Romanticism was the era of emotion and against reason; the era of which was the reaction to the revolution and Enlightenment. Though the Romantic era as a whole was believed certain ideals those of different eras have contrasting ones. The contrast was a main reason to how the Romanticism era arose out of conflict. Romanticism derived from the freedom to express, feel and imagine.
Contrasting Neo-Classic and Pre-Romantic Literature
Neo-classicist writers placed great emphasis on taking a practical approach to life and their writing, focusing often on logic, science, and technology, and preferring not to employ frivolous embellishments or reflect on the abstract. They wanted unadorned fact whereas the romantics favored a more creatively inclined form of expression (Anderson et al. 1). Before the romantics began, however, pre-romanticism edged in slowly, acting as the bridge between an era of unpolluted logic and another defined by emotion.
Pre-romanticism’s presence was actually felt during the same age as neo-classicism, as its contemporary, not its successor, yet still there is an assortment of differences despite their shared environment (Grebanier 325).
Originating in Europe in the late 18th century, the Romanticism Era characterized an interest in nature and emphasized the individuals emotion and imagination. The sudden change in attitudes formed an age of classicism and rebellion against established social rules and conventions. Praising imagination over reason, emotions over logic and intuition over science, this made way for a vast body of literature of great sensibility and passion. The variety of this impressive romanticism literature can be focused on by specific authors, works of literature, and how romanticism influenced their writing.
The Romantic period at its height extended over just a bit more than a century, from the latter half of the eighteenth century through to nearly the end of the nineteenth century. During this period, a new school of poetry was forged, and with it, a new moral philosophy. But, as the nineteenth century wound down, the Romantic movement seemed to be proving itself far more dependent on the specific cultural events it spanned than many believed; that is, the movement was beginning to wind down in time with the ebbing of the industrial and urban boom in much the same way that the movement grew out of the initial period of industrial and urban growth. Thus, it would be easy to classify the Romantic movement as inherently tied to its cultural context. The difficulty, then, comes when poets and authors outside of this time period-and indeed in contexts quite different then those of the original Romantic poets-begin to label themselves as Romantics.
The Romantic Movement was a time of transition for art, writing and other creativity, along with freedom to express ones emotions. The Romantics saw nature as something that wouldn’t change, while they were discovering who they were along with their uniqueness.
Romanticism, usually identified as a revolution against the traditional way of looking at the world, took place between the mid-1700's and the late 1800's. Instead of using the preciously established system of thought, artistic expression took a more disorganized, imaginative direction, delving into the creative thinker's emotions and expressing their connection with the natural world. During this period, creative artists began focusing more on the minds of their characters, and emotions roamed
Stephen Bygrave. “Romantic poems and contexts” Romantic writing. Ed. Stephen Bygrave. The Open University, 2004
Romantic Period was an era which started in the late 18th century. There were some important events which occured in this period. These events are Industrial Revolution, French Revolution, The War between Britain and France, War of 1812, Reforms of Britain.
Romanticism was a movement in art and literature that started in the late 18th century and continued throughout the 19th century in Europe and America. The movement rebelled against classicism. The basic idea in Romanticism is that reason cannot explain everything. This in contrast to the Age of Enlightenment, which focused more on scientific and rational thinking, Romantics searched for deeper appeals, emotional directness of personal experience and visionary relationship to imagination and aspiration. Romantics favoured more natural, emotional and personal artistic themes. Some of the most notable writers of Romanticism were Mary Shelley, Johann Wolfgang von Goethe, Victor Hugo, Jean-Jacques Rousseau, and Friedrich von Schiller.
The history of the romance novel remains lengthy, hotly disputed and obstinately convoluted. This short and thus glaringly incomplete summary will focus on the central works that inspired romance novels, one societal trend that helped the romance novel evolve and gain popularity, and the genre’s emergence into the modern era with the help of Harlequin and Mills & Boon. Regis notes that the romance novel was born of, but not limited to, five notable literary works: Samuel Richardson’s Pamela (1740), Jane Austen’s Pride and Prejudice (1813), Charlotte Brontë’s Jane Eyre (1847), Anthony Trollope’s Framley Parsonage (1860), and E. M. Forster’s Room with a View (1908) (55). These works, now universally recognized as examples of literary fiction,