strongmore violated this became a foil for young women desiring marriage.This story illustrated the fears of unrestrained sexuality and sedutive men who could ruin young girls, and both fears are embodied by Lord Strongmore.
This makes other women feel uncomfortable as they don’t know whom to show support despite secretly supporting Lady Hoggins (formerly Glenmire). Confused society needs an urgent solution to this problem. And appears Peter Jenkyns to bring a solution to this. He is Miss Matty’s long time ago lost-brother. He was beaten by his father when he made a joke which the society took very seriously (Peter likes joking, but society is humorless) and left Cranford. He went to India and wasn’t seen again. When he comes back to Cranford, he wants to cheer his sister –Miss Matty- up and takes her responsibility. To cheer her, first he must find a solution to the tension between Jamiesons and Hoggins. So he plays tricks on Mrs Jamieson to make her think he loves her, so that he charms her thus becoming irresistable. He accomplishes his mission, by telling her his stories, complimenting her, he woos Mrs Jamieson. At the end he brings her and Hoggins together, and problem is solved. Even Miss Jamieson, who is very class conscious women, is defeated against her feelings and welcomes change. While she is supposed to reject Peter due to his disrespectful approach to gentility rules, and his wealth earnt with working, she still accepts him into society. So, gentility gives way to intelligence, kindness and love . On encountering those values, Cranford society revises its views on gentility and strict, illogical rules yields to
...expand, he realizes that marrying the prettiest girl in town is not such a valuable trophy after all. Although Leola has beauty, she lacks the social graces necessary for her to be the wife of the prominent man like Boy Staunton. Despite his efforts to improve her by making her take tennis lessons, play bridge, reform her speech and grammar, she is not able to live up to the expectations. Boy develops a high standard for her because he treats her like an object: “his idea of a wife for himself would have had the beauty and demeanour of Lady Diana Manners coupled with the wit of Margot Asquith” (p. 154).
Another quality of a good parent is the ability to exert self control in situations where chi...
“Why? Why? The girl gasped, as they lunged down the old deer trail. Behind them they could hear shots, and glass breaking as the men came to the bogged car” (Hood 414). It is at this precise moment Hood’s writing shows the granddaughter’s depletion of her naïve nature, becoming aware of the brutality of the world around her and that it will influence her future. Continuing, Hood doesn’t stop with the men destroying the car; Hood elucidated the plight of the two women; describing how the man shot a fish and continued shooting the fish until it sank, outlining the malicious nature of the pair and their disregard for life and how the granddaughter was the fish had it not been for the grandmother’s past influencing how she lived her life. In that moment, the granddaughter becomes aware of the burden she will bear and how it has influenced her life.
They may not necessarily be charming, as in the general perception that Guy is dumb and Lady Marchmain manipulative; yet Waugh defended for this new type of protagonists: “ ‘Crouchback’ (junior: not so his admirable father) is a prig. But he is a virtuous, brave prig.” (Letter to Anthony Powell, 5th July 1955; Letters, 503) Gentlemen and women without religiosity, on the other hand, are only the “vile bodies” and “bright young things” […]
Across the world there are countless religions, new and old, each having their own unique traditions and laws that believers abide by. As defined by World History, Sharia, the Arabic word meaning “the path” or “the way”, alludes to traditional Islamic law. (Ellis, Esler, and Beers, 255) Sharia originates within the Koran, the holy book of Islam, which Muslims consider the unaltered word of God. Along with the Koran, Sharia is derived from the teachings and examples set by the Islamic prophet, Muhammad, who Muslims view as the perfect man of faith. Muslims believe that God revealed his true conviction to Muhammad, who in turn was to spread the commands of God through the Koran. Between Muhammad’s death in the seventh century and leading up to the tenth century, many Islamic scholars worked to understand Sharia in its entirety, and apply it to the rapidly expanding Muslim Empire of the time (Dunn, 57). Sharia played a key role in uniting the Islamic Empire by serving as the precedent which dictated laws concerning both private and public behavior.
