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Saving private ryan movie analysis
Essay about the depiction of wwii in saving private ryan
Analysis of saving private Ryan
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Tim O’Brien’s “How to tell a True War Story”
According to the author Tim O’Brien, people tend to readily accept the ‘facts’ presented of what happened during a war. People do not consider the existence of fallacies regarding the actual stories of what happens in wars, few consider that the ‘facts’ of an incident often change through people’s words. The film ‘Saving the Private Ryan’ by Steven Spielberg features both facts and seemingness part of the war story. Since it is so difficult to fully describe a war using human language, Spielberg ended up revising his stories to make sense out of it. Spielberg included parts that did not occur or exclude parts that did occur in order to make their stories seem more credible. According to Tim O’Brien’s text “How to tell a True War Story,” he suggests that people must break out of listening to traditional war stories and scrutinize unbelievable and contradictory aspects of war stories, which is a more accurate way to obtain the truth about a war. Spielberg in his movie follows some of his path but also choose not to follow his path on some of the parts.
According to Tim O’Brien, the narrator must talk about unbelievable aspects of war that contradicts many traditional features in telling a war story and Spielberg is no exception. When the ships arrive at Normandy beach, German soldiers kill many American soldiers. Spielberg starts out with showing pan shots of the battlefield so the reader can gain the knowledge of...
...r because it seems impossible to reconstruct an event from this objective point of view. Maybe the point of telling stories is not trying to recreate the reality of a past event, but it is the message that matters because that might be in the end the only thing that does not necessarily depend on single details of the story, but on the overall picture of an event. That is why to O’Brien another important component of a war story is the fact that a war story will never pin down the definite truth and that is why a true war story “never seems to end” (O’Brien, 425). O’Brien moves the reader from the short and simple statement “This is the truth” to the conclusion that, “In war you lose your sense of the definite, hence your sense of truth itself and therefore it’s safe to say that in a true war story nohting much is ever very true” (O’Brien, 428). These two statements frame the entire irony of the story, from its beginning to its end. Almost like the popular saying “A wise man admits that he knows nothing.”
Fussell believes that the soldier of world war two, "suffers so deeply from contempt and damage to his selfhood, from absurdity and boredom and chickenshit, that some anodyne is necessary", and that the anodyne of choice was alcohol. I would argue that Fussell is correct, especially regarding the connection between the absurdity of the war and the associated damage to soldiers image of themselves as good and patriotic, and the use of alcohol to block out the reality of the war. I think this connection is evident in the interviews presented in Terkel’s "The Good War", especially those of John Garcia and Eddie Costello.
The truth to any war does not lie in the depths of storytelling but rather it’s embedded in every person involved. According to O’Brien, “A true war story does not depend on that kind of truth. Absolute occurrence is irrelevant. A thing may happen and be a total lie; another thing may not happen and be truer than the truth” (pg. 80). Truths of any war story in my own opinion cannot be fully conveyed or explained through the use of words. Any and all war stories provide specific or certain facts about war but each of them do not and cannot allow the audience to fully grasp the tru...
According to the Indian Times, madness is the rule in warfare (Hebert). The madness causes a person to struggle with experiences while in the war. In “How to Tell a True War Story”, the madness of the war caused the soldiers to react to certain situations within the environment differently. Tim O’Brien’s goal with the story “How to Tell a True War Story” is to shed light on the madness the soldiers face while in the war. Tim O’Brien tells the true story of Rat experiences of the war changing his life.
Many people say that the metal of a man is found in his ability to keep his ideals in spite of anything that life can through at you. If a man is found to have done these things he can be called a hero. Through a lifelong need to accept responsibility for all living things, Robert Ross defines his heroism by keeping faith with his ideals despite the betrayal, despair and tragedy he suffers throughout the course of The Wars by Timothy Findley.
The film ‘Saving Private Ryan’ is a Steven Spielberg film released in 1998 which aimed to make a both shocking and effective portrayal of warfare. The film shows realistically the severities and horror of warfare. Spielberg admitted that he was ‘looking for realism the whole time’. A conventional war film aims to show fearless soldiers and frightened or brutal enemies. Spielberg wanted to show fear from both sides and highlight the terror felt by young men. I feel it is easy to become detached from the fact that many soldiers were young men with individual lives and varying views. The film uses de-saturated colour so that the audience feels the film is older. The effect of de-saturated colour allows audiences to feel that they have also taken the step back in time along with Private Ryan. Another effect is the use of handheld cameras which allows the audience to feel they are in the battle and moving up the beach or across ground. Spielberg saw the opportunity to use D-day as an opening scene. Not only would D-day be an action packed opening scene it would also show its many brutalities. This scene is the film’s selling point and almost trademark. Finally the film shows how ordinary men find themselves fighting on the frontline.
Terrence Malick’s The Thin Red Line (1998) is a film that examines the Guadalcanal Battle of World War II, looking past the physical results of the violence, in order to uncover the deeper truths and ramifications of war. The film conveys themes and ideologies that are somewhat uncommon to war films, especially WW II films. In this dark, surreal, journey, Malick takes us inside the minds of soldiers experiencing this battle to capture a remote pacific island from the Japanese. We do not hear or see gruff, hardened soldiers, anxious to die for their country. In fact, there are no heroes in The Thin Red Line. There are only regular men, scared of fighting and scared of dying, who have been thrown into a situation that will forever change their lives. The fighting is not suspenseful or glorious just brutal. Using an ideological approach to the study of film, this paper will examine The Thin Red Line’s messages about the truths of war, and how it challenges our society’s stereotypical view of war as a valiant undertaking where brave men fighting for good battle the evil of the enemy. Consequently, the ideologies that are uncovered will then be used to look at The Thin Red Line as a war film, and how it fits and does not fit into the genre.
In conclusion, the organized manner in which the Armenian genocide was carried out made it easy for the Ottoman Empire to rationalize their actions. Since an act of genocide is very calculated only a government has the resources to carry it out. In case of the Armenian genocide the Ottoman Empire’s strong military facilitated the murders that occurred. The actions of the Ottoman Empire were rationalized as the preservation and purification of Turkish nationalism. Majority of Armenian diaspora communities came as a result of the Armenian genocide. The denial of the Armenian Genocide is still an issue till this day.
Abstract: The Armenian Genocide is a lesser known tragedy that involved the death of millions of individuals over the course of some odd years. And while these murders nearly wiped out an entire people, this holocaust has been disputed for plenty of years and denied extensively to the point where it is rarely known by individuals outside of the community of which share the same background. Yet while denied and excluded from the typical narrative discussing mass exterminations and genocide, Dr. Stanton’s 8 stages of genocide can be applied and studied alongside these tragic events. Following the timeline of treatment felt upon the Armenian population by the Turks, the stages; classification, symbolization, dehumanization, organization, polarization, preparation, extermination, and denial are found within this text .
War has been a constant part of human history. It has greatly affected the lives of people around the world. These effects, however, are extremely detrimental. Soldiers must shoulder extreme stress on the battlefield. Those that cannot mentally overcome these challenges may develop Post Traumatic Stress Disorder. Sadly, some resort to suicide to escape their insecurities. Soldiers, however, are not the only ones affected by wars; family members also experience mental hardships when their loved ones are sent to war. Timothy Findley accurately portrays the detrimental effects wars have on individuals in his masterpiece The Wars.
"Armenian Genocide, The." The Armenian Genocide Museum-Institute. National Academy of Sciences of the Republic of Armenia, 2013. Web. 15 Apr. 2014. .
Ethnic Armenians have resided in the Middle Eastern region of the world since approximately 3500 BC. Armenians lived and still live in many Middle Eastern countries such as Armenia, Turkey, Syria, Iran, Azerbaijan, and the republic of Georgia. Armenians have their own language and alphabet and have a very unique culture, which has set them apart from other countries and ethnic groups. In 300 AD, there was not a single nation who had Christianity as their national religion. “Following the advent of Christianity, Armenia became the very first nation to accept it as the state religion.” Armenian pride in their culture and way of life never wavered, even throughout being conquered by different nations. Armenian lands were taken over by many different nations on several different occasions, but they finally ended up in the Ottoman Empire in the 1500s, when ...
In “How to Tell a True War Story” by Tim O’Brien, Orwell’s ideas are questioned and the competition between the truth and the underlying meaning of a story is discussed. O’Brien’s story depicts that the truth isn’t always a simple concept; and that not every piece of literature or story told can follow Orwell’s list of rules (Orwell 285). The story is told through an unnamed narrator as he re-encounters memories from his past as a soldier in the Vietnam War. With his recollection of past encounters, the narrator also offers us segments of didactic explanation about what a “true war story” is and the power it has on the human body (O’Brien 65). O’Brien uses fictional literature and the narration of past experiences to raise a question; to what extent should the lack of precision, under all circumstances, be allowed? In reality, no story is ever really truthful, and even if it is, we have no proof of it. The reader never feels secure in what they are being told. The reliability of the source, the author, and the narrator are always being questioned, but the importance of a story isn’t about the truth or the accuracy in which it is told, but about the “sunlight” it carries (O’Brien 81).
The Struggles in life is something everyone is faced with whether it is physical, emotional mental or personal struggles. These struggles are capable of shaping an individual’s personality and outlook on life. Timothy Findley’s novel The Wars, shows that struggles lead to the character’s ultimate inner struggles, outer struggles and self-discovery. War exists in a person’s physical and psychological aspects. In The Wars, Robert Ross goes to war and fights a personal and physical battle.
...assing the old principality of Cilicia, once an independent Armenian state between the eleventh and fourteenth centuries, the province of Adana had been spared the 1890's massacres. The disturbances were most severe in the city of Adana where a reported 4,437 Armenian dwellings were torched, resulting in the razing of nearly half the town and prompting some to describe the resulting inferno as a "holocaust." The outbreaks spread throughout the district and an estimated 30,000 Armenians were reported killed. While attempts at resistance in Adana proved futile, and Armenians in smaller outlying villages were brutally slaughtered, two towns inhabited mostly by Armenians organized a successful defense. Hadjin in the Cilician Mountains withstood a siege, while the 10,000 Armenians of Dortyol held off 7,000 Turks who had surrounded their town and cut off its water supply.