Thomas Hardy's Tragic Stories
For centuries, various writers have endeavored to encapsulate the constituents of tragedy, and create works of literature that adhere to their understanding of an ostensibly universal system of tragic structure, tragic plot, and tragic theme. Nevertheless, the etymology of the word, "tragedy," proves to be as elusive and arcane as the tragic construct is seemingly concrete and unequivocal; indeed, the word, "tragedy," can be traced to the Greek word, "tragoidia," which literally means, "goat-song." We do not know whether actors in the Choral Odes read their lines clad in goatskins, or if goats were bestowed as prizes; we do know, however, that Aristotle reconfigured the more bucolic play tradition, and, in his Poetics, developed a technique founded on the tradition of regal grandeur, sweeping scope, and cosmic power.
Thomas Hardy, one of the few Victorian tragic prose writers, undoubtedly draws from the tradition of Aristotelian Greek tragedy. Nevertheless, our thesis expresses skepticism in the precision and alacrity with which Hardy is equated with tragedy and conventional tragic form. In a post-Shakespearean nineteenth-century world, writers were acquainted with two tragic traditions: Greek and Christian. The Greek tragic tradition is founded upon the ritual feasting of Dionysus (or the Roman version, Bacchus); the Christian mystery play tradition is rooted in the Passion of Christ. Both traditions bind themselves inextricably to forces larger than themselves - either to gods and goddesses, or to the Holy Trinity - and structure their plays around the rituals inherent in these traditions. Hardy's own novels comprise elements of both Greek and Christian tragic conventions, thus elici...
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...on tragedy from The Life and Work of Thomas Hardy
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They are all known as the Nordic Welfare States. Especially gender equality and the well-being of the individual are seen as the main characteristics from a foreign perspective. But every Welfare State of the different nations does not fit the perfect social democratic model and has a unique policy. From a Swedish domestic view it all started to increase the living standard of the Swedish people and the number of children to secure the surviving of the state. Using the Danish Welfare State to compare to Nordic countries both started from different points. While Denmark had more agriculture, Sweden had a stronger industry. Nevertheless both countries’ welfare history can be divided into similar periods as described for Sweden before. The second and third period share the most similarities: increasing state intervention, greater social democratic influence, universal social benefits based on citizen rights with a strong public sector and a focus to solve family and gender disadvantages. The oil crisis in the 1970 changed the political landscape differently than in Sweden. The universal support was widely criticized and the power of the market grew again. The focus shifted from the individual well-being towards the duties of the individual receiving state benefits. Another difference was the early EU-membership of Denmark. The special Danish labor market can be described
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As individuals we all have something within us that sets us apart, and makes us unique, our personality. Maybe you’ve come across someone who isn’t the easiest to get along with, and someone utters, “Don’t take it personally; they were born with a bad personality.” While some believe personality is entirely dependent upon your parents, your friends, and merely the way you were born, people neglect the science behind the traits of personality. Personality is defined as an individual’s characteristic pattern of thinking, feeling, and acting. It is through personality that we are able to explore our innermost being and determine why we act and react to things the way we do, and what makes us make the decisions we choose.
Aristotle continued to express a tragedy arouses both pity and fear, pity for the doomed hero and fear for all humans who are subject to the same forces and weakness. It would not be difficult to discover that Othello demonstrate weakness and fear in the play, and Shak...
why I feel this my unique. On the other hand, how I am also today with my personality, I live by
Aristotle’s Poetics is a written work that generates a loose standard for tragedy and also creates a solid definition to produce a
Mehl, Dieter. Shakespeare's Tragedies: An Introduction. Cambridge, New York, New Rochelle, Melbourne, Sydney: Cambridge U, 1986.
Aristotle. “On Tragedy.” Literature: Reading Fiction, Poetry, and Drama. Robert DiYanni. 6th Ed. New York, 2007. 2196-2198. Print.
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A modern tragedy of today and a tragedy of ancient Greece are two very different concepts, but ironically, both are linked by many similarities. In “Poetics”, Aristotle defines and outlines tragedy for theatre in a way that displays his genius, but raises questions and creates controversy. Aristotle’s famous definition of tragedy states:
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According to Shimp (2007), there are five important factors which determine the purpose of advertisement in terms of marketers’ communication with consumers. He listed these five factors as follows: “(1) informing, (2) influencing, (3) reminding and increasing salience, (4) adding value, and (5) assisting other company efforts.” (p.246). To clarify that, the first most important aspect is informing people which means company needs to enhance the awareness of the consumer about their products by mentioning its advantages and features. Advertising also affect the products in two ways. Firstly, by basic demand, which build consumer desires for old products of the company and secondly, refers to a new brand of the company. In addition, effective advertising can retain consumer’s mind fresh about the image of a brand which develops the trace of the memory where consumers have to choose between two or more products. Moreover, it may change the product quality, create new, well-designed and elegant product and change consumers view towards the product. Lastly, by effective advertising program, company may save money and time as s...