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Historical interpretations of bloody sunday
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Bloody Sunday in easy words
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In the leaf of Those Are Real Bullets- Bloody Sunday, Derry, 1972, by Peter Pringle and Philip Jacob, it describes the horrid scene on this hellish of days- "Barney McGuigan lay on the pavement in a pool of his own blood and brains, his head blown open by a paratrooper's bullet. Peggy Deery was near death in the hospital, the back of her leg torn away. Frantic relatives searched the morgue for their loved ones. On that day, known ever since as Bloody Sunday, British paratroopers opened fire on unarmed Irish Catholic demonstrators in Derry, killing thirteen and wounding another fourteen. Five were shot in the back..." Although not a specific reference to Bloody Sunday, Ciaran Carson's "Belfast Confetti" conjures up images strikingly similar to the one's I read about years earlier. What makes Carson's analysis of this familiar situation so unique, is his direct use of punctuation as part of the language rather than directions telling the reader when and where to separate words. He incorporates it into his fast-paced, detailed poem allowing us to see into his thought process.
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Thirteen days is a historical account of the Cuban Missile Crisis. It is told from the perspective of Robert F. Kennedy, senator and brother to President John F. Kennedy. It is an account of the thirteen days in October of 1962. It lasted from the 16th to the 28th. During this time many crucial events in United States.
The basic plot of the story is based during an evening within the Irish civil wars. It tells of a republican sniper sitting on a rooftop and neutralising enemy units as the cross a bridge. When a free-states sniper shows himself on an opposite roof they wage a fierce and innovative war to see who would end up the better. Eventually the republican sniper gains the upper hand and after taking a bullet in the arm destroys the worthy opponent. After a curious inspection to the identity of the enemy sniper he finds himself looking into the eyes of his dead brother.
Flipping through the pages of Here, Bullet by Brian Turner, I just needed to find a poem to recite. Fourteen lines, the minimum requirement, easy enough. People stabbing each other, flipped Humvees, shrapnel flying, every poem appears the same. We were just taught that war poetry contains sexual undertones, but the explosions I am reading about here only involve the presence of gunpowder.
Army veteran Brian Turner, knows a thing or two about the fears of war. Turner served for 7 years. He was deployed to Iraq for a year, and in 1999-2000 had been deployed to Bosnia-Herzegovina. In his poem “Here, Bullet” the bullet embodies fear that shows valiance through word choice and personification.
In the Bogside area of Derry, there was a tragic incident known as Bloody Sunday or the Bogside Massacre for sometimes. Twenty-eight unarmed civilians were shot down by equipped British soldiers when protesting internment without trial introduced to deal with the escalating level of violence peacefully.(Gillespie). As a reaction to the tragedy, Bano in an Irish band called U2 wrote a protest song called Sunday Bloody Sunday, in which he asked for the peaceful future without conflicts. Repeating “how long must we sing this song?” among the whole lyric, this protest song Bano wrote utilized a peaceful way to depict the scenes of Bloody Sunday, the loathing for the horrible massacre, and their beautiful expects for the future filling with hopes.
John Hollander’s poem, “By the Sound,” emulates the description Strand and Boland set forth to classify a villanelle poem. Besides following the strict structural guidelines of the villanelle, the content of “By the Sound” also follows the villanelle standard. Strand and Boland explain, “…the form refuses to tell a story. It circles around and around, refusing to go forward in any kind of linear development” (8). When “By the Sound” is examined in regards to a story, the poem’s linear development does not get beyond the setting. …” The poem starts: “Dawn rolled up slowly what the night unwound” (Hollander 1). The reader learns the time of the poem’s story is dawn. The last line of the first stanza provides place: “That was when I was living by the sound” (3). It establishes time and place in the first stanza, but like the circular motion of a villanelle, each stanza never moves beyond morning time at the sound but only conveys a little more about “dawn.” The first stanza comments on the sound of dawn with “…gulls shrieked violently…” (2). The second stanza explains the ref...
Bravery is the quality of a person who displays courage and fearlessness in the face of danger. Such qualities show splendor and magnificence in a person. Fear and terror sometimes hinder the determination someone can show. Overcoming this fear is what portrays bravery. In Ernest Hemingway’s A Farewell to Arms, Frederick Henry shows bravery by freely joining the Italian army, risking his life for some ambulance drivers and swimming to freedom, being shot at the whole way.
In his short story “The Sniper,” Liam O'Flaherty uses limited third-person point of view to show the disconnect from humanity that war propagates for those who are thrust into extreme circumstances. He further enforces this point of view by choosing not to use any proper names for any of the characters within the story. Instead “a Republican sniper” is the man posted on a roof in Dublin. “His face was the face of a student, thin and ascetic, but his eyes had the cold gleam of the fanatic.” The opposing sniper, the turret gunner, the old woman, the unseen machine gunner even the reveal of the brother at the end all have in common that O’Flaherty has chosen to leave them unnamed. It is within this theme that “The Sniper” represents
On the night of March 5th, it is believed that a small group of boys began taunting a British soldier. Over the boys’ nonsense, the soldier battered one of his oppressors with his musket. Soon after the alleged incident a crowd of about fifty or sixty people surrounded the frightened solider. The enraged crowd of people sounded the soldier, encouraging him to call for backup. Soon after calling for help, seven soldiers along with Captain Preston...
Captain Preston called John and I in and we were in the riot. There were sticks stones and snowballs being thrown at us. I was hit by a large stone I was in horrible pain. It hit me in the head close to my eye. I had an instant headache. About 50 people were attacking our squad of Loyalists. We were instructed to fire into the mob. We killed 2 men and badly wounded 8 that day. Later on we were called on trial for manslaughter. We were guilty and the Captain was killed in the square, and we were gonna be killed too but we were saved. We were gonna be killed that day but John’s wife saved us. She made a good case and the judge let us go home for good. No more war and no more fighting. I never had to fight in the war again. The American War was caused because of the Boston Massacre. I got to stay and watch my family grow until the end of my
In the second stanza of the poem Larkin begins to use harsh reality to break down the illusion and destroy the image that was built up. ‘She was slapped up one day in March.’ This harsh sentence shows the reality of the world and that vandalism was expected. ‘A couple of weeks and her face was snaggle-toothed’, this flippant remark also suggests casualness about the violence. The violence of the girl in the picture being disfigured also represents the illusion being destroyed.
Bloody Sunday Troops were sent into Ireland in 1969, to sort out the troubles. Catholics in Derry’s bogside area built barricades to protect. themselves in early 1969. They felt that they could expect no protection from the police. The situation continued to deteriorate in the following months, with some explosions, which damaged electricity.
Winchester, Simon. "13 Killed as Paratroopers Break Riot." Guardian Unlimited Special Reports. 20 Oct. 2000. <http://www.guardianunlimited.co.uk/bloodysunday/article/0,2763,184928,00.html>.
He experienced the effects of this new industrialized warfare, personally and physically. The year he wrote “Attack,” he was shot in the head mistakenly by a member of his own troops. Previously during his service his little brother had been killed in the trenches, and in 1916 he both risked his life by crossing no-man’s-land in order to rescue other wounded soldiers and managed to take a German trench by himself. He experienced the war to its fullest degree of bloodshed, all the while writing poetry in the vein of “Attack” about this
“Wearing a poppy bruise on his left temple”. This lays emphasis on how the boy’s death was unnatural and so unfair; as the “poppy” is associated with war, soldiers, young soldiers who were too young to die!