This applies with the story because when Tom needs a friend or felt lonely he always had the help of his good friend Mr.Wems The Author says that Mr. Weems went to visit him and read to Tom “Sometimes Mr.Weems sits and reads to tom from adventure novels”This explains that no matter what Tom was going through Mr. Weems was always there to be with him. Even when he was excited to go out with ruby and his mother did not let him because of his heart condition Mr. Weems was always there to help him “Mr Weems has a long conversation with Mother in the kitchen Tom overhears scraps: Boy needs to move his legs .Boy should get some air Mother's Voice is a whip .He's sick He's alive!What’re you saving him for? How much time he got left?” This shows that Mr. Weems wants to let Tom enjoy the time he has left to live before he dies
Margaret is an intelligent, articulate, and ambitious woman who desires to rise up in social status by marrying a man of higher social rank. She attends to those above her, in hopes of elevating her status as she becomes closer to the upper-class. As a minor character, she plays a small yet crucial role in advancing Don John’s plot to slander Hero and spoil her wedding. As a lower-class character, Margaret serves as a foil to the rich girls, particularly Hero, who embodies every attitude and mindset Margaret does not. But she also offers an alternative perspective on the upper-class characters in the play. Because Margaret is victimized because of her social ambitions, punished for wanting to rise above her ...
James clearly resists historical interpretation which would fill in the blanks with knowledge on social groups. Yet, through analysis of the Governess and Mile’s relationship by placing their narration and dialogue in a socio-historic context the battle is revealed between desires and demands. Awareness of Victorian sexual commencement allows readers to trace the development of the two characters transformations from pupil and teacher to lover and mistress.
Walker uses the positive imagery of “The Flowers” at the beginning of the novel to set up a naïve, sweet world in which a gruesome appearance of the lynched victim turns out to a reasonably unexpected, shocking event that robs Myop of her innocence. The first half of the text focuses on Myop’s childlike innocence with sweet kinesthetic imagery of Myop feeling “good and warm in the sun” to hit specifically on Myop’s childlike inhibitions. In the same case, sweet and gentle visual imagery continues to play in the first few paragraphs of a happy agricultural lifestyle where “each day a golden surprise” and a ten year old girl like Myop could “skip lightly from her house to pigpen” and bounce “this way and that way”. Myop’s joyful rapping of the stick that goes “tat-de-ta-ta-ta” enables auditory imagery to play on a merry sort of onomatopoeia that goes strongly with Myop’s innocence. Imagery had little direct prepa...
Everything from her skin to her eyes, her dress, height, and youthfulness leaves a vivid image in the reader’s mind. When Guy Montag first meets Clarisse he is just returning from work. In the late night blackness, her skin is described as “milk white” (3) and the way she turns her face is compared to a “white stir” (3). It is even called a “fragile milk crystal” (5). Against the dark of night, her paleness is highlighted and the colour white is emphasized. White is also the colour of her dress. Her eyes are described as “shining and alive” (4). Clarisse is called “slender” (9) many times. Both her face and physique are described in this way. She is young, introducing herself as seventeen but later correcting herself as seventeen “next month” (21). Bradbury paints an exquisite, high contrast image in his reader’s mind. The reader can envision the contrast of a tall, slim, girl clad in white, standing out against the black of night. They can see how her dark eyes are striking against her pale skin. Her physique exemplifies contrast and alludes to her role as a
Islam today is a prominent religion, with over 600 million followers, delcared and established by it's prophet Muhamad. It is not only a religion, but an entire way of life, which accounts all aspects. Sharia literally translates to, “the path to the water hole,” meaning that muslims have to follow this path to appease Allah and have a virtuous life. It is not prominent in all Islamic countries, but in others it dominates and rules government and society, from daily routine to weighing heavily in personal status law and in criminal law. The female population receives the harsher conditions of Sharia, versus men who utilize it for empowerment. Some elements of Sharia are similar to the common practices of other popular religions such as Christianity or Judaism, in terms of austerity, though other methods employed by fundamentalist Muslims, have cultivated bad judgement from outsiders, and apprehension towards the religion.