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Visual language of cinema
Tim burtons cinematic style
Tim burtons cinematic style
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Recommended: Visual language of cinema
The director I will be exploring is Tim Burton, who is famous for his creepy, unusual, gothic take on fantasy, animated and horror films. An auteur is a director who is identified by and associated with the way they have put together their film. All of Tim Burton’s films have similar aspects that prove that he is an auteur and these can be seen through character, costume, style of movie, soundtrack; and camera, editing and audio technique. The two aspects of film I will be focusing on are visual language techniques and sound techniques which I will be comparing in the movies Edward Scissorhands (1990) and Sleepy Hollow (1999) to prove that Tim Burton is an auteur. Themes in both films. Points on his views on society
Visual language features and sound techniques can be compared in both films to show similarities
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I saw in the extract, especially at the neighbourhood barbeque after the flashback that mid shots to show from about waist up where used often. Instead of a close up of the face that is talking and cutting between just those faces, he uses mid shots that show both characters, who stand so that their bodies are partially facing the camera. Behind the two talking characters is the bustle of the neighbourhood party. There are people behind the characters in focus that can be seen but are not really thought about. There is another example where Edward is in the middle of about four other men who are talking to him. They all stand in a line as they talk facing outward, toward the camera instead of cutting between faces.
There are similar visual language feature techniques seen the extract I have chosen for the movie sleepy hollow directed by Tim Burton. This extract starts with a slow pan from behind a tree, behind the silhouette of branches to an opening showing full view of the characters. The characters are seen standing around a body.
Character
The auteur theory is a view on filmmaking that consists of three equally important premises: technical competence, interior meaning, and personal signature of the director. Auteur is a French word for author. The auteur theory was developed by Andrew Sarris, a well-known American film critic. Technical competence of the Auteur deals with how the director films the movie in their own style. Personal signature includes recurring themes that are present within the director’s line of work with characteristics of style, which serve as a signature. The third and ultimate premise of the Auteur theory is the interior meaning which is basically the main theme behind the film.
To be a True Blue Aussie you have to have a mate because “You've to have a mate,” as verbalized by poet Dave Butler in 2013. For in Aussie culture, a mate is a person whose actions speak louder than their words. In Australia, being a mate is a value that is held in the highest respect.
Throughout the years, many directors have come and go and given us a scare here and there. Yet one that remains unrivaled and unequal is a famous director, Alfred Hitchcock. Born in England, this English director is considered one of the most distinguished directors in the history of film. Hitchcock has won two Golden Globes, eight Laurel Awards and five lifetime achievements awards. As book writer Michael Barson notes on Sir Alfred Hitchcock, English born director, “His ability to convincedly evoke human menace, subterfuge, and fear gave his psychological thrillers great impact while maintaining their subtlety and believability.” Some of the most thrilling and suspenseful films in Hitchcock’s fifty years of film directing have been Shadow
What is an auteur? Answer this question with detailed reference to one film director: Alfred Hitchcock
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
Auteur theory holds that, ‘a director’s films reflect that director’s personal creative vision, as if he/she were the primary author. From the earliest silent films to contemporary times motion pictures have crossed over and both entertained and educated the viewing audience.
use of the camera the sound and the mise en scene. I will analyze the
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
In the world of cinema, a director can either be a tool to create a film without ever being seen or heard by the audience or they can put their “stamp” on the movie so that the audience immediately knows who directed the film. The latter of these types of directors is called an auteur. The director whose style and creativity is evident and repetitive in their films is what Francois Truffaut, the film critic who established the theory, would call an auteur (Boda &Pendleton-Thompson). Two such auteurs whose films were shown in class this semester include the legendary French director Jean-Luc Godard who directed Vivre Sa Vie (1962) and the American director of Upstream Color (2013), Shane Carruth. Though these directors are acclaimed as auteurs
Walt Disney Films are known to be as an incredible and outstanding fantasy stories producer. It created more than a hundred of films. Majority of what has been produced rely on fictional stories. The films that were released used animation to capture children’s interest and musically performed as well. Walt Disney produced fantasy stories like The Little Mermaid 1989; Sleeping Beauty 1959; Beauty and the Beast 1991; Cinderella 1950 and more. The tales most often than not were always about the life of a princess in search of her prince charming.
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Director Tim Burton has directed many films. He started out working at Disney, but shortly after he decided to make his own films. He split away from Disney because they wouldn’t let him add the scariness and darkness he has in his films. After he left he created many great films and also developed his own style. He uses many cinematic techniques in his films for example he uses close-up camera angles on symbolic items, he uses music to show foreshadowing, and he uses lighting and color to show mood
